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The Ultimate Scene Study Series is a colossal new resource for actors, directors, and acting teachers. The scenes for 3 actors in the volume include selections from: Antigone by Sophocles, Blood Wedding by Lorca, Hamlet by Shakespeare, Finding the Sun by Albee, Prometheus Bound by Aeschylus, The Wash by Gotanda, The Duck Pond by Watson, and more!
A collection of more than one hundred scenes to be performed by two actors.
An invaluable resource for actors, directors, and teachers. These collections of scenes are selected from the full canon of dramatic literature, from the Greeks to the Moderns and from around the world.
The Ultimate Scene Study Series is a colossal new resource for actors, directors, and acting teachers. The scenes in this volume include selections from: The Suppliants by Aeschylus, Lysistrata by Aristophanes, Alan's Wife by Bell and Robbins, Ondine by Giraudoux, The Contrast by Tyler, Spreading the News by Lady Gregory, The Lottery by Jackson.
All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. The unique format of the book is ideal for acting teachers who want their students to understand each monologue in context. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book includes the author’s own assessment of each monologue.
Lynn Riggs: The Indigenous Plays bundles critically edited texts of three thematically allied plays with an extensive primary, secondary, and textual apparatus. The Cherokee Night (1932), comprising seven asynchronous scenes set between 1895 and 1931, is Riggs’s most experimental play. Its Cherokee characters inhabit a history of dispossession and violence, including the dissolution of the Cherokee Nation with Oklahoma statehood in 1907. Their daily survival constitutes the apex of resistance. Not so for the Indigenes of The Year of Pilar (1938), the most radical American Indian text prior to the Native American renaissance that began in the late 1960s. Here, Yucatecan Mayans take a government program of land reform as an opportunity to reclaim their homeland and punish settler-colonialists for centuries of enslavement, torture, and sexual violence. Riggs returns to Indian Territory in The Cream in the Well (1941), set on the eve of Oklahoma statehood. The Cherokee Sawters family responds to the onset of statehood by lamenting lost opportunities and fretting about an uncertain future.