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The arrival of a new style of music and a new type of drug in 1988 ignited a revolution. To coincide with the 25th anniversary of the second summer of love, this is the definitive story of the seismic movements in music and youth culture that changed the cultural landscape forever. Luke Bainbridge is uniquely positioned to tell this story, having connections both in the industry, through nearly two decades as a music journalist, and on the dancefloor, through two decades of dancing, promoting and DJing. Bainbridge has interviewed most of the protagonists who led the revolution, from the DJs and musicians to the promoters, gangsters and ravers, and built up a relationship of trust and mutual respect. This will be true story of acid house, from the DJ box to the dance floor. He examines the legacy and lasting impact of acid house, and how the second summer of love is viewed 25 years on. How has acid house been assimilated into mainstream culture? How did the change in drugs, away from ecstasy towards other drugs, affect the music and the party scene? Why has the free party scene never really been replicated, despite new technology greater capacity to organise events and disseminate information? Did the summer of 1988 leave us with a generation of drug users? Has there been any lasting effect of such an explosion in drug use? Who were the real winners and casualties in the story? Do the world's current biggest DJs Tiesto, Swedish House Mafia, David Guetta have any connection to the original scene? Where next for house and dance music in general?
'[An] excellent history of UK dance culture' – Sunday Times From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988 to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music from journalist and filmmaker Ed Gillett, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built. Taking in the Victorian moralism of the Thatcher years, the far-reaching restrictions of the Criminal Justice Act in 1994, and the resurgence of illegal raves during the Covid-19 pandemic, Party Lines charts an ongoing conflict, fought in basement clubs, abandoned warehouses and sunlit fields, between the revolutionary potential of communal sound and the reactionary impulses of the British establishment. Brought to life with stunning clarity and depth, this is social and cultural history at its most immersive, vital and shocking.
From its first publication in 1997, Altered State established itself as the definitive text on Ecstasy and dance culture. This new edition sees Matthew Collin cast a fresh eye on the heady events of the acid house 'Summer of Love' and the rave scene's euphoric escalation into commercial excess as MDMA became a mass-market narcotic. Altered State is the best-selling book on Ecstasy culture, using a cast of memorable characters to track the origins of the scene and its drug through psychedelic subcults, underground gay discos and the Balearic paradise of Ibiza, to the point where Tony Blair was using an Ecstasy anthem as an election campaign song. Altered State critically examines the ideologies and myths of the scene, documenting the criminal underside to the blissed-out image, shedding new light on the social history of the most spectacular youth movement of the twentieth century.
What went on behind the Acid House dream? The raves and huge dance parties of the late-1980s changed the face of popular culture, as hundreds of thousands of youngsters enjoyed the illicit thrills of ecstacy and vast, illegal all-nighters. Yet beneath the bright surface was a world of drug deals, violence, exploitation, protection rackets and armed robbery. In this book, Wayne Anthony tells the story of his two years as an illegal dance party organizer and promoter. In those two years he was beaten up, menaced by criminals and blackmailers, confronted with sawn-off shotguns, kidnapped and threatened with murder.
"Adventures In Wonderland is the ultimate, definitive account of the scene. Precise factually and perfectly articulated, it transports the reader to that unique, life-changing period. Sheryl Garratt was there, reporting from the core energy of the scene that we collectively created." - Danny Rampling "The book about rave culture that you can't afford not to read." - The Face The definitive history of the acid house explosion and its reverberations across popular culture, Adventures In Wonderland has been out of print for more than 20 years. This new edition has been updated slightly, with a new introduction and final chapter. Former editor of The Face and one of the few journalists writing about clubs in any detail in the 1980s, Sheryl Garratt weaves her own experiences in with hundreds of exclusive interviews with everyone involved. She talks about Ibizan clubs and the Wigan Casino, the key role of reggae and soul sound systems, and the one-nighters and illegal warehouse parties of 1980s clubland. Tracing the music back to its roots in New York, Chicago and Detroit, she reports from the underground clubs in those cities and offers in-depth interviews with its originators, from Frankie Knuckles, Marshall Jefferson and Farley 'Jackmaster' Funk to Derrick May, Kevin Saunderson and Juan Atkins. This is the acid house and rave explosion, as told by the people who lived it: door staff, dancers and drug dealers; gangsters, blaggers and promoters. From the real stories behind the huge illegal raves of 1989 to insider accounts from DJs such as Norman Jay, Trevor Nelson, Paul Oakenfold, Danny Rampling, Graeme Park, Mike Pickering, Carl Cox, Sasha and John Digweed. But this isn't just a book about the music. It's about being up for it, out of it, and right in the middle of it. It's about the Paradise Garage in New York, about dancing under the stars in Ibiza or Goa, about the house we built in the UK at Future, Shoom, Spectrum. Clink Street and the Haçienda. It's about Ecstasy and community and a scene that grew with breath-taking speed because we needed to feel that the world was changing. It's about dodging the police to get the party started, and the joy of dancing all night in the British countryside, with thousands of others on the same high. About Madchester, Blackburn, and a new understanding between rock and dance music. And about what came after, from drum'n'bass to the rise of superclubs such as Ministry of Sound, Renaissance and Cream. But most of all, it's about having the time of your life. And who wouldn't want that? "The definitive account of contemporary dance culture.. If you weren't at Shoom in '87, then this is the best way to make up for it." - The Face "Gripping and vivid.. Garratt writes with the style and attitude of the feistiest club diva... Her personal memories are wedged between layers of insightful comment and thorough research." - The Times "She has spoken to everyone involved - from the Chicago DJs of the 80s to the rave promoters and club moguls of the 90s ¬ and shows that it's possible to write popular culture without insulting our intelligence." - Daily Mirror
This is an innovative contribution to the study of popular culture, focusing on the youth cultures that revolve around dance clubs and raves.
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
Jungle and Drum & Bass was like nothing else the world had experienced before - simultaneously black and white, urban and suburban, old skool attitude and new school innovation. A socio-cultural melting pot of early 90s broken Britain seizing the wheel and taking control of the machine. Originally published in 1997, State of Bass explores the scene's roots through its social, cultural and musical antecedents and on to its emergence via the debate that surrounded the apparent split between jungle and drum & bass. Drawing on interviews with some of the key figures in the early years, State of Bass explores the sonic shifts and splinters of new variants, styles and subgenres as it charts the journey from the early days to its position as a global phenomenon. State of Bass extends the original text to include the award of the Mercury Prize to Reprazent for the New Forms album and brings new perspectives to the story of the UK's most important subterranean urban energy.
'Beautifully judged account of the Manchester scene . . . There is something of the fairy tale about Dave Haslam's sage joyful testament to the kind of life that nobody could ever plan, a happy aligning of a cultural moment and a young man who instinctively knew that it was his once upon a time' Victoria Segal, Sunday Times 'Witty, sometimes dark, revealing, insightful, everything one could hope for from one of those folk without whom independent music simply wouldn't exist' Classic Rock Sonic Youth Slept on My Floor is writer and DJ Dave Haslam's wonderfully evocative memoir. It is a masterful insider account of the Hacienda, the rise of Madchester and birth of the rave era, and how music has sound-tracked a life and a generation. In the late 1970s Dave Haslam was a teenage John Peel listener and Joy Division fan, his face pressed against a 'window', looking in at a world of music, books and ideas. Four decades later, he finds himself in the middle of that world, collaborating with New Order on a series of five shows in Manchester. Into the story of those intervening decades, Haslam weaves a definitive portrait of Manchester as a music city and the impact of a number of life-changing events, such as the nightmare of the Yorkshire Ripper to the shock of the Manchester Arena terror attack. The cast of Haslam's life reads like a who's who of '70s, '80s and '90s popular culture: Tony Wilson, Nile Rodgers, Terry Hall, Neneh Cherry, Tracey Thorn, John Lydon, Johnny Marr, Ian Brown, Laurent Garnier and David Byrne. From having Morrissey to tea and meeting writers such as Raymond Carver and Jonathan Franzen to discussing masturbation with Viv Albertine and ecstasy with Roisin Murphy, via having a gun pulled on him at the Hacienda and a drug dealer threatening to slit his throat, this is not your usual memoir.