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One of Maximilian's most important legacies is the work created in his honor by some of the greatest artists of his time, most notably Albrecht Dürer. Today many of these works reside in the Albertina Museum in Vienna, and they are featured in this elegant volume. In addition to works by Dürer, the book includes reproductions of the extraordinary Triumphal Procession of Albrecht Altdorfer and his workshop, and the monumental woodcut Arch of Honor. This book explores the artistic culture of Maximilian's era, with numerous examples from the Albertina's own collection as well as painted portraits, exquisite illuminated manuscripts, precious sculptures, and splendid tapestries from some of the world's leading museums. Brought together in this elegant volume, these works offer valuable insight into Maximilian's public relations machinery. The book also features scholarly articles devoted to Maximilian's complex artistic projects that will become key to the literature on Emperor Maximilian and the art of his time.
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Reprint of the original, first published in 1875.
Reprint of the original, first published in 1875.