Download Free The Ugliest Word Book in PDF and EPUB Free Download. You can read online The Ugliest Word and write the review.

There really is a monster in the hallway. be careful. Your bedroom door mill open, throwing light on your face. You’ll feign sleep. The door mill close behind your father, and darkness mill descend. This novel peeks through the fence at what only looks like an ordinary house, where a little girl navigates a childhood shrouded in taboo. Based on true stories and real people. The Ugliest Word is a quick read that mill not only shock you, it mill alter your world view.
Behold the 300 Ugliest Words in the English Language! Proceed at your own risk! J. R. R. Tolkien once said that cellar door is the most beautiful phrase in the English language; since then it has received quite a bit of attention from poets and linguists. But what of the ugly words? This delightfully humorous volume celebrates the words that make people gag and cover their ears. Too long have these atrocious utterances gone unrecognized, nay, shunned from society. No longer! The Illustrated Compendium of Ugly English Words pays homage to the 300 worst words in existence, such as: Amazeballs (noun): The public’s opinion on this word can be perfectly encapsulated by a recent Slate article titled “Who coined amazeballs and why do they hate humanity?” Chunky (adjective): Chunky (meaning “lumpy”) is a word so vile, it can make even the most pleasant image sound disgusting. Let’s try. Chunky flower. Chunky chocolate milk. Chunky Jonathan Van Ness. See? Moist (adjective): Slightly or moderately wet; damp; the linguistic equivalent of stepping in a lukewarm puddle in socks and feeling the water ooze between your toes with every step thereafter. Rural (adjective): Meaning “of the countryside,” rural’s definition is not actually gross. Its foulness stems more from its pronunciation, which forces the speaker to make a noise akin to the grunt of a zombie. Worm (noun): Any type of burrowing, elongated invertebrate with a soft, limbless body. (Is that a description of a real creature or a monster from a nightmare video game? Hard to say.) What makes these words ugly? It’s the nature of the word’s meaning, the pre-existing association the reader has with the word, or the sound and look of the word—or all three! The Illustrated Compendium of Ugly English Words catalogs the ugliness from A to Z, along with each word’s pronunciation guide, definition, and origin, plus quotes demonstrating usage. Illustrations on nearly every page of this hardcover make it both a hilarious reference book and the ideal gift for anyone who can’t stand the sound of words like acrid, panties, gubernatorial, ointment, and squirt. More than anything, though, this compendium can be used as a reminder that, despite all of our differences, deep down we all share the same hopes, the same dreams, and the same primal hatred for the terms that make us go, “Ugh, why would you even say that?!”
Behold the 300 Ugliest Words in the English Language! J. R. R. Tolkien once said that cellar door is the most beautiful phrase in the English language; since then it has received quite a bit of attention from poets and linguists. But what of the ugly words? This delightfully humorous volume celebrates the words that make people gag and cover their ears. Too long have these atrocious utterances gone unrecognized, nay, shunned from society. No longer! The Illustrated Compendium of Ugly English Words pays homage to the 300 worst words in existence, such as: Amazeballs (noun): The public’s opinion on this word can be perfectly encapsulated by a recent Slate article titled “Who coined amazeballs and why do they hate humanity?” Chunky (adjective): Chunky (meaning “lumpy”) is a word so vile, it can make even the most pleasant image sound disgusting. Let’s try. Chunky flower. Chunky chocolate milk. Chunky Jonathan Van Ness. See? Moist (adjective): Slightly or moderately wet; damp; the linguistic equivalent of stepping in a lukewarm puddle in socks and feeling the water ooze between your toes with every step thereafter. Rural (adjective): Meaning “of the countryside,” rural’s definition is not actually gross. Its foulness stems more from its pronunciation, which forces the speaker to make a noise akin to the grunt of a zombie. Worm (noun): Any type of burrowing, elongated invertebrate with a soft, limbless body. (Is that a description of a real creature or a monster from a nightmare video game? Hard to say.) What makes these words ugly? It’s the nature of the word’s meaning, the pre-existing association the reader has with the word, or the sound and look of the word—or all three! The Illustrated Compendium of Ugly English Words catalogues the ugliness from A to Z, along with each word’s pronunciation guide, definition, and origin, plus quotes demonstrating usage. Illustrations on nearly every page of this hardcover make it both a hilarious reference book and the ideal gift for anyone who can’t stand the sound of words like acrid, panties, gubernatorial, ointment, and squirt. More than anything, though, this compendium can be used as a reminder that, despite all of our differences, deep down we all share the same hopes, the same dreams, and the same primal hatred for the terms that make us go, “Ugh, why would you even say that?!” Proceed at your own risk!
This lexicon is popularly attributed to Craig Conley (author of HarperCollins' One-Letter Words: A Dictionary, Weiser Books' Magic Words: A Dictionary, and Webster's Dictionary of Improbabe Words, to name but three of hundreds). Conley himself neither disclaimed the work nor officially confirmed it as his own. It was discovered with no byline and possibly unfinished (though who can say? No lexicon is ever complete, given how language grows). Because this work features only literary examples of usage, Conley's idiosyncratic voice betrays itself, if at all, solely through the precise curation of terms. Note that certain entries feature asterisks, the significance of which is still being studied, with no contemporary theories having proved conclusive. They have been retained in this edition, exactly as they appeared in the original typescript.
This collection of more than fifty of Fred Craddock's sermons provides a glimpse of a master preacher at work. Amazingly, only one of the sermons was preached from a manuscript written in advance, as Craddock considered a sermon to be an event in the world of sound. As a result, the selections here wonderfully reflect and preserve Craddock's "voice" and engage readers with all the immediacy of the spoken word.
What would you do if you were suddenly broke and homeless?How would you feel if the very people you love threw you out?This book of poems answers those two questions. It speaks of the conflicts one faces with one's dearest ones to being put out on the streets alone, cold and hungry.Artwork was contributed by the unique painter, Kavion Robinson.
A funny, moving, and true story of an ordinary boy with an extraordinary face that's perfect for fans of Wonder—now available in the U.S. When Robert Hoge was born, he had a tumor the size of a tennis ball in the middle of his face and short, twisted legs. Surgeons removed the tumor and made him a new nose from one of his toes. Amazingly, he survived—with a face that would never be the same. Strangers stared at him. Kids called him names, and adults could be cruel, too. Everybody seemed to agree that he was “ugly.” But Robert refused to let his face define him. He played pranks, got into trouble, had adventures with his big family, and finally found a sport that was perfect for him to play. And Robert came face to face with the biggest decision of his life, he followed his heart. This poignant memoir about overcoming bullying and thriving with disabilities shows that what makes us “ugly” also makes us who we are. It features a reflective foil cover and black-and-white illustrations throughout.
A standard textbook on the art and craft of preaching. Craddock weaves history, theology, and hermeneutics into an exhaustive text on sermon preparation and preaching. Painstakingly prepared for seminary students and clergy, this book answers the fundamental question: How does one prepare and deliver a sermon? Craddock's approach is practical, but also allows for concentrated study of any particular dimension of the process. "Filled with practical wisdom. . . . A liberating book."--Richard Lischer, Duke University.