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“Covenant is [Stephen R.] Donaldson's genius!”—The Village Voice He called himself Thomas Covenant the Unbeliever, because he dared not believe in this strange alternate world on which he suddenly found himself. Yet the Land tempted him. He had been sick; now he seemed better than ever before. Through no fault of his own, he had been outcast, unclean, a pariah. Now he was regarded as a reincarnation of the Land's greatest hero—Berek Halfhand—armed with the mystic power of White Gold. That power alone could protect the Lords of the Land from the ancient evil of the Despiser, Lord Foul. Except that Covenant had no idea how to use that power. . . .
Parker shows the struggle with confusion and wonder about things Bishop can never make quiet or clear - about sexuality, politics, tbe burdens of imagination, the fate of the self. He explores Bishop's troubled family background and her concerns with gender and sexuality to offer new and persuasive readings of her poems and her poetic career.
“How has unbelief come to dominate so many Western societies? The usual account invokes the advance of science and rational knowledge. Ryrie’s alternative, in which emotions are the driving force, offers new and interesting insights into our past and present.” —Charles Taylor, author of A Secular Age Why have societies that were once overwhelmingly Christian become so secular? We think we know the answer, pointing to science and reason as the twin culprits, but in this lively, startlingly original reconsideration, Alec Ryrie argues that people embraced unbelief much as they have always chosen their worldviews: through the heart more than the mind. Looking back to the crisis of the Reformation and beyond, he shows how, long before philosophers started to make the case for atheism, powerful cultural currents were challenging traditional faith. As Protestant radicals eroded time-honored certainties and ushered in an age of anger and anxiety, some defended their faith by redefining it in terms of ethics, setting in motion secularizing forces that soon became transformational. Unbelievers tells a powerful emotional history of doubt with potent lessons for our own angry and anxious times. “Well-researched and thought-provoking...Ryrie is definitely on to something right and important.” —Christianity Today “A beautifully crafted history of early doubt...Unbelievers covers much ground in a short space with deep erudition and considerable wit.” —The Spectator “Ryrie traces the root of religious skepticism to the anger, the anxiety, and the ‘desperate search for certainty’ that drove thinkers like...John Donne to grapple with church dogma.” —New Yorker
Twice before, Thomas Covenant had been summoned to the Land, the strange other-world where magic worked.
The first book in the word-of-mouth phenomenon debut fantasy series about one man's dangerous journey through a labyrinthine world. "One of my favorite books of all time" -- Mark Lawrence The Tower of Babel is the greatest marvel in the world. Immense as a mountain, the ancient Tower holds unnumbered ringdoms, warring and peaceful, stacked one on the other like the layers of a cake. It is a world of geniuses and tyrants, of luxury and menace, of unusual animals and mysterious machines. Soon after arriving for his honeymoon at the Tower, the mild-mannered headmaster of a small village school, Thomas Senlin, gets separated from his wife, Marya, in the overwhelming swarm of tourists, residents, and miscreants. Senlin is determined to find Marya, but to do so he'll have to navigate madhouses, ballrooms, and burlesque theaters. He must survive betrayal, assassins, and the illusions of the Tower. But if he hopes to find his wife, he will have to do more than just endure. This quiet man of letters must become a man of action.
Reprint of an edition published in New York in 1937 by Oxford University Press.
“The Thomas Covenant saga . . . will certainly find a place on the small list of true classics in its specialized field.”—The Washington Post Book World After scant days in his “real” world, Thomas Covenant finds himself again summoned to the Land. There, forty bitter years have passed, while Lord Foul, immortal enemy of the Land, moves to fulfill his prophecy of doom. The Council of Lords find their spells useless, now that Foul the Despiser holds the Illearth Stone, ancient source of evil power. At last High Lord Elena turns in desperation to Covenant and the legendary white gold magic of his ring. . . .
" A trilogy of remarkable scope and sophistication." LOS ANGELES TIMESTwice before Thomas Covenant had been summoned to the strange other-world where magic worked. Twice before he had been forced to join with the Lords of Revelstone in their war against Lord Foul, the ancient enemy of the Land. Now he was back. This time the Lords of Revelstone were desperate. Without hope, Covenant set out to confront the might of the enemy, as Lord Foul grew more powerful with every defeat for the Land....
Beth thought she’d escaped the cult-like traditions of her childhood home in Drumfort, Illinois. College life has given her what she yearned for; the ways of the world, for knowledge, and the freedom that it brings. No more of that nonsense and ridiculous blind faith that has kept so many trapped back home. But when a strange being disturbs her dreams she returns home to find out why. And when she is chosen for the Sacrifice she must hold firm to her unbeliefs if she is to survive. *The stories in The Morbid Tales series are stand-alone tales. There is no order to reading each book.
Lisa Lewis's first collection of poems meditates on people in trouble searching for a way out, people whose faith has been tested and found wanting. The child who believes in God only on Christmas Eve, the teenage girl exploring her sexuality and finding herself forever under male control, the young woman struggling in a violent relationship, a driver locked in the secure world of her car deliberately swerving close to a traffic cop or using her commuting time to dream of leaving her marriage, the men who frequent massage parlors and therapists or threaten to rape the moon-- all have in common secret skepticism and isolation. These poems address with compassion and intensity the wariness of women and men together, the distance between them as they attempt to bridge their destructive failures. In long lines loaded with the eccentric details of human life, the vision of The Unbeliever is dark, funny, and not without hope as it follows the characters through connections sought and set at odds by difference and circumstance.