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'A compelling and evocative re-imagining of the events that led to this most infamous of murders; full of wit and pathos.' Hana Cole, author of The Devil's Crossing BECKET: WARRIOR 1159 Toulouse. Thomas of London, Chancellor of England, has spent a lifetime as a clerk, administrator, and ambassador. Now he must prove himself a warrior and leader of men, if his friend and master King Henry II of England is to achieve his ambition to rule all France. The fiery King and calculating Chancellor are as close as brothers, but many at court see Thomas as an upstart. Becket must fight on a political as well as military front. The city of Toulouse controls trade into Spain and the Mediterranean. With it in English hands, Henry will control more of the Frankish Kingdom than Louis VII of France. The French King, and Count Raymond of Toulouse, will stop at nothing to save the city and France from the greatest English host ever assembled. Thomas and the English army must prove their mettle, or be condemned to defeat on foreign soil. BECKET: REBEL 1164. Northampton. Thomas of London, the reluctant Archbishop of Canterbury, was an ambitious courtier who thought of nothing but pleasing his King. Now he must prove to the English church and his former master that he has been directed towards a new calling. The fiery King Henry II and calculating Archbishop were once as close as brothers. But their professional duties impinge upon their personal relationship. Crown and church, embodied in the persons of King and Archbishop, must confront one another. Henry aims to subdue the rebellious clergyman in Northampton, but Thomas plans to escape to the Pope in France. King Louis of France and Pope Alexander are both wary of supporting the Archbishop and angering the vindictive Henry. As agents scour England for the rebel, Thomas must evade them and find allies in his perilous dispute with the English King. The road to liberty will be a bloody one. BECKET: MARTYR 1170. Canterbury. Thomas of London, the rebellious Archbishop of Canterbury, has made peace with Henry II, after six long years in exile.Henry and Thomas are both prepared to put past differences aside, but there is little trust left between the two former close friends and allies. A single ill-judged word or action could spark a conflict between the two men - and church and state. Thomas's return to England threatens the interests of Henry's barons and his enemies in the church. They will stop at nothing to destroy the popular, but proud, clergyman. Back in Canterbury, Thomas is intent on taking his revenge on those who conspired against him, whatever the consequences. News that Thomas has excommunicated royal supporters soon reaches the King. It is the last straw for the Henry. He explodes in a rage, calling on four knights to rid him of his 'turbulent priest'. They are words that will resound down the centuries and leave Henry with a lifetime of regret. With no hope of a lasting peace between the King and Archbishop, there can be only one, bloody, conclusion. Jemahl Evans is the author of the acclaimed Sir Blandford Candy series of novel. He lives in West Wales. Praise for Jemahl Evans: 'The research is impeccable and the writing full of verve.' Antonia Senior, The Times 'It's great fun and a rollicking good read.' Historical Novel Society 'Frankly, glorious.' Michael Jecks 'Warrior is a swift, breathless plunge into the high medieval period.' J.A. Ironside, author of The King's Knight
A revisionist new biography reintroducing readers to one of the most subversive figures in English history—the man who sought to reform a nation, dared to defy his king, and laid down his life to defend his sacred honor NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KANSAS CITY STAR AND BLOOMBERG Becket’s life story has been often told but never so incisively reexamined and vividly rendered as it is in John Guy’s hands. The son of middle-class Norman parents, Becket rose against all odds to become the second most powerful man in England. As King Henry II’s chancellor, Becket charmed potentates and popes, tamed overmighty barons, and even personally led knights into battle. After his royal patron elevated him to archbishop of Canterbury in 1162, however, Becket clashed with the King. Forced to choose between fealty to the crown and the values of his faith, he repeatedly challenged Henry’s authority to bring the church to heel. Drawing on the full panoply of medieval sources, Guy sheds new light on the relationship between the two men, separates truth from centuries of mythmaking, and casts doubt on the long-held assumption that the headstrong rivals were once close friends. He also provides the fullest accounting yet for Becket’s seemingly radical transformation from worldly bureaucrat to devout man of God. Here is a Becket seldom glimpsed in any previous biography, a man of many facets and faces: the skilled warrior as comfortable unhorsing an opponent in single combat as he was negotiating terms of surrender; the canny diplomat “with the appetite of a wolf” who unexpectedly became the spiritual paragon of the English church; and the ascetic rebel who waged a high-stakes contest of wills with one of the most volcanic monarchs of the Middle Ages. Driven into exile, derided by his enemies as an ungrateful upstart, Becket returned to Canterbury in the unlikeliest guise of all: as an avenging angel of God, wielding his power of excommunication like a sword. It is this last apparition, the one for which history remembers him best, that will lead to his martyrdom at the hands of the king’s minions—a grisly episode that Guy recounts in chilling and dramatic detail. An uncommonly intimate portrait of one of the medieval world’s most magnetic figures, Thomas Becket breathes new life into its subject—cementing for all time his place as an enduring icon of resistance to the abuse of power.
A provocative piece of literary work! Provides a vivid exposition of the evil within our midst, the truly dark side of our Saint Lucian culture. Disturbing in its tortuosity, it is not for the faint of heart or those with deep dark secrets. It may be found offensive, inflammatory, and challenging to many of previous eras and also to those in this current era who sing and dance to the words I wanna be a billionaire so freaking bad! . . . Wanna be on the cover of Forbes magazine . . . buy the things I never had! A must read, however, for those seekers of wealth, power, and status! The book does a great job of characterizing the escalating problem of depravity of the human soul stemming from social, cultural, and spiritual deficiencies. It begs the question, Has our holy mother, the Catholic church, been able to attain that nexus between Saint Lucias Afrocentric culture and Christianity? Has our local church been able to challenge and confront what has been deemed acceptable to the bourgeoisie as inherent social/cultural/spiritual values reflected in duplicity in religious outlook? The book however provides a ray of hope as it culminates in an expression of the beauty of the sacramental life provided by mother church, which is available to all in order to put on Gods armor so as to be able to resist the devils tactics. It is hoped that there are still many God-fearing persons in our society who continue to strive for the virtues of honesty and integrity, not willing to compromise the well-being of their fellowman for the sake of an insatiable ambition for power, wealth, and fame! This brilliant exposition then ought to move those who possess a genuine soul, a social and moral conscience, those who still bear light in their hearts, to bring light and life into successive generations of our beloved country, Saint Lucia, seeking to reject evil under all conditions.
Every few weeks a politician, pundit or soap star causes a media storm by making a gaffe or tweeting a joke that some people do not find funny. Comedy is very hard to get right and yet we think it’s important to have a sense of humour and not take yourself too seriously. On the other hand, a sense of humour failure can lead to losing your friends, your twitter account, your job, your career and, in some cases, your life. James Cary knows about this. He is a sitcom writer who’s written jokes about bomb disposal in Afghanistan (Bluestone 42), defended comments about Islam by Ben Elton on Newsnight, been on a panel with radical Muslim cleric Anjem Choudary, sits on the General Synod of the Church of England and somehow managed to co-write episodes of Miranda. An odd mix, but one that makes him very readable. This entertaining, breezy book, explains how comedy works (with jokes and quotes) and gives much-needed insights into the controversy surrounding humour.
In Priest, Politician, Collaborator, James Mace Ward offers the first comprehensive and scholarly English-language biography of the Catholic priest and Slovak nationalist Jozef Tiso (1887–1947). The first president of an independent Slovakia, established as a satellite of Nazi Germany, Tiso was ultimately hanged for treason and (in effect) crimes against humanity by a postwar reunified Czechoslovakia. Drawing on extensive archival research, Ward portrays Tiso as a devoutly religious man who came to privilege the maintenance of a Slovak state over all other concerns, helping thus to condemn Slovak Jewry to destruction. Ward, however, refuses to reduce Tiso to a mere opportunist, portraying him also as a man of principle and a victim of international circumstances. This potent mix, combined with an almost epic ability to deny the consequences of his own actions, ultimately led to Tiso’s undoing. Tiso began his career as a fervent priest seeking to defend the church and pursue social justice within the Kingdom of Hungary. With the breakup of Austria-Hungary in 1918 and the creation of a Czechoslovak Republic, these missions then fused with a parochial Slovak nationalist agenda, a complex process that is the core narrative of the book. Ward presents the strongest case yet for Tiso’s heavy responsibility in the Holocaust, crimes that he investigates as an outcome of the interplay between Tiso’s lifelong pattern of collaboration and the murderous international politics of Hitler’s Europe. To this day memories of Tiso divide opinion within Slovakia, burdening the country’s efforts to come to terms with its own history. As portrayed in this masterful biography, Tiso’s life not only illuminates the history of a small state but also supplies a missing piece of the larger puzzle that was interwar and wartime Europe.
In January 1888, workmen excavating in the eastern crypt of Canterbury Cathedral discovered the bones of a skeleton many believed to be that of the martyred archbishop, Thomas Beckett. This book traces the full history of `Beckett's bones', from their alleged destruction by Henry VIII's commissioners during the Reformation to the present day. Includes fascinating observations, such as the unexpected discovery by workmen in 1865 of Dante's bones concealed in a wooden box a short distance from his empty tomb.
Focusing on the last month of Becket's life after his return to Canterbury, the author describes the dispute that broke out with renewed ferocity culminating in his murder in the Cathedral by four of the King's knights and concludes with an Epilogue reviewing his reputation in the centuries since his death.
The life of the spiritual pugilist and eminent Scottish Cardinal Thomas Winning, leader of Scotland’s Catholics until his death in June 2001.
T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times