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This monograph details Mucha's dazzling rise to fame and how the "Mucha style" became synonymous with Art Nouveau.
The Art Nouveau movement is distinguished as the decorative and architectural style that began, in response to the Industrial Revolution. The primary objective of this movement was the creation of a new aesthetic of nature through a return to the study of natural subjects. Designs from this movement are often characterized by plant or floral inspired patterns, and highly-stylized, detailed depictions countering the broad swooping curvatures of a piece in the Art Nouveau style. In order to achieve this, such artists as Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop, and William Morris favoured innovation in technique and novelty of forms. Art Nouveau attempts to integrate art into all facets of life including materials from furniture, to decorative items in a home, to architecture; building on the movement's philosophy of incorporating art into everyday life. After its triumph at the Paris Universal Exposition in 1900, the trend continued and has inspired many artists since, as well as the Art Déco movement, the successor of Art Nouveau which appeared after World War I. It is fair to say Art Nouveau was at the heart of a "renaissance" in decorative arts.
The Paris Salons of the mid-nineteenth century are famous today above all for the paintings that were rejected more than for those that were actually shown. The rejected works form today's canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the nineteenth century. Salon Painting has often been dismissed as overly academic or staid. Now art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of the Salon Painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris's position as Europe's cultural capitol. Wolf examines masterpieces by Cabanel, Manet, Bierstadt, The Pre-Raphaelites, and Sargent, demonstrating how classical subjects gave way to modern concerns.
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
The first major English-language study of a legendary dancer
A volume created to accompany an exhibition considers the popular and influential style of art nouveau showcasing all mediums from Tiffany lampshades to Lalique jewelry.
From 1650 to 1900 Paris was the undisputed center of fashion and taste in Europe. Home to a unique concentration of artists, designers, patrons, critics, and a keen buying public, Paris was the city where trends were made and where novel types of objects, devised for new ways of life, were invented. This book traces the wonderful story of Parisian decorative arts from the reign of Louis XIV to the triumph of art nouveau, through a selection of 150 breathtaking, and often little-known, masterpieces from the collection of the Rijksmuseum in Amsterdam. It features an exhilarating mixture of furniture, gilt bronze, tapestries, silver, watches, snuff-boxes, jewellery, Sèvres porcelain, and other ceramics, as well as some design drawings and engravings. Specially taken photographs reveal the daring design and beautiful execution of the work of some of the greatest artists and craftsmen of their time. Reinier Baarsen discusses the history and significance of each object, presenting the findings of much new research. Published in association with the Rijksmuseum, Amsterdam
Now available in a new format, this lavishly illustrated volume explores Art Deco art and design from its origin to its present day influences. The Art Deco style is so recognizable and widespread that its original impact on the culture in which it emerged has been all but lost in the clutter of imitation. This book draws our attention back to the birth of Art Deco—a period between two devastating world wars when industrialization was flourishing, interest in archaeology was peaking, and movements such as Cubism, Constructivism, Futurism, and Modernism were turning the art world on its head. Brilliantly designed to reflect the style it celebrates, Art Deco is filled with hundreds of examples of painting, architecture, interiors, jewelry, crafts, furniture, and fashion. Author Norbert Wolf traces the chronology of the Art Deco style by looking at the politics and culture of Europe in the 1920s and early 30s and the artistic movements that paralleled its popularity. He follows Art Deco’s influence in Europe and its spread to the Americas and Asia. Most importantly, this wideranging volume looks beyond the era of Art Deco’s origination to the present day. Pointing to the numerous revivals and contemporary echoes in painting and even literature, this beautiful volume demonstrates the style’s lasting importance.
An art catalogue for the traveling museum exhibition ALPHONSE MUCHA: MASTER OF ART NOUVEAU