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The monologue book you have been waiting for! Award-winning material written specifically for today's teens. Challenging monologues in real language and real situations that are really fun to work on.
A collection of 111 original monologues, all about one minute long, to be used by male and female teenage actors in auditions.
"For auditions, class, or practice, this series of books delivers exactly what it promises: a whole lot of engaging one-minute monologues for teen characters." KLIATTThis latest edition in Smith and Kraus's best-selling Ultimate Audition Series for Teens captures the exciting, unique, and active voice of M. Ramirez.A casting director's number one gripe is usually that young actors don't choose age-appropriate material. Teens need to play teenagers.Ramirez's characters talk like teenagers do: girls and boys aged 13-19. These original monologues will wake up judges, teachers, and casting directors. They're active. They pop like nobody's business. They're funny and poignant. But, best of all, these are stories only teens could tell, stories that allow their ability to really shine through.Some scenarios included are:? caught throwing a party? telling ghost stories? newcomer in town? in love with the video store guy? home after curfew? first earthquake experience? great movie idea? first parental betrayal? too old for the treehouse? approached by a homeless person? dreamer? first time shavingM. RAMIREZ is a playwright from Miami, Florida. He holds a degree in Dramatic Writing from NYU's Tisch School of the Arts, and he is currently working on another series of monologue books for Smith and Kraus. He's also working on a play about a giant.
You can't beat a Shakespearean scene for an acting tune-up. The sixty scenes in The Ultimate Scene Study Series for Teens Volume 1 provide a key with which young actors can unlock a storehouse of emotional, technical, and interpretive skills. Material from twenty-seven plays are organized as scenes for two characters, three characters, four characters, and five or more characters. The introduction discusses rhetorical elements, imagery, themes, verse, and prose styles, subplots, and tips on playing Shakespearean characters.
"Are you tired of buying monologue books only to discard half of the pieces because they are outside of your age range? Not anymore. The first four books in this series are for: women in their 20s, men in their 20s, women in their 30s, and men in their 30s. That means 101 monologues per book, 2 minutes and under, that are all usable by you."--BOOK JACKET.
Prepare your audition repertoire with the most innovative monologue series to date-Audition Arsenal Are you tired of buying monologue books only to discard half of the pieces because they are outside of your age range? Not anymore The first four books in this breakthrough series are for: Women in their 20s, Men in their 20s, Women in their 30s, and Men in their 30s. That means 101 monologues per book, 2 minutes and under, that are all usable by you And it gets even better. The Audition Arsenal books are organized by type so you will have dynamic, memorable, contemporary monologues that demonstrate your ability to handle any role. Each type is defined by a specific personality trait, allowing you to showcase the qualities crucial to a particular character or role. In addition, choosing contrasting types is a great way to show your range in general auditions. The types are broken down by tone-comedic, dramatic, or seriocomic. Searching is easy, accurate, and fun! Here are the types you will find in this book: Wacky/Quirky/Odd, Youthful/Naïve, High-strung/Neurotic/Stressed-out, Sexual/Flirtatious, Blunt/Direct, Romantic/In love, Angry/Fed up, Lost/Confused/Trying to Make Sense, Vulnerable/Hurt/Exposed, Troubled/Rough life, Persuasive/Inspirational. The Audition Arsenal series is a priceless resource for acting teachers and coaches, and the perfect tool to prepare you to land your next role-no matter what it calls for. Monologues for your gender, in your age range, by type and tone-getting cast has never been this easy! Praise for Milstein's book, The Ultimate Audition Book for Teens, Vol. 1: 111 One-Minute Monologues: Young actors who have searched for audition material written in the voice of teenage characters will welcome this resource. -Booklist A valuable resource for teachers and students alike. -School Library Journal Janet Milstein's Ultimate Audition Book for Teens Volume I is our all-time best seller. -Smith and Kraus
The Ultimate Commercial Book For Kids and Teens: The Young Actors? Commercial Study-guide! provides 6-18 year-olds with true-to-life comedic and dramatic commercials, all 100% tested by working young actors. It is packed with detailed descriptions of how to increase your presentation's impact, whether preparing for a class assignment or professional commercial audition. This includes training, preparation, and materials such as resumes, photos and classes. +150 original commercials are included for practice. Interviews with six Hollywood 101 insiders, all currently working industry experts provide tips on making your presentation stellar. Also includes Stevens? list of Presentation Do's and Dont?s, example agent query letter, a glossary of industry terms, and info. on where to get work permits. This book is meant to be read by the young performer who is searching to improve is presentation/commercial audition skills.
Here is wonderful, up-to-date material for scene study, selected from the best plays from recent theater seasons. More than 20 monologues for both men and women, carefully chosen to display the widest range of dramatic ability, are essential for auditioning actors. A large selection of parts for woman provide exciting opportunities to sharpen acting skills in roles that brought accolades from New York's toughest critics. More than 80 scenes in all, many previously unpublished, allow every actor, professional, amateur or student, to choose from either smart, sassy, often outrageous comedy or deeply moving drama—a unique, balanced collection of the most successful contemporary plays.
A deliciously funny romp of a novel about one overly theatrical and sexually confused New Jersey teenager’s larcenous quest for his acting school tuition It’s 1983 in Wallingford, New Jersey, a sleepy bedroom community outside of Manhattan. Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard. Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is. How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.
As professional directors and teachers who work with young and adult actors at the Tony Award-Winning American Conservatory Theater, Slaight and Sharrar have years of experience helping actors uncover the dynamics of the monologue, as acting exercise and as audition material. Now in their impressive third volume of age-appropriate monologues, culled from plays by substantial playwrights from an international field, the editors have assembled an impressive collection to take the actor/director/teacher to new levels of sophistication and breadth. The volume's introduction is a concise guide to today's audition obstacles and how to overcome them. As in their other award-winning collections, Slaight and Sharrar have selected character speeches from the finest dramatic literature. In addition, they have included a special section on the use of the song lyric as an exciting and useful exercise in solo work. Some of the writers included are: Edward Albee, Lee Blessing, Constance Congdon, Kia Corthron, Bob Dylan, Horton Foote, Timothy Mason, Sharman Macdonald, Lynn Nottage, Adam Rapp, George Bernard, Shaw Shakespeare, Sam Shepard, John M. Synge