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Throughout her career Wharton wrote ghost stories, and is a central figure within the genre in the twentieth century. When she collected many of her ghost stories together in Ghosts (1937) she put them under the 'special protection' of Walter de la Mare. Like him, she manages to evoke uncannily convincing atmospheres and characters, and in such stories as 'Afterward' the way in which the tale is told is so satisfying that one can only admire her craftsmanship. Wharton's collection Ghosts is described by E.F. Bleiler as a 'landmark volume in supernatural fiction', and to this we have been able to add a number of other tales of the supernatural, many of which will be unknown to her readers.
Edith Wharton Born Edith Newbold Jones (1862 – 1937) A Pulitzer Prize-winning American novelist, short story writer and designer. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels of social and psychological insight. She was friend and confidante to many famous figures of her time, including Henry James, Sinclair Lewis, Jean Cocteau, Theodor Roosevelt, and others. The age of Innocence (1920) won the 1921 Pulitzer Prize for literature, making Wharton the first woman to win the award. The novel is noted for its accurate portrayal of the East Coast American upper class, and for the social tragedy of the plot.
American writer Edith Wharton (1862-1937) once wrote in Harper's that she wanted to "penetrate ... the carefully guarded interior[s]" of her past memories and fashion them "into a little memorial like the boxes formed of exotic shells which sailors used to fabricate between voyages." For Totten (English, North Dakota State U.) this statement is a striking reminder of the connections between material objects and cultural meanings in Wharton's life and work. He presents 11 essays that explore these connections in a variety of ways. Topics include critical linkages of Wharton to materiality as a means to keep her outside the canonical, resistance to commodification in The House of Mirth, the creation of the disposable object and Wharton's characters' fears of their disposability, Wharton's ideas about the use of museum space in The Age of Innocence, and the effect of technology on domestic space in The Fruit of the Tree.