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An ancient evil is reborn, ready to claim what it lost, hundreds of years ago, in the Great Dominion War. The Death Dancers are its instruments of control – men with immense mental powers able to spread disaster through the world. Elise is a Truth Dancer, one of the few women able to fight a Death Dancer. Still young, she has much to learn about how to use her mind against the darkness, but she is a fighter. The King of Satmar has been killed , and the kingdom is in disarray. Laval, the heir of the throne, is only sixteen years old and has to maneuver between the various factions at the court, which keep him alive only because none of them is strong enough to seize power for themselves.In order to survive, he must bond with a norval, a mythical creature, and become a Guardian of the Realm and protector of the Truth Dancers, but his road will be long and dangerous. Embark on a journey of self-discovery and political upheaval as Elise and Laval take their first steps along the path of love, honor, magic and war.
In the winter of 2016, after sending her DNA to Ancestry.com to be tested, Christine Jacobsen confirmed the secret her mother had half-revealed fifty years earlier: The White man who had raised her was not her biological father. Christine was not of full Danish descent after all. Instead, she discovered that a quarter of the blood flowing through her veins is West African. Her sense of self immediately crumbled. Who was she? Who was her biological father? Did the father who raised her, now deceased, know about this?Her search for identity led her to a Black dancer from the Bahamas. In fact, it led her to two Black dancers - her father and grandfather. In Dancing Around the Truth, the author grapples with questions about race, her family and a sense of belonging. It's the story of her quest to find her ancestral roots. And it's the story about a White woman's reckoning with the Black part of herself.
In this innovative, performative approach to the expressive culture of the Yaqui (Yoeme) peoples of the Sonora and Arizona borderlands, David Delgado Shorter provides an altogether fresh understanding of Yoeme worldviews. Based on extensive field study, Shorter's interpretation of the community's ceremonies and oral traditions as forms of "historical inscription" reveals new meanings of their legends of the Talking Tree, their narrative of myth-and-history known as the Testamento, their fabled deer dances, funerary rites, and church processions.
"Free from sarcasm and ridicule, Real Christians Don't Dance challenges the evangelical Church to identify true Christianity from the sub-culture that has developed around it, to discover what is real obedience and love. Readers may discover in their lives more tradition than truth, more Christianity than Christ, more fundamentalism than faith, more law than love." -- Back cover
In Modris Eksteins’s hands, the interlocking stories of Vincent van Gogh and art dealer Otto Wacker reveal the origins of the fundamental uncertainty that is the hallmark of the modern era. Through the lens of Wacker’s sensational 1932 trial in Berlin for selling fake Van Goghs, Eksteins offers a unique narrative of Weimar Germany, the rise of Hitler, and the replacement of nineteenth-century certitude with twentieth-century doubt. Berlin after the Great War was a magnet for art and transgression. Among those it attracted was Otto Wacker, a young gay dancer turned art impresario. His sale of thirty-three forged Van Goghs and the ensuing scandal gave Van Gogh’s work unprecedented commercial value. It also called into question a world of defined values and standards that had already begun to erode during the war. Van Gogh emerged posthumously as a hero who rejected organized religion and other suspect sources of authority in favor of art. Self-pitying Germans saw in his biography a series of triumphs—over defeat, poverty, and meaninglessness—that spoke to them directly. Eksteins shows how the collapsing Weimar Republic that made Van Gogh famous and gave Wacker an opportunity for reinvention propelled a third misfit into the spotlight. Taking advantage of the void left by a gutted belief system, Hitler gained power by fashioning myths of mastery. Filled with characters who delight and frighten, Solar Dance merges cultural and political history to show how upheavals of the early twentieth century gave rise to a search for authenticity and purpose.
Novelist Colum McCann's Dancer is the erotically charged story of the Russian dancer Rudolf Nureyev as told through the cast of those who knew him. There is Anna Vasileva, Rudi's first ballet teacher, who rescues her protégé from the stunted life of his provincial town; Yulia, whose sexual and artistic ambitions are thwarted by her Soviet-sanctioned marriage; and Victor, the Venezuelan street hustler, who reveals the lurid underside of the gay celebrity set. Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the eighties, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn and John Lennon. And at the heart of the spectacle stands the artist himself, willful, lustful, and driven by a never-to-be-met need for perfection.
"The memoir of Michaela DePrince, who lived the first few years of her live in war-torn Sierra Leone until being adopted by an American Family. Now seventeen, she is one of the premiere ballerinas in the United States"--
For more than a decade, Jacques Pauw has traversed his native continent in pursuit of warlords and drug traffickers, child soldiers and charlatans, adventure and anarchy. What he found was a rich array of personalities and a panoply of stories, ranging from the profoundly tragic to the intensely personal. Pauw’s stories range from South Africa to Rwanda, from Sierra Leone and the Sudan to Mozambique. Readers are taken behind the scenes of sensational news reports with compassion, humour and occasional cynicism and emerge in the knowledge that, even if it’s true that there is nothing new out of Africa, the writer has found fresh ways to present time-honoured tales of love, life, misery and mortality.