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#1 New York Times bestselling author Kim Harrison returns to her beloved Hollows series with The Turn, the official prequel to the series that will introduce you to a whole new side of Rachel Morgan's world as they've never seen it before! Can science save us when all else fails? Trisk and her hated rival, Kal, have the same goal: save their species from extinction. But death comes in the guise of hope when a genetically modified tomato created to feed the world combines with the government's new tactical virus, giving it an unexpected host and a mode of transport. Plague rises, giving the paranormal species the choice to stay hidden and allow humanity to die, or to show themselves in a bid to save them. Under accusations of scientific misconduct, Trisk and Kal flee across a plague-torn United States to convince leaders of the major paranormal species to save their supposedly weaker kin, but not everyone thinks humanity should be saved, and Trisk fights the prejudices of two societies to prove that not only does humanity have something to offer, but that long-accepted beliefs against women, dark magic, and humanity itself can turn to understanding; that when people are at their worst that the best show their true strength, and that love can hold the world together as a new balance is found.
INSTANT NEW YORK TIMES BESTSELLER “A superb suspense writer…Brava, Ruth Ware. I daresay even Henry James would be impressed.” —Maureen Corrigan, author of So We Read On “This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.” —Entertainment Weekly From the #1 New York Times bestselling author of The Lying Game and The Death of Mrs. Westaway comes this thrilling novel that explores the dark side of technology. When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.
How do Tiffany Haddish, Tom Hanks, Meryl Streep and Apple’s Tim Cook turn us on, and why do some other public figures drive us crazy and turn us off? And who are the behind-the-scenes gurus who help public figures turn us on or off? Steven Goldstein, a civil rights leader who has worked in politics, business and entertainment, breaks down the industry of creating likeability and how public figures manufacture likeability—and how they sometimes destroy it through scandals. As a television producer, Congressional lawyer, leader of state and national civil rights organizations, and communications advisor to corporate and political leaders, Steven Goldstein has been a mover and shaker in every sector of American power. He knows what makes public figures likeable. Based on his twenty-five years of experience and original teachings, Goldstein tells us why we like certain people, and dislike others, in politics, business, and entertainment. Why do we let some into our personal world and refuse to let others enter? Goldstein has developed a paradigm that describes how we fall in like, reminiscent of falling in love, with the public figures who shape our lives. And Goldstein names names. Why do we like Ellen DeGeneres and Morgan Freeman, yet find Gwyneth Paltrow sometimes maddening? Why do we like Warren Buffett, Microsoft’s Satya Nadella and Google’s Sundar Pichai aside from their products and profits? And apart from our ideology, why do some of us like Barack and Michelle Obama and others Donald Trump, and what does Ben Franklin have to do with any of it? Goldstein identifies eight traits of likeability that every public figure reveals to us in pairs, with each pair deepening our relationship with that person. The pairs are: Captivation and Hope Authenticity and Relatability Protectiveness and Reliability Perceptiveness and Compassion Goldstein not only tells us how we fall in like with public figures, but he also reveals the behind-the-scenes players in politics, business and entertainment who shape who we like. Likeability isn’t just something you have or you don’t. Likeability can be manufactured—and it can be destroyed. Public figures can be their own worst enemies in saying or doing things that turn us off. Why do we forgive some but not others? The Turn-On will make you think twice about a celebrity reinvention, a glamorous media appearance or a perfectly crafted speech, and will give you tools to take control of your own likeability and become more like your favorite star.
Via Lex talionis, a murdered law student afflicts justice upon his killers at a city aquarium. A beleaguered woman is just one of a few individuals having a hard time in a local pawn shop. A teen is shown her fate, if not for her righting her path in the nick of time, to avoid time stolen. The less than heroic deed of an idealistic child protective servant is redeemed. There is always The Turn, wherein all debts are paid, via Universal Law. IT'S TIME WICKEDNESS GETS ITS DUE AT THE TURN
Winner of the Oregon Spirit Book Award Does he belong to the land or to the sea? Readers who loved Kelly Barnhill’s The Girl Who Drank the Moon and Pam Muñoz Ryan’s Echo will be transported to the place where the water and land meet in this exquisitely crafted coming-of-age tale about a selkie boy. Aran has never truly fit in with his selkie clan. He was born in his human form, without a pelt to transform him into a sleek, strong seal. Each day he waits, left behind while his selkie family explores the deep ocean. What if his pelt never comes? Does the Moon even see him? Is he putting his clan at risk? When his mother undertakes a journey to the far north to seek help, Aran is left in the care of a reclusive human woman on remote Spindle Island. Life on land is full of more wonders—and more dangers—than Aran could have ever imagined. Soon Aran will be forced to decide: will he fight for his place on land, or return to his home in the sea?
Some lines should never be crossed. Police corruption, an investigation that ends in tragedy, and the mystery of a little girl’s silence—three unconnected events that will prove to be linked by one small town. While Detective Cormac Reilly faces enemies at work and trouble in his personal life, Garda Peter Fisher is relocated out of Galway with the threat of prosecution hanging over his head. But even that is not as terrible as having to work for his overbearing father, the local copper for the pretty seaside town of Roundstone. For some, like Anna and her young daughter, Tilly, Roundstone is a refuge from trauma. But even this village on the edge of the sea isn’t far enough to escape from the shadows of evil men.
T The Turn analyzes the research of information seeking and retrieval (IS&R) and proposes a new direction of integrating research in these two areas: the fields should turn off their separate and narrow paths and construct a new avenue of research. An essential direction for this avenue is context as given in the subtitle Integration of Information Seeking and Retrieval in Context. Other essential themes in the book include: IS&R research models, frameworks and theories; search and works tasks and situations in context; interaction between humans and machines; information acquisition, relevance and information use; research design and methodology based on a structured set of explicit variables - all set into the holistic cognitive approach. The present monograph invites the reader into a construction project - there is much research to do for a contextual understanding of IS&R. The Turn represents a wide-ranging perspective of IS&R by providing a novel unique research framework, covering both individual and social aspects of information behavior, including the generation, searching, retrieval and use of information. Regarding traditional laboratory information retrieval research, the monograph proposes the extension of research toward actors, search and work tasks, IR interaction and utility of information. Regarding traditional information seeking research, it proposes the extension toward information access technology and work task contexts. The Turn is the first synthesis of research in the broad area of IS&R ranging from systems oriented laboratory IR research to social science oriented information seeking studies.
Accused of treason against the Wizards of the White Council, Warden Morgan goes in search of Harry Dresden in a desperate attempt to clear his name and stop the deadly punishment from taking place in this latest thrilling addition to the Dresden Files series.
The author of Dirt Music and The Riders captures the urgency of memory and the way an entire life can be shaped by one event from the past in this capsule of connected stories set on the coast of Western Australia. Tim Winton's stunning collection of connected stories is about turnings of all kinds—changes of heart, slow awakenings, nasty surprises and accidents, sudden detours, resolves made or broken. Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.