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An extensively illustrated day-by-day adventure that tells the stories of pioneers and cowboys, gold rushes, and saloon shoot-outs on America’s frontier. Beginning in the nineteenth century, the lure of land rich in minerals, fertile for farming, and plentiful with buffalo bred an all-out obsession with heading westward. The Wild West: 365 Days takes you back to these booming frontier towns that became the stuff of American legend, breeding characters such as Butch Cassidy and Jesse James. Prize-winning journalist and historian Michael Wallis spins a colorful narrative, separating myth from fact, in 365 vignettes. Learn the stories of Davy Crockett, Wild Bill Hickok, and Annie Oakley; travel to the O.K. Corral and Dodge City; ride with the Pony Express; and witness the invention of the Colt revolver. Included throughout are images drawn from Robert G. McCubbin’s extensive collection of Western memorabilia, encompassing rare books, photographs, ephemera, and artifacts, including Billy the Kid’s knife.
The word cowboy conjures up vivid images of rugged men on saddled horses—men lassoing cattle, riding bulls, or brandishing guns in a shoot-out. White men, as Hollywood remembers them. What is woefully missing from these scenes is their counterparts: the black cowboys who made up one-fourth of the wranglers and rodeo riders. This book tells their story. When the Civil War ended, black men left the Old South in large numbers to seek a living in the Old West—industrious men resolved to carve out a life for themselves on the wild, roaming plains. Some had experience working cattle from their time as slaves; others simply sought a freedom they had never known before. The lucky travelled on horseback; the rest, by foot. Over dirt roads they went from Alabama and South Carolina to present-day Texas and California up north through Kansas to Montana. The Old West was a land of opportunity for these adventurous wranglers and future rodeo champions. A long overdue testament to the courage and skill of black cowboys, Black Cowboys of the Old West finally gives these courageous men their rightful place in history. Praise for an earlier book by the same author: “Whether you are a history enthusiast or a lover of adventure stories, African American Women of the Old Westpresents the reader with fascinating accounts of ten extraordinary, generally unrecognized, African Americans. Tricia Martineau Wagner takes these remarkable women from the footnotes of history and brings them to life.” —Ed Diaz, President of the Association for African American Historical Research and Preservation
Jolie Anderson's collection of wild west tales focuses on the early frontier history of Colorado's plains and includes a look at some of the state's early pioneers like the "59ers" who promoted the state through travel guides and newspapers, exaggerating tales of gold discovery and even providing inaccurate maps to promote settlement in the plains; the perils of living and traveling the major gold routes the town of Julesburg relocated four times in a decade; feuds; Indian fights; outlaws, and even early rodeo history. These stories and events shaped the Colorado territory and are a rich glimpse into the early history of the state.
• Offers evidence from Jesse James’s secret encoded diaries • Examines Jesse James’s close ties with other notorious outlaws, such as Johnny Ringo, Jesse Evans, and Billy the Kid • Shows how Jesse James was related, by blood or marriage, to powerful people in law enforcement and politics, including the elite families behind the Copperheads and the Knights of the Golden Circle organizations Jesse James and many other Old West outlaws were much more than just wild cowboys. As author Daniel Duke--the great-great-grandson of Jesse James--reveals, James and other infamous outlaws were part of a larger organization, centuries old, that has affected U.S. history from the small, rural streets of early America to the highest levels of the nation’s government, with continuing influence to this day. Drawing on his great-great-grandfather’s secret diaries, Duke unravels the hidden history of the Wild West to expose the outlaws, politicians, and secret societies who were pulling strings behind the scenes. He examines Jesse James’s close ties with other notorious outlaws, such as Johnny Ringo, Jesse Evans, and Billy the Kid, and demonstrates not only how James faked his death and lived out his life under an alias, but how Billy the Kid did the same. He also details how both Jesse James and Billy the Kid continued their work for the nameless organization after their faked deaths. Exploring how Jesse James was related, by blood or marriage, to powerful people in law enforcement and politics, Duke details James’s connections to the Baylor family, who founded Baylor University in Waco, Texas, and other elite families who were instrumental in founding and leading the Copperheads and the Knights of the Golden Circle organizations before, during, and after the Civil War. The author shows how Jesse James was connected to former U.S. presidents Lyndon Baines Johnson and Harry S. Truman as well as LBJ’s man in the shadows, Texas mob figure Billie Sol Estes. Exposing the secret agenda behind the outlaw gangs of the Wild West, Duke also reveals the stealthy war between the secret organization and its opposition that has been waged in the shadows for centuries.
For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.
Buffalo Bill's Wild West presents a fascinating analysis of the first famous American to erase the boundary between real history and entertainment Canada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure. Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition. But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.
From slaughters, shootouts, and massacres to maulings, lynchings, and natural disasters, Cowboys, Mountain Men, and Grizzly Bears cuts to the chase of what draws people to the history and literature of the Wild West. Matthew P. Mayo, noted author of Western novels, takes the fifty wildest episodes in the region’s history and presents them in one action-packed volume. Set on the plains, mountains, and deserts of the West, and arranged chronologically, they capture all the mystique and allure of that special time and place in America’s history. Read about: John Colter’s harrowing escape from the Blackfeet Hugh Glass’s six-week crawl to civilization after a grizzly attack Janette Riker’s brutal winter in the Rockies John Wesley Powell’s treacherous run through the rapids of the Grand Canyon The Earp Brothers’ hot-tempered gun battle at Tombstone General Custer’s ill-advised final clash with the Sioux
“The best all-around study of the American cowboy ever written. Every page crackles with keen analysis and vivid prose about the Old West. A must-read!” —Douglas Brinkley, The New York Times–bestselling author of The Wilderness Warrior: Theodore Roosevelt and the Crusade for America The open-range cattle era lasted barely a quarter century, but it left America irrevocably changed. Cattle Kingdom reveals how the West rose and fell, and how its legacy defines us today. The tale takes us from dust-choked cattle drives to the unlikely splendors of boomtowns like Abilene, Kansas, and Cheyenne, Wyoming. We meet a diverse cast, from cowboy Teddy Blue to failed rancher and future president Teddy Roosevelt. This is a revolutionary new appraisal of the Old West and the America it made. “Cattle Kingdom is the smartly told account of rampant capitalism making its home—however destructive and decidedly unromantic—on the range. . . . [A] fresh and winning perspective.” —The Dallas Morning News “Knowlton writes well about all the fun stuff: trail drives, rambunctious cow towns, gunfights and range wars . . . [He] enlists all of these tropes in support of an intriguing thesis: that the romance of the Old West arose upon the swelling surface of a giant economic bubble . . . Cattle Kingdom is The Great Plains by way of The Big Short.” —Wall Street Journal “Knowlton deftly balances close-ups and bird’s-eye views. We learn countless details . . . More important, we learn why the story played out as it did.” —The New York Times Book Review “The best one-volume history of the legendary era of the cowboy and cattle empires in thirty years.” —True West “Vastly informative.” —Library Journal “Absorbing.” —Publishers Weekly
ns explore our environmental history, uncover the role of nature and the land in the western past, and examine the West as the world's first multicultural society.