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The turnrow Anthology of Contemporary Australian Poetry, edited by John Kinsella, features the work of 123 poets. The 600 page anthology is both inclusive and diverse, representative of both the major award winning poets of the country and its younger poets who have published only one or two books of poetry. Readers will recognize a variety of styles and attitudes in the collection; they will find poems which might be labeled as formalist, innovative, confessional, political, pastoral, lyrical, narrative, and those poems which reflect a "new hybridization and hybridity" of these styles.
Australia and New Zealand, united geographically by their location in the South Pacific and linguistically by their English-speaking inhabitants, share the strong bond of hope for cultural diversity and social equality--one often challenged by history, starting with the appropriation of land from their Indigenous peoples. This volume explores significant themes and topics in Australian and New Zealand literature. In their introduction, the editors address both the commonalities and differences between the two nations' literatures by considering literary and historical contexts and by making nuanced connections between the global and the local. Contributors share their experiences teaching literature on the iconic landscape and ecological fragility; stories and perspectives of convicts, migrants, and refugees; and Maori and Aboriginal texts, which add much to the transnational turn. This volume presents a wide array of writers--such as Patrick White, Janet Frame, Katherine Mansfield, Frank Sargeson, Witi Ihimaera, Christina Stead, Allen Curnow, David Malouf, Les Murray, Nam Le, Miles Franklin, Kim Scott, and Sally Morgan--and offers pedagogical tools for teachers to consider issues that include colonial and racial violence, performance traditions, and the role of language and translation. Concluding with a list of resources, this volume serves to support new and experienced instructors alike.
The Fremantle Press Anthology of Western Australian Poetry is a comprehensive survey of the state's poets from the 19th century to today. Featuring work from 134 poets, and including the work of many WA Indigenous poets, this watershed anthology brings together the poems that have contributed to and defined the ways that Western Australians see themselves.
'In the beautifully calibrated "cardiac ward poetics" of Star Struck, David McCooey re-energises the old binaries of life and death, public and private, culture and nature. Irony's the pacemaker here, driving these superbly restrained poems home, though never at the expense of feeling and tenderness. McCooey understands, unsentimentally, that we are all trapped together on the "ward".' - A.Frances Johnson 'I would rather read his poetry than that of anyone else of his generation' - Craig Sherborne. With poems ranging from the confessional to the mock-autobiographical, from imagism to a strange storytelling, from the comic and satirical to the plangent and disturbing, Star Struck startles us with the many faces of lyric poetry. This book of poems by the award-winning poet David McCooey is made up of four sections. The first documents an alienating encounter with a life-threatening illness. The second plays out an unforgettable obsession with darkness and light. The third brings together popular music and the ancient literary mode of the pastoral. In this highly original sequence we find, among other things, Bob Dylan singing Virgil, Joni Mitchell reflecting on life in Laurel Canyon, a lab monkey pondering the sound of music, and a bitter, surreal rewriting of 'Down Under'. (Series: UWAP Poetry) [Subject: Poetry]
Andrew Lansdown’s latest poetry collection, Abundance, contains poems from eleven of his earlier collections and poems that are previously uncollected. These poems gain power from the poet’s mastery of poetic form and technique. They range widely in theme, tone, style, and subject—from an aboriginal man playing the digeridoo in prison to a widow addressing a prophet in Phoenicia; from kangaroos crossing a firebreak to a man asleep in a library; from the emptiness of black bamboo to the fullness of a father’s heart; from a pregnant mother dying for the faith in shogunal Japan to the poet’s mother joining an American-style sacred-harp choir in heaven. This collection offers readers an abundance.
Note continued: The Endurance of Intimacy -- Broken Heart -- Sunset at Brisbane Airport -- Variation on a Sonnet for Ripeness -- Westerly Wind -- Testimonial -- Chrissy Amphlett and You -- In the House -- School Chemistry Class -- Where Were You When -- The Intervention of Wolves -- The Secret Dreams of Agistment Cattle -- We Are All Feeling Fragmented -- Men of a Certain Age -- Every Way to Leave Your Lover Is the Same -- The Interpretation of Dreams -- Report Card -- Messaging -- Hollywood Revenge -- Queensland Haiku -- The Dead are Bored -- The Love of Books -- My Enemy has asked to be Friended on Facebook -- Lost Memory Stick -- The Love Song of B. Albert Speer -- Daytime Television -- Polar Bear Noir -- Running from Saints
This ground-breaking anthology collects poems written by Australian poets who are migrants, their children, and refugees of Asian heritage, spanning work that covers over three decades of writing. Inclusive of hitherto marginalised voices, these poems explore the hyphenated and variegated ways of being Asian Australian, and demonstrate how the different origins and traditions transplanted from Asia have generated new and different ways of being Australian. This anthology highlights the complexity of Asian Australian interactions between cultures and languages, and is a landmark in a rich, diversely-textured and evolving story. Timely and proactive this anthology fills existing cultural gaps in poetic expressions of home, travel, diaspora, identity, myth, empire and language.
The letter 'm' is emblematic of recurrence and precipitousness in these poems. They emerge with the wantonness of sensations in everyday life. In this case three lives: maternal grandmother, paternal great-great grandmother and the poet. Jordie Albiston, with characteristic delicacy and zest, limns these very different women as perspectives to each other. Recurrence is intrinsic to sonnets. They are patterned internally, and are often paroxysmal: a perfect form and formation for poems which worry the distinction between the fatal and the banal. The sequence tells what happens when you admit the existential into everyday life, in small or large doses. The results can be desolate, or sublime. And comedic as well: Albiston knows how to play between darkness and send-up, when it comes to an arduous and animating tension between body and mind. The sonnet according to 'm' was awarded the 2010 Kenneth Slessor Prize in the NSW Premier's Literary Awards. It was also shortlisted for the 2010 Judith Wright Poetry Prize in the A.C.T Awards.
A deconstruction of the stereotypical depictions of the coolie in the British Empire.