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The only guide to Southern New Hampshires thriving restaurant scene, the two blondes dish up an entertaining and informative guide that is as much fun to read as it is to use. Each restaurant review is accompanied by restaurant menus with prices.
The Blondes is a hilarious and whipsmart novel where an epidemic of a rabies-like disease is carried only by blonde women, all of whom must go to great lengths to conceal their blondness. Hazel Hayes is a grad student living in New York City. As the novel opens, she learns she is pregnant (from an affair with her married professor) at an apocalyptically bad time: random but deadly attacks on passers-by, all by blonde women, are terrorizing New Yorkers. Soon it becomes clear that the attacks are symptoms of a strange illness that is transforming blondes—whether CEOs, flight attendants, students or accountants—into rabid killers. Emily Schultz's beautifully realized novel is a mix of satire, thriller, and serious literary work. With biting satiric wit, The Blondes is at once an examination of the complex relationships between women, and a merciless but giddily enjoyable portrait of what happens in a world where beauty is—literally—deadly.
If you’ve seen images of the biggest entertainers—Mariah Carey, Miley Cyrus, Katy Perry, Lil Kim, Britney Spears, Rihanna, J. Lo, or Madonna—on stage in a crystallized costume, you’ve seen the work of The Blonds. The Blonds is an invitation to designer Phillipe Blond and creative director David Blond’s inclusive, wild, and high-octane world. Since 2006, The Blonds have catered to the entertainment industry with glamor-usly over-the-top designs. Celebrities rely on the duo’s intricate corsets, catsuits, and dresses for performances, award shows, editorials, and any other special occasion where they need to move and shine. Their first book, as riotous as the brand’s legendary New York Fashion Week shows, unfolds in several acts, starting with an introduction to Phillipe and David, detailing their inspirations and how they built their rebellious brand over the last two decades. A chapter on their legendary runway shows includes details of their most iconic looks. The centerpiece showcases editorial and stage photography of celebrities, surrounded by anecdotes from the stars about their performances, life on stage, and their love of The Blonds. Including an in-depth look at the duo’s high-profile partnerships, runway shows, and the craftsmanship behind each piece, The Blonds is a backstage pass from sketch to stadium.
Fleeing pogrom-shadowed Russia only to lose her fair-haired son upon their arrival in America, Jewish refugee Esther Lipshitz becomes certain that Charles Lindbergh is her lost son and virtually destroys her family with her obsessive conviction, a situation that eventually culminates in a twenty-first-century descendant's efforts to make sense of the past. Reprint. 50,000 first printing.
'Fascinating ...Pitman skillfully navigates the complicated history of our addiction to fair hair, skipping through the centuries with an elegant touch' Independent 'Riveting ... provocative ... ON BLONDES is ultimately a study of power-and powerlessness-between the sexes ... travelling undercover, this brunette produced a book which, like its subject, is wonderfully enlightening' Telegraph In art and literature, in history and popular culture, blonde has never been a mere colour. For 2,500 years, it has been a blazing signal and around this obsession entire industries have developed, influential trends set. From Greek prostitutes mimicking the golden-haired Aphrodite, to the Californian beach babe; from pigeon-dung and saffron dyes to L'Oreal - because you're worth it - we see the lengths to which women will go to become blonde. The power and duality of the blonde as either erotic symbol or saintly virgin waxes and wanes but never disappears. Weaving a story rich in anecdote, history and high intrigue, Joanna Pitman effortlessly combines the wealth of her knowledge with a sharp and clear-sighted view of the power of the blonde throughout the ages.
At the height of the Cold War, Marilyn Monroe was the most infamous woman in the world. But what if she was also a secret Soviet spy? In 1947, a young, unknown Norma Jeane Baker meets a mysterious man in Los Angeles who transforms her into Marilyn Monroe, the star. Twelve years later he comes back for his repayment, and Marilyn is given her first assignment from the KGB: uncover something about JFK that no one else knows. But a simple job turns complicated when Marilyn falls in love with the bright young President, and learns of plans to assassinate Kennedy. More than anything, Marilyn wants to escape her Soviet handlers and save her love -- and herself. Desperate, ruthless and brilliant, what she does next will leave readers reeling. From New York Times bestselling author Anna Godbersen comes a whip-smart re-imagining of the life of Marilyn Monroe, set in a world of silver screen glamour and political intrigue. At once a crackling portrayal of Old Hollywood, an intimate portrait of the larger-than-life star, and a cat-and-mouse thriller, The Blonde is history rewritten as it could have -- and might have been.
She never wanted marriage... When a friend is forced to consider a marriage of convenience, Lady Amelia Staunton is determined to rescue her. But her plans trap her in an illicit seduction, and Amelia must marry him herself. Malcolm's all-consuming kisses and devilish humor might make up for her lost freedom, but she believes he will force her to abandon the Gothic romances she yearns to write. Since she can't escape him, she must distract him from her secret... He isn't looking for love... A powerful autocrat with a well-hidden rebellious streak, Malcolm MacCabe doesn't need another beautiful mistress - he needs an obedient wife. Obedience is not one of Amelia's virtues. But he's too enthralled by her wit and passion to let her go - even if it means risking the political reputation he is building to save his clan. Their hearts can't survive the scandal... Despite their intentions, every wicked embrace binds them together. But as their conflicting desires combust into insatiable hunger and unavoidable ruin, they must decide whether to pursue their personal destinies alone - or fight for the love that could destroy them both.
Nesse mundo tão competitivo que vivemos, o conhecimento de um segundo idioma é primordial para termos sucesso em nossa vida profissional. Porém, muitas vezes, nos deparamos com o nosso maior inimigo ao aprendizado, o tempo. Visando ajudar as pessoas que querem aprender, mas contam com pouco tempo, esse projeto foi criado. Nossa proposta é que você possa aprender de forma fácil e concisa, um pouquinho de cada vez, através de textos diários que possam lhe auxiliar na compreensão e no domínio das palavras.
Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once