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“Literary Taste - How to Form It” is a 1909 essay by English writer Arnold Bennett. The essay discusses taste in relation to literature, and also includes an exhaustive list of books that Bennett believed constitute classics with every item individually costed. When originally published, the essay and list became very influential. Contents include: “The Aim”, “Your Particular Case”, “Why a Classic is a Classic”, “Where to Begin”, “How to Read a Classic”, “The Question of Style”, “Wrestling with an Author”, “System in Heading”, “Verse”, “Broad Counsels”, “An English Library: Period I”, “An English Library: Period II”, etc. Enoch Arnold Bennett (1867–1931) was an English writer. Although he is perhaps best remembered for his popular novels, Bennett also produced work in other areas including the theatre, propaganda, journalism, and film. Other notable works by this author include: “Helen with a High Hand” (1910), “The Card” (1911), and “Hilda Lessways” (1911). Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with an essay on Arnold Bennett by F. J. Harvey Darton.
What does literature know? Does it offer us knowledge of its own or does it only interrupt and question other forms of knowledge? This 2005 book seeks to answer and to prolong these questions through the close examination of individual works and the exploration of a broad array of examples. Chapters on Henry James, Kafka, and the form of the villanelle are interspersed with wider-ranging inquiries into forms of irony, indirection and the uses of fiction, with examples ranging from Auden to Proust and Rilke, and from Calvino to Jean Rhys and Yeats. Literature is a form of pretence. But every pretence could tilt us into the real, and many of them do. There is no safe place for the reader: no literalist's haven where fact is always fact; and no paradise of metaphor, where our poems, plays and novels have no truck at all with the harsh and shifting world.
Arnold Bennett's 'The Elusive Craft of Writing' is a comprehensive guide to the art of writing, exploring the nuances of storytelling, character development, and narrative structure. Bennett's engaging literary style and meticulous attention to detail make this book a must-read for aspiring writers looking to enhance their craft. Set in the early 20th century, Bennett's work is reflective of the Modernist movement, blending traditional storytelling techniques with innovative approaches to narrative construction. Arnold Bennett, a prolific British author known for his insightful novels and essays, draws upon his own experiences as a writer to provide practical advice and inspiration in 'The Elusive Craft of Writing.' As a contemporary of writers such as Virginia Woolf and James Joyce, Bennett's perspective offers a unique insight into the challenges and rewards of the writing process. I highly recommend 'The Elusive Craft of Writing' to anyone interested in honing their writing skills and gaining a deeper understanding of the creative process. Bennett's timeless wisdom and valuable insights make this book a valuable resource for writers of all levels, from novices to seasoned professionals.
Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms, which meant new relationships between books, authors, readers and classifications of taste. Hammond uses previously unexamined archive material and focuses in detail on the working practices of selected publishers and distributors to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.
Deftly melding ethnography, cultural history, literary criticism, and autobiographical reflection, A Feeling for Books is at once an engaging study of the Book-of-the-Month Club's influential role as a cultural institution and a profoundly personal meditation about the experience of reading. Janice Radway traces the history of the famous mail-order book club from its controversial founding in 1926 through its evolution into an enterprise uniquely successful in blending commerce and culture. Framing her historical narrative with writing of a more personal sort, Radway reflects on the contemporary role of the Book-of-the-Month Club in American cultural history and in her own life. Her detailed account of the standards and practices employed by the club's in-house editors is also an absorbing story of her interactions with those editors. Examining her experiences as a fourteen-year-old reader of the club's selections and, later, as a professor of literature, she offers a series of rigorously analytical yet deeply personal readings of such beloved novels as Marjorie Morningstar and To Kill a Mockingbird. Rich and rewarding, this book will captivate and delight anyone who is interested in the history of books and in the personal and transformative experience of reading.
From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant. An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers. For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl
Written by a top literary agent who gives writers an insider's view of how to find and work with an agent throughout the process of getting published. Includes: -- How to know that you're ready for an agent -- 7 ways to find an agent -- Writing a cover letter that grabs attention -- What to do with an agent once you've got one -- What you can expect and what you'd better not hope for -- Making sure this is the right agent for you -- Congratulations, now you have an agent AND an editor -- How to avoid the 7 worst pitfalls for aspiring writers -- And much, much more. In today's highly competitive publishing industry, literary agents are more important than ever. Whether you write fiction or non-fiction, reference or children's books, here is everything you need to know about using an agent to launch and sustain your literary career.a