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The new novel from the internatinal bestselling author of Roma, is set against the background of Caesar's stupendous quadruple triumphs in Rome in 46 BC, full of colour and spectacle. Having obliterated the opposition, Caesar is now dictator for life. In the upcoming celebrations, Vercingetorix the Gaul is scheduled to be executed, as is Arsinoë, the sister of Cleopatra...and Cleopatra herself is in Rome on a state visit, trying to convince Caesar to acknowledge their son as his heir. Marc Antony and Caesar are at odds; Cicero is making a fool of himself with a new teenage bride; and Caesar's wife Calpurnia, having fallen under the spell of an Etruscan soothsayer, is convinced of a plot on her husband's life. Murder and intrigue again draw Gordianus into the vortex of history. Praise for Stephen Saylor 'Saylor is on top form with the latest in his extraordinarily vivid series of crime novels set in ancient Rome.' Sunday Times 'Saylor's gifts include authentic historical and topographical backgrounds and... sombre themes set off the brilliant scenery and clever plotting.' Times Literary Supplement 'Saylor's scholarship is breathtaking and his writing enthrals.' Ruth Rendell 'Readers will find his work wonderfully (and gracefully) researched... this is entertainment of the first order.' Washington Post 'Saylor has acquired the information of a historian but he enjoys the gifts of a born novelist.' Boston Globe
The "New York Times"-bestselling author of "Roma" returns with the latest installment in his critically acclaimed series.
It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”
In this splendid profile, Canfora offers a radically new interpretation of one of the most controversial figures in history. The result of a comprehensive study of the ancient sources, "Julius Caesar" paints an astonishingly detailed portrait of this complex man and the times in which he lived.
The advice given to Cicero by his astute, campaign-conscious brother to prepare him for the consular elections of 64 B.C., has a curiously modern ring: "Avoid taking a definite stand on great public issues either in the Senate or before the people. Bend your energies towards making friends of key-men in all classes of voters." Party Politics in the Age of Caesar is a shrewd commentary on this text, designed to clarify the true meaning in Roman political life of such terms as "party" and "faction." Taylor brilliantly explains the mechanics of Roman politics as she discusses the relations of nobles and their clients, the manipulation of the state religion for political expedience, and the practical means of delivering the vote. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961. The advice given to Cicero by his astute, campaign-conscious brother to prepare him for the consular elections of 64 B.C., has a curiously modern ring: "Avoid taking a definite stand on great public issues either in the Senate or before the people. Bend y
Bestselling classical historian Barry Strauss delivers “an exceptionally accessible history of the Roman Empire…much of Ten Caesars reads like a script for Game of Thrones” (The Wall Street Journal)—a summation of three and a half centuries of the Roman Empire as seen through the lives of ten of the most important emperors, from Augustus to Constantine. In this essential and “enlightening” (The New York Times Book Review) work, Barry Strauss tells the story of the Roman Empire from rise to reinvention, from Augustus, who founded the empire, to Constantine, who made it Christian and moved the capital east to Constantinople. During these centuries Rome gained in splendor and territory, then lost both. By the fourth century, the time of Constantine, the Roman Empire had changed so dramatically in geography, ethnicity, religion, and culture that it would have been virtually unrecognizable to Augustus. Rome’s legacy remains today in so many ways, from language, law, and architecture to the seat of the Roman Catholic Church. Strauss examines this enduring heritage through the lives of the men who shaped it: Augustus, Tiberius, Nero, Vespasian, Trajan, Hadrian, Marcus Aurelius, Septimius Severus, Diocletian, and Constantine. Over the ages, they learned to maintain the family business—the government of an empire—by adapting when necessary and always persevering no matter the cost. Ten Caesars is a “captivating narrative that breathes new life into a host of transformative figures” (Publishers Weekly). This “superb summation of four centuries of Roman history, a masterpiece of compression, confirms Barry Strauss as the foremost academic classicist writing for the general reader today” (The Wall Street Journal).
In this story of the most famous assassination in history, “the last bloody day of the [Roman] Republic has never been painted so brilliantly” (The Wall Street Journal). Julius Caesar was stabbed to death in the Roman Senate on March 15, 44 BC—the Ides of March according to the Roman calendar. He was, says author Barry Strauss, the last casualty of one civil war and the first casualty of the next civil war, which would end the Roman Republic and inaugurate the Roman Empire. “The Death of Caesar provides a fresh look at a well-trodden event, with superb storytelling sure to inspire awe” (The Philadelphia Inquirer). Why was Caesar killed? For political reasons, mainly. The conspirators wanted to return Rome to the days when the Senate ruled, but Caesar hoped to pass along his new powers to his family, especially Octavian. The principal plotters were Brutus, Cassius (both former allies of Pompey), and Decimus. The last was a leading general and close friend of Caesar’s who felt betrayed by the great man: He was the mole in Caesar’s camp. But after the assassination everything went wrong. The killers left the body in the Senate and Caesar’s allies held a public funeral. Mark Antony made a brilliant speech—not “Friends, Romans, Countrymen” as Shakespeare had it, but something inflammatory that caused a riot. The conspirators fled Rome. Brutus and Cassius raised an army in Greece but Antony and Octavian defeated them. An original, new perspective on an event that seems well known, The Death of Caesar is “one of the most riveting hour-by-hour accounts of Caesar’s final day I have read....An absolutely marvelous read” (The Times, London).