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Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Julie Spraggon offers a detailed analysis of Puritan iconoclasm in England during the 1640s, which led to a resurgence of image breaking a century after the break with Rome. She examines parliamentary legislation, its enforcement & the parallel action undertaken by the army to rid the land of superstition.
The idea that there is an analogy between the social collective and the human body originated more than twenty-five centuries ago. It was known to Plato and St. Paul, and was adopted by state functionaries in the Middle Ages and Renaissance, and by academics in the Nineteenth Century. In the early Twentieth Century the notion was taken up by military theorists and contributed to the formulation of new tactical and strategic doctrines, and it has resurfaced again in the IT era. At each stage the idea has been elaborated and given new emphases; for two millennia it has been part of the vocabulary in which successive generations have attempted to articulate their developing ideas about society. This book is more than simply a history of a political metaphor however: it is a history of how metaphor may be converted into action. What reviewers said of earlier books by A.D. Harvey: ''Collisions of Empire is a vast, complex, and brilliant mosaic, each individual tessera of which is hard-edged and glittering.'' Richard Holmes, Times Literary Supplement. '''Excellent... [A.D. Harvey] is a master of the concrete, the adroit displayer of the precious scrap of hard fact.'' Kathryn Hughes, Daily Telegraph. "Arnold Harvey has written an energetic and eclectic book reflecting on the implications of the idea that society can be seen as a body. He takes us from ancient India to computer hackers, provides quotations rich and strange and explores the by-ways of assassination and aerial warfare. Engrossing." Prof. Robert Bartlett, Dept. of Mediaeval History, University of St Andrews, St Andrews KY16 9AL, Scotland
First published in 1977. This book ascertains what sources Shakespeare used for the plots of his plays and discusses the use he made of them; and secondly illustrates how his general reading is woven into the texture of his work. Few Elizabethan dramatists took such pains as Shakespeare in the collection of source-material. Frequently the sources were apparently incompatible, but Shakespeare's ability to combine a chronicle play, one or two prose chronicles, two poems and a pastoral romance without any sense of incongruity, was masterly. The plays are examined in approximately chronological order and Shakespeare's developing skill becomes evident.
Religious issues and discourse are key to an understanding of Shakespeare's plays and poems. This dictionary discusses over 1000 words and names in Shakespeare's works that have a religious connotation. Its unique word-by-word approach allows equal consideration of the full nuance of each of these words, from 'abbess' to 'zeal'. It also gradually reveals the persistence, the variety, and the sophistication of Shakespeare's religious usage. Frequent attention is given to the prominence of Reformation controversy in these words, and to Shakespeare's often ingenious and playful metaphoric usage of them. Theological commonplaces assume a major place in the dictionary, as do overt references to biblical figures, biblical stories and biblical place-names; biblical allusions; church figures and saints.