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Wild, lyrical poems that examine the connections between physical and interior migration, from award-winning Palestinian American poet, novelist, and clinical psychologist Hala Alyan, author of Salt Houses.
Wild, lyrical poems that examine the connections between physical and interior migration, from award-winning Palestinian American poet, novelist, and clinical psychologist Hala Alyan, author of Salt Houses. For Hala Alyan, twenty-nine is a year of transformation and upheaval, a year in which the past—memories of family members, old friends and past lovers, the heat of another land, another language, a different faith—winds itself around the present. Hala’s ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies. A vivid catalog of heartache, loneliness, love and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.
A six-hundred-mile canoe trip in the Canadian wilderness is a seventeen-year-old's dream adventure, but after he is mauled by a grizzly bear, it's all about staying alive. This true-life wilderness survival epic recounts seventeen-year-old Alex Messenger's near-lethal encounter with a grizzly bear during a canoe trip in the Canadian tundra. The story follows Alex and his five companions as they paddle north through harrowing rapids and stunning terrain. Twenty-nine days into the trip, while out hiking alone, Alex is attacked by a barren-ground grizzly. Left for dead, he wakes to find that his summer adventure has become a struggle to stay alive. Over the next hours and days, Alex and his companions tend his wounds and use their resilience, ingenuity, and dogged perseverance to reach help at a remote village a thousand miles north of the US-Canadian border. The Twenty-Ninth Day is a coming-of-age story like no other, filled with inspiring subarctic landscapes, thrilling riverine paddling, and a trial by fire of the human spirit.
"The Arsonists' City delivers all the pleasures of a good old-fashioned saga, but in Alyan's hands, one family's tale becomes the story of a nation--Lebanon and Syria, yes, but also the United States. It's the kind of book we are lucky to have."--Rumaan Alam A rich family story, a personal look at the legacy of war in the Middle East, and an indelible rendering of how we hold on to the people and places we call home The Nasr family is spread across the globe--Beirut, Brooklyn, Austin, the California desert. A Syrian mother, a Lebanese father, and three American children: all have lived a life of migration. Still, they've always had their ancestral home in Beirut--a constant touchstone--and the complicated, messy family love that binds them. But following his father's recent death, Idris, the family's new patriarch, has decided to sell. The decision brings the family to Beirut, where everyone unites against Idris in a fight to save the house. They all have secrets--lost loves, bitter jealousies, abandoned passions, deep-set shame--that distance has helped smother. But in a city smoldering with the legacy of war, an ongoing flow of refugees, religious tension, and political protest, those secrets ignite, imperiling the fragile ties that hold this family together. In a novel teeming with wisdom, warmth, and characters born of remarkable human insight, award-winning author Hala Alyan shows us again that "fiction is often the best filter for the real world around us" (NPR).
Winner of the Dayton Literary Peace Prize and the Arab American Book Award A Best Book of the Year: NPR • NYLON • Kirkus • Bustle • BookPage "What does home mean when you no longer have a house—or a homeland? This beautiful novel traces one Palestinian family's struggle with that question and how it can haunt generations. . . . This is an example of how fiction is often the best filter for the real world around us." — NPR Lyrical and heartbreaking, Salt Houses follows three generations of a Palestinian family and asks us to confront that most devastating of all truths: you can’t go home again. On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967. Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home and their land, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities. Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand.
"In Islam, hijra refers to the Prophet Muhammad's departure from Mecca to Medina; the term has come to mean any exodus. Bearing witness to the testimony of immigration--not only the poet's but also that of her family--the poems in the collection create a dialogue between the two worlds of migration"--
A lily pond, so the French riddle goes, contains a single leaf. Each day the number of leaves doubles--two leaves the second day, four the third, eight the fourth, and so on. Question: If the pond is completely full on the thirtieth day, when is it half full? Answer: On the Twenty-ninth day.
An urgent, visionary collection of poems from the author of The After Party “One of the most original voices of her generation.”—James Wood NAMED ONE OF THE BEST POETRY BOOKS OF THE YEAR BY THE NEW YORK TIMES AND THE PARIS REVIEW Jana Prikryl’s No Matter guides the reader through cities—remembered and imagined—toppling past the point of decline and fall. Conjured by voices alternately ardent, caustic, grieving, but always watchful, these soliloquies move from free verse through sonnets and invented forms, insisting that every demolition builds something new and unforeseen. In reactionary times, these poems say, we each have a responsibility to use our imagination. No Matter is an elegy for our ongoing moment, when what seemed permanent suddenly appears to be on the brink of disappearing.
A magnificent new novel from one of America’s finest writers—a powerfully affecting story spanning the twentieth century of a widow and her daughter and the nuns who serve their Irish-American community in Brooklyn. On a dim winter afternoon, a young Irish immigrant opens a gas tap in his Brooklyn tenement. He is determined to prove—to the subway bosses who have recently fired him, to his pregnant wife—that “the hours of his life . . . belonged to himself alone.” In the aftermath of the fire that follows, Sister St. Saviour, an aging nun, a Little Nursing Sister of the Sick Poor, appears, unbidden, to direct the way forward for his widow and his unborn child. In Catholic Brooklyn in the early part of the twentieth century, decorum, superstition, and shame collude to erase the man’s brief existence, and yet his suicide, though never spoken of, reverberates through many lives—testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, even through multiple generations. Rendered with remarkable delicacy, heart, and intelligence, Alice McDermott’s The Ninth Hour is a crowning achievement of one of the finest American writers at work today.
In an era of rising nationalism and geopolitical instability, Megan Fernandes’s Good Boys offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging—just barely—on the trains and bridges and bar stools of New York City. A child of the Indian Ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the “hydrogen fruit” of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy.