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Does the Old Testament have an optimistic outlook for the people of God, ancient Israel, or is it pessimistic? The strands of optimism and pessimism seem to be juxtaposed throughout. In this study of Deuteronomy, a linchpin book within the Old Testament, the so-called tensions between optimism and pessimism are shown to cohere theologically. Despite the faithlessness of Israel, Yahweh's faithfulness to his promises results in the triumph of grace.
The Apostle Paul's negative statements about the law have deafened the ears of many to the grace that Moses proclaims in Deuteronomy. Most Christians have a dim view of this book, which they consider to be primarily a book of laws. However, when we read or hear it read orally without prejudice, we discover that rather than casting Moses as a legislator, he appears as Israel's first pastor, whose congregation has gathered before him to hear him preach his final sermons. Accordingly, Deuteronomy represents prophetic preaching at its finest, as Moses seeks to inspire the people of God to a life of faith and godliness in response to God's repeated demonstrations of grace. Deuteronomy is a dead book for many, because we have not recognized this gospel; we have heard only law. The essays in this collection arise from a larger project driven by a passion to recover for Christians the life-giving message of the Hebrew Scriptures in general, and to open their ears to God's amazing grace in Deuteronomy in particular. The wide-ranging "meditations" in this volume do not all focus equally on the topic of God's grace, but this theme undergirds them all.
"This riveting conclusion of Grace Winslow's fight for freedom carries her from England to America's Deep South. After learning that her husband, Cabeto, is on a South Carolina plantation, Grace dons a sailor's disguise and boards the only ship headed for America--a detestable slave ship"--Back cover.
This is a sequel to Richard Viladesau's well-received study, The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. It continues his project of presenting theological history by using art as both an independent religious or theological "text" and as a means of understanding the cultural context for academic theology. Viladesau argues that art and symbolism function as alternative strands of theological expression sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of crucifixion and its role in salvation history. This book examines the two great revolutionary movements that gave birth to the modern West: the Renaissance and the Protestant Reformation. This period was eventful for both theology and art, and thus particularly fruitful for Viladesau's project. Using individual works of art, over sixty of which are reproduced in this book, to epitomize particular artistic and theological models, he explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. To name a few examples, the theologies of Savonarola, Luther, Calvin, and the Council of Trent, are examined in correlation to the new situation of art in the era of Fra Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In this book, Viladesau continues to deepen our understanding of the foremost symbol of Christianity.
This bundle contains The Call of Zulina, The Voyage of Promise, and The Triumph of Grace. The Call of Zulina Set in 1787 in West Africa, The Call of Zulina opens as the scorching harmattan winds blow. Desperate to avoid marriage to an odious suitor, Grace escapes the family compound only to be caught up in a slave revolt at the fortress of Zulina. Soon, she begins to grasp the brutality and ferocity of the family business. Held for ransom, viciously maimed by a runaway slave, and threatened with death, Grace is finally jerked into reality and comes to sympathize with the plight of the captives. She admires their strength and courage and is genuinely moved by the African Cabeto’s passion, determination, and willingness to sacrifice anything, including his own life, for his people’s freedom. The Voyage of Promise Slavers burst into Grace Winslow's life with guns blazing and tear her family apart forever. She watches in anguish as her husband is led in chains aboard a tightly packed slave ship bound for America. An old enemy has a more sinister plan for Grace and prepares her for a different kind of servitude in London. But Grace will not be enslaved. And she will not give up on the man she loves. In her determination to be reunited with her husband, she finds God reaching out to her. The Triumph of Grace After learning that her husband, Cabeto, is on a South Carolina plantation, Grace dons a sailor’s disguise and boards the only ship headed for America--a detestable slave ship. When her secret is discovered, Grace is locked up in the hold. In South Carolina, Grace is bought immediately, but soon sold to a man who is not a slave keeper. Moved by her story of perseverance and faith, John Hull makes Grace’s mission his own. Grace now has a dear brother in Christ to help her, but a restored sense of hope does not mean the path to finding Cabeto will be clear... or free of trouble.
This is a print on demand book and is therefore non- returnable. This study in theological anthropology considers man as the image of God, the meaning of the image, immortality, and human freedom, dealing always with living, actual man and his inescapable relation to God.