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In an era when the cult of personality has overtaken the task of preaching, Charles W. Fuller offers an engaging query into the necessary boundaries between the person of the preacher and the message preached. By thoroughly evaluating Phillips Brooks's classic "truth through personality" definition of preaching, Fuller brings to light a substantial error that remains in contemporary homiletics: namely, the tenuous correlation between Christ's incarnation and Christian preaching. Ultimately, Fuller asserts a sound evangelical framework for preaching on revelational, ontological, rhetorical, and teleological grounds. Preachers who desire to construct pulpit practice upon a robust evangelical foundation will benefit from Fuller's contribution.
"Contemporary preaching suffers from a loss of confidence in the power of the Word, from an infatuation with technology, from an embarrassment before the biblical text, from an evacuation of biblical content, from a focus on felt needs, from an absence of gospel." Preaching, the practice of publicly expositing the Bible, has fallen on hard times. How did this happen? After all, as John A. Broadus famously remarked, “Preaching is characteristic of Christianity." In this powerful book, He Is Not Silent: Preaching in a Postmodern World, R. Albert Mohler Jr. shows us how. In a style both commanding and encouraging, Mohler lays the groundwork for preaching, fans the flame on the glory of preaching, and calls out with an urgent need for preaching. This message is desperately needed yet not often heard. Whether you're concerned or enthused by the state of the church today, join Mohler as he examines preaching and why the church can't survive without it.
Fully revised edition of the classic guide to the art of homiletics incorporates recent helpful developments in the field.
Originally published in 1960. Is there an art of autobiography? What are its origins and how has it come to acquire the form we know today? For what does the autobiographer seek, and why should it be so popular? This study suggests some of the answers to these questions. It takes the view that autobiography is one of the dominant and characteristic forms of literary self-expression and deserves examination for its own sake. This book outlines a definition of the form and traces its historical origins and development, analyses its ‘truth’ and talks about what sort of self-knowledge it investigates.