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This volume explores the theme of Latin and Greek mutual learning, intellectual and cultural interchange in the final age of Byzantium (1261-1453), challenging received conceptions of East and West as clearly delineated ideological categories. The reception of Thomas Aquinas and Western scholasticism receives emphasis, but also other forms of philosophical and theological frames of reference that have had lasting repercussions.
Throughout the last two centuries, a controversial question has plagued the field of education of the deaf: should sign language be used to communicate with and instruct deaf children? Never the Twain Shall Meet focuses on the debate over this question, especially as it was waged in the nineteenth century, when it was at its highest pitch and the battle lines were clearly drawn. In addition to exploring Alexander Graham Bell's and Edward Miner Gallaudet's familial and educational backgrounds, Never the Twain Shall Meet looks at how their views of society affected their philosophies of education and how their work continues to influence the education of deaf students today.
Did famous author Mark Twain's only surviving child, Clara, and her daughter, Nina Clemens Gabrilowitsch, take a life-long secret to their graves? After extensive research, and using techniques from genetic genealogy, The Twain Shall Meet authors believe the answer is a resounding "yes." If you thought you knew everything about Samuel Langhorne Clemens' family, this book will be a page-turning eye opener. This work of nonfiction takes the reader on a mesmerizing and heartwarming journey into the tangled universe of mother-daughter relationships as co-authors Susan Bailey and genealogist and historic researcher Deborah Gosselin seek to uncover the identity of Bailey's mother-a quest that leads them straight into the heart of Clara's and Nina's world.
A collection of whimsical true encounters between famous and infamous individuals describes the unlikely meetings of Marilyn Monroe with Frank Lloyd Wright, Michael Jackson with Nancy Reagan, and Sigmund Freud with Gustav Mahler.
This book is a synthesis of the author's now lifetime of deep and abiding personal and professional experiences that have led to his deep understanding of the American Experience, the Mediterranean World, and U.S.-Turkish relations. The narrative guides the audience to bridges, where others may see only chasms. Oh, there are chasms for sure. The reader is transported, back and forth, from East to West, across the centuries, juxtaposing geography and discovery, politics and war, religion and the arts, terrorism, key figures and human triumphs. The goal of the journey is a better appreciation for the nature of both historic and current controversies and under-recognized extraordinary contributions that lie at the heart of the East-West dynamic. This book seeks to decode some of the presumptions and misconceptions that tend to become the prisms through which both individual and state perceptions are filtered and pose as "the truth". These truths, like beauty, tend to vary in the eyes of the beholder.
History of California as a melting pot for a wide variety of immigrants.
Originally published: Berkeley, Calif; London: University of California Press, 1969.
In the spring of 1884 Ulysses S. Grant heeded the advice of Mark Twain and finally agreed to write his memoirs. Little did Grant or Twain realize that this seemingly straightforward decision would profoundly alter not only both their lives but the course of American literature. Over the next fifteen months, as the two men became close friends and intimate collaborators, Grant raced against the spread of cancer to compose a triumphant account of his life and times—while Twain struggled to complete and publish his greatest novel, Adventures of Huckleberry Finn.In this deeply moving and meticulously researched book, veteran writer Mark Perry reconstructs the heady months when Grant and Twain inspired and cajoled each other to create two quintessentially American masterpieces. In a bold and colorful narrative, Perry recounts the early careers of these two giants, traces their quest for fame and elusive fortunes, and then follows the series of events that brought them together as friends. The reason Grant let Twain talk him into writing his memoirs was simple: He was bankrupt and needed the money. Twain promised Grant princely returns in exchange for the right to edit and publish the book—and though the writer’s own finances were tottering, he kept his word to the general and his family. Mortally ill and battling debts, magazine editors, and a constant crush of reporters, Grant fought bravely to get the story of his life and his Civil War victories down on paper. Twain, meanwhile, staked all his hopes, both financial and literary, on the tale of a ragged boy and a runaway slave that he had been unable to finish for decades. As Perry delves into the story of the men’s deepening friendship and mutual influence, he arrives at the startling discovery of the true model for the character of Huckleberry Finn. With a cast of fascinating characters, including General William T. Sherman, William Dean Howells, William Henry Vanderbilt, and Abraham Lincoln, Perry’s narrative takes in the whole sweep of a glittering, unscrupulous age. A story of friendship and history, inspiration and desperation, genius and ruin, Grant and Twain captures a pivotal moment in the lives of two towering Americans and the age they epitomized.
These eleven short verses, written by Thomas Hardy as a response to the tragic loss of RMS Titanic in 1912, are couched in a colourful and concise language that takes the reader to the ocean depths where the sea-worm crawls over mirrors meant to reflect the opulent passengers. While the Titanic was being built, the great iceberg that was to be her undoing slowly moved towards the appointed convergence. Hardy seems to have instructed the publisher to space the number and lines of each verse to form the shape of an ocean liner.Robert Fielding has provided music that reflects the changing moods and underlying frustrations in Hardy's text. This work is also a small gesture of respect in remembrance of the musicians who sacrificed their lives playing upbeat ragtime and quick waltzes to calm the terrified passengers until they could no longer stand. The copy contains named photos of these men and information about the disaster.