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Romily: Third time's the charm, right? At least that's what I tell myself when I witness the same hot guy commit mass murder three times in a few days. I'm either the luckiest mute boy ever or possibly the unluckiest. Who knows, maybe him kidnapping me will turn into the greatest love story ever told? Hey, it could happen! You never know how these things will turn out. I happen to believe in love and soulmates, and if nothing else, Arlington Fox doesn't treat my disability like a nuisance. It's not everyday you find someone who just gets you, and I'm not going to look a gift horse in the mouth even if the horse in question is a man so good at killing people that I should probably introspect a bit about why that skews my moral compass and possibly my kinks. But c'mon, competence is sexy, amiright? The Trouble with Trying to Date a Murderer is an MM Paranormal Romance with lots of sass, humor, a ridiculous 3000 year age-gap, and an inordinate number of tables. Praise for The Trouble with Trying to Date a Murderer: "Arlington Fox is so smexy, but if he accidentally gets blood on one of my suits again, we're going to have words." -Romily Butcher, aka the narrator. "I'd never accidentally get blood on any of his suits." -Arlington Fox, aka Future Husband. "Murder? Check. Shenanigans? Double Check. Mute guy with a heart-on for a paranormal assassin? Triple Check. The Trouble With Trying to Date a Murderer is a guffaw-inducing, demented rom-com that will leave you with warm, fuzzy feelings you weren't expecting, and a tingle that will have you saying, "I'll be in my bunk."" -Cameron Craig, MM Author "Fox and Romily are hysterical. I couldn't stop reading. Love the unexpected connection between two such different people and their relationship journey." -Carol H.
Wollie Shelley, the plucky amateur sleuth Kirkus Reviews called “funny, brave, smart, and altogether the fetchingest crime heroine since the early Stephanie Plum,” returns to face suspect lovers and unlovable suspects in this hilarious sequel to Dating Dead Men. Wollie Shelley is a greeting card artist struggling to keep afloat financially and to pursue—despite a series of recent disasters—the search for the love of her life. She reluctantly agrees to be a contestant on the reality television show Biological Clock. The show’s premise: Six eligible singles date each other, and the audience votes on which couple would make the best parents. Alas, Wollie isn’t having much luck finding a man she’d like to date “off the air,” much less father her child. As her own biological clock ticks away, Wollie gets caught up in a much more pressing demand on her time. Her friend Annika has vanished into thin air, and Wollie is convinced that she’s in grave danger. When Wollie reports the disappearance to the Los Angeles Police Department, however, the detective assigned to the case seems more interested in dating Wollie than in finding her friend. So Wollie springs into action—and lands right in the middle of an FBI investigation into an international drug cartel. She soon finds herself being stalked by an assortment of threatening characters, including her fellow television contestants, who will stop at nothing to beat the clock. With Dating Is Murder, Kozak delivers another sparkling treasure, a laugh-out-loud-funny, literate mystery for readers of Janet Evanovich and Sue Grafton and for Kozak’s own growing legion of fans.
This “superbly written true-crime story” (Michael Lewis, The New York Times Book Review) masterfully brings together the tales of a serial killer in 1970s Alabama and of Harper Lee, the beloved author of To Kill a Mockingbird, who tried to write his story. Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members, but with the help of a savvy lawyer, he escaped justice for years until a relative assassinated him at the funeral of his last victim. Despite hundreds of witnesses, Maxwell’s murderer was acquitted—thanks to the same attorney who had previously defended the reverend himself. Sitting in the audience during the vigilante’s trial was Harper Lee, who spent a year in town reporting on the Maxwell case and many more trying to finish the book she called The Reverend. Cep brings this remarkable story to life, from the horrifying murders to the courtroom drama to the racial politics of the Deep South, while offering a deeply moving portrait of one of our most revered writers.
In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man. In When Men Murder Women, Dobash and Dobash - two seasoned researchers and longtime collaborators in the study of violence against women - reveal what they learned from a three-year study that included 866 homicide case files and 200 in-depth interviews with murderers in prison. They focus on intimate partner murder, sexual murder, and the murder of older women, and compare each of these three types with those in which men murder other men. Each type is examined in depth and detail in a separate section that begins with an overview of relevant research, and is followed by a comprehensive examination of the murder event and the lifecourse of the perpetrators. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women. The result is this essential text for students, professionals, policy makers, and researchers studying violence, gender, and crime.
Edgar Award Finalist: The true story of a serial killer who terrorized a midwestern town in the era of free love—by the coauthor of The French Connection. In 1967, during the time of peace, free love, and hitchhiking, nineteen-year-old Mary Terese Fleszar was last seen alive walking home to her apartment in Ypsilanti, Michigan. One month later, her naked body—stabbed over thirty times and missing both feet and a forearm—was discovered, partially buried, on an abandoned farm. A year later, the body of twenty-year-old Joan Schell was found, similarly violated. Southeastern Michigan was terrorized by something it had never experienced before: a serial killer. Over the next two years, five more bodies were uncovered around Ann Arbor and Ypsilanti, Michigan. All the victims were tortured and mutilated. All were female students. After multiple failed investigations, a chance sighting finally led to a suspect. On the surface, John Norman Collins was an all-American boy—a fraternity member studying elementary education at Eastern Michigan University. But Collins wasn’t all that he seemed. His female friends described him as aggressive and short tempered. And in August 1970, Collins, the “Ypsilanti Ripper,” was arrested, found guilty, and sentenced to life in prison without chance of parole. Written by the coauthor of The French Connection, The Michigan Murders delivers a harrowing depiction of the savage murders that tormented a small midwestern town.
Hailed as "toweringly important" (Baltimore Sun), "a work of scrupulous and significant reportage" (E. L. Doctorow), and "an unforgettable historical drama" (Chicago Sun-Times), Big Trouble brings to life the astonishing case that ultimately engaged President Theodore Roosevelt, Supreme Court justice Oliver Wendell Holmes, and the politics and passions of an entire nation at century's turn. After Idaho's former governor is blown up by a bomb at his garden gate at Christmastime 1905, America's most celebrated detective, Pinkerton James McParland, takes over the investigation. His daringly executed plan to kidnap the radical union leader "Big Bill" Haywood from Colorado to stand trial in Idaho sets the stage for a memorable courtroom confrontation between the flamboyant prosecutor, progressive senator William Borah, and the young defender of the dispossessed, Clarence Darrow. Big Trouble captures the tumultuous first decade of the twentieth century, when capital and labor, particularly in the raw, acquisitive West, were pitted against each other in something close to class war. Lukas paints a vivid portrait of a time and place in which actress Ethel Barrymore, baseball phenom Walter Johnson, and editor William Allen White jostled with railroad magnate E. H. Harriman, socialist Eugene V. Debs, gunslinger Charlie Siringo, and Operative 21, the intrepid Pinkerton agent who infiltrated Darrow's defense team. This is a grand narrative of the United States as it charged, full of hope and trepidation, into the twentieth century.
Society columnist Nora Blackbird is thrust into the world of celebrity tabloid gossip when a billionaire buys the farm…. Nora’s assigned to write a profile on billionaire fashion designer Swain Starr, who recently retired to build a high-tech organic farm with his new wife, Zephyr, a former supermodel. But before Nora can get the story, the mogul is murdered. And now her boss wants her to snap up an exclusive on who killed Starr before the cops do. But solving this murder won’t be easy with a family as colorful as Nora’s. Mick, her sort-of husband, is associating with unsavory characters from his past. Her sister Libby is transforming into a stage mom for her diabolical twins. And Emma, the youngest Blackbird, is mysteriously kicked out of the house by Mick. Nora’s home life may be hogging the spotlight, but there’s also a matter of Starr’s missing pig, which just might be the key to solving this mystery and the way Nora can bring home the bacon….
If she really thinks hard, Samantha can remember a time when she believed in true love.
A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.
In "How to Try a Murder", noted crime writer Michael Kurland explains everything from the judge's powers to the jury's responsibilities, from defense strategies to the prosecutor's tactics. Using anecdotes from real trials, Kurland outlines each stage of the trial and explains all of the terms and legal intricacies.