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Charles Sanders Peirce complained that William James allowed pragmatism to become infected with seeds of death like the idea that truth is mutable. This volume aims to defend James's pragmatic theory from a range of critics including Peirce, Bertrand Russell, Hilary Putnam, and Cornel West.
In this rigorous investigation into the logic of truth Anil Gupta and Nuel Belnap explain how the concept of truth works in both ordinary and pathological contexts. The latter include, for instance, contexts that generate Liar Paradox. Their central claim is that truth is a circular concept. In support of this claim they provide a widely applicable theory (the "revision theory") of circular concepts. Under the revision theory, when truth is seen as circular both its ordinary features and its pathological features fall into a simple understandable pattern. The Revision Theory of Truth is unique in placing truth in the context of a general theory of definitions. This theory makes sense of arbitrary systems of mutually interdependent concepts, of which circular concepts, such as truth, are but a special case.
Aristotle's theory of truth, which has been the most influential account of the concept of truth from Antiquity onwards, spans several areas of philosophy: philosophy of language, logic, ontology and epistemology. In this 2004 book, Paolo Crivelli discusses all the main aspects of Aristotle's views on truth and falsehood. He analyses in detail the main relevant passages, addresses some well-known problems of Aristotelian semantics, and assesses Aristotle's theory from the point of view of modern analytic philosophy. In the process he discusses most of the literature on Aristotle's semantic theory to have appeared in the last two centuries. His book vindicates and clarifies the often repeated claim that Aristotle's is a correspondence theory of truth. It will be of interest to a wide range of readers working in both ancient philosophy and modern philosophy of language.
Follow Andrew Klavan to a deeper, richer understanding of the words of Jesus. Andrew Klavan believed what he read in the Gospels, but he often struggled to understand what Jesus really meant. So he began a journey of wrestling with the beautiful and often strange words of Jesus. He learned Greek in order to read the Gospels in their original languages, and he vowed to set aside any preconceptions about what the Scriptures say. But it wasn't until he began exploring how some of history's greatest writers wrestled with the same issues we confront today--political upheaval, rejection of social norms, growing disbelief in God--that he found a new way of understanding what Jesus meant. In The Truth and Beauty, Klavan combines a decades-long writing career with a lifetime of reading to discover a fresh understanding of the Gospels. By reading the words of Jesus through the life and work of writers such as William Wordsworth and John Keats, Mary Shelley and Samuel Taylor Coleridge--the English romantics--Klavan discovered a way to encounter Jesus in a deeper and more profound way than ever before. For readers seeking to find renewed meaning in the words of Jesus--and for those who are striving for belief in a materialistic world--The Truth and Beauty offers an intimate account of one man's struggle to understand the Gospels in all their strangeness, and so find his way to a life that is, as he says, "the most creative, the most joyful, and surely the most true."
While raising my three children, I have often tried to find books to help reinforce the spiritual concepts I was teaching them. Aside from colorful picture books for younger children, there was very little in the self-help genre readily available for bright youngsters seeking a special kind of knowledge to read on their own until now. Truth Works dismantles the negative life lessons our kids are taught by many adults in their lives. Reading, writing, and arithmetic arent the only things they learn in school. There are detrimental messages they hear on a daily basis from television, music, friends, and others. People unknowingly drop their false-belief bombs that can become ingrained into our childrens subconscious when they hear age-old, traditional sayings like money is the root of all evil, life is not fair, or you have to struggle to get ahead. The premise for Truth Works is to undo this harmful programming at a young age, ensuring the subconscious belief system for our children is optimistic, safe, and secure. When we address these destructive beliefs in childhood and expose their false nature, they cannot reside in our subconscious minds for a lifetime as the basis for our beliefs. We are left with the pure, positive, and absolute spiritual truth.
Richard Gaskin offers an original defence of literary humanism, according to which works of imaginative literature have an objective meaning which is fixed at the time of production and not subject to individual readers' responses. He shows that the appreciation of literature is a cognitive activity fully on a par with scientific investigation.
Performing Truth answers the most pressing questions facing any theatre-makers who are wrestling with how to present historical, political or socioeconomic information in an engaging, entertaining, and galvanizing way. How to make data compelling and documents mobilizing? How to keep an audience interested in what might be dry, dire, or depressing? How to surprise an audience and keep them alert? Collecting together the performance texts of international performance artist and activist L.M. Bogad, this book accompanies each script with essays that further explore that work's performance strategies. It also equips readers with specific resources and pedagogical tools to help those wishing to stage these pieces or create their own work to engage with similar topics. Bogad also provides "takeaways" for each piece, illustrating the challenges of its particular subject matter and how to overcome those challenges with innovations unique to performance art. This is a key guidebook for artists and theatre-makers facing the challenges of engaging with information in an era of fake news, propaganda bots, and the polarization of ideological spheres, as well as students and teachers taking on that challenge in theatre studies, performance studies and performing arts classrooms.
American pragmatist Rorty and the French analytic philosopher Engel present their radically different perspectives on truth and its correspondence to reality. "What's the Use of Truth?" is a rare opportunity to experience each side of this impassioned debate clearly and concisely.