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This fourth instalment of Harry Redner's tetralogy on the history of civilization argues that intellectuals have a brilliant past, a dubious present, and possibly no future. He contends that the philosophers of the seventeenth century laid the ground for the intellectuals of the eighteenth century, the Age of Enlightenment. They, in turn, promoted a fundamental transformation of human consciousness: they literally intellectualized the world. The outcome was the disenchantment of the world in all its cultural dimensions: in art, religion, ethics, politics, and philosophy.In this fascinating study, Redner demonstrates how secularization took the sting out of both the dread and promise of an afterlife and intellectuals learned to die without the hope of immortality popularized by philosophy and religion. Ultimately, they produced the ideologies that generated the totalitarian regimes of the twentieth century, which subsequently exterminated these intellectuals through mass murder on a scale never before experienced. The book traces the sources of this fatal entanglement and goes on to examine the contemporary condition of intellectuals in America and the world.Wherein lies the future of the intellectuals? Redner suggest that in the present state of globalization, dominated by technocrats, experts, and professionals, their fate remains uncertain.
***THE INSPIRATION FOR CHRISTOPHER NOLAN'S NEW FILM OPPENHEIMER*** WINNER OF THE PULITZER PRIZE FOR NONFICTION 'Reads like a thriller, gripping and terrifying' Sunday Times Physicist and polymath, as familiar with Hindu scriptures as he was with quantum mechanics, J. Robert Oppenheimer - director of the Manhattan Project that developed the atomic bomb - was the most famous scientist of his generation. In their meticulous and riveting biography, Kai Bird and Martin J. Sherwin reveal a brilliant, ambitious, complex and flawed man, profoundly involved with some of the momentous events of the twentieth century.
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES BOOK REVIEW AND ECONOMIST BEST BOOK OF THE YEAR “A deeply reported, deeply personal history of Zionism and Israel that does something few books even attempt: It balances the strength and weakness, the idealism and the brutality, the hope and the horror, that has always been at Zionism’s heart.”—Ezra Klein, The New York Times Winner of the Natan Book Award, the National Jewish Book Award, and the Anisfield-Wolf Book Award Ari Shavit’s riveting work, now updated with new material, draws on historical documents, interviews, and private diaries and letters, as well as his own family’s story, to create a narrative larger than the sum of its parts: both personal and of profound historical dimension. As he examines the complexities and contradictions of the Israeli condition, Shavit asks difficult but important questions: Why did Israel come to be? How did it come to be? Can it survive? Culminating with an analysis of the issues and threats that Israel is facing, My Promised Land uses the defining events of the past to shed new light on the present. Shavit’s analysis of Israeli history provides a landmark portrait of a small, vibrant country living on the edge, whose identity and presence play a crucial role in today’s global political landscape.
In this classic volume, written at the height of the Cold War, with a new preface of 2006, Peter Viereck, one of the foremost intellectual spokesmen of modern conservatism, examines the differing responses of American and European intellectuals to the twin threats of Nazism and Soviet communism. In so doing, he seeks to formulate a humanistic conservatism with which to counter the danger of totalitarian thought in the areas of politics, ethics, and art.The glory of the intellectuals was the firm moral stance they took against Nazism at a time when appeasement was the preferred path of many politicians; their shame lay in their failure to recognize the brutality of Stalinism to the extent of becoming apologists for or accomplices of its tyranny. In Viereck's view, this failure is rooted in an abandonment of humane values that he sees as a legacy of nineteenth-century romanticism and certain strands of modernist thought and aesthetics.Among his targets are literary obscurantism as personified by Ezra Pound, the academicization of literary culture, the rigidity of adversarial avant-gardism, and the failure of many writers and cultural institutions to conserve the very heritage their political freedom and security depend on. Viereck represents their attitude in a series of satirical dialogues with Gaylord Babbitt, son of Sinclair Lewis' embodiment of conservative philistinism. Babbitt Junior is as unreflective as his father, but the objects of his credulity are the received ideas of liberal progressivism and avant-garde mandarinism. Ultimately, Viereck's critique stands as a timely rebuke to the extremism of both left and right.
At a time when the Manhattan Project was synonymous with large-scale science, physicist J. Robert Oppenheimer (1904–67) represented the new sociocultural power of the American intellectual. Catapulted to fame as director of the Los Alamos atomic weapons laboratory, Oppenheimer occupied a key position in the compact between science and the state that developed out of World War II. By tracing the making—and unmaking—of Oppenheimer’s wartime and postwar scientific identity, Charles Thorpe illustrates the struggles over the role of the scientist in relation to nuclear weapons, the state, and culture. A stylish intellectual biography, Oppenheimer maps out changes in the roles of scientists and intellectuals in twentieth-century America, ultimately revealing transformations in Oppenheimer’s persona that coincided with changing attitudes toward science in society. “This is an outstandingly well-researched book, a pleasure to read and distinguished by the high quality of its observations and judgments. It will be of special interest to scholars of modern history, but non-specialist readers will enjoy the clarity that Thorpe brings to common misunderstandings about his subject.”—Graham Farmelo, Times Higher Education Supplement “A fascinating new perspective. . . . Thorpe’s book provides the best perspective yet for understanding Oppenheimer’s Los Alamos years, which were critical, after all, not only to his life but, for better or worse, the history of mankind.”—Catherine Westfall, Nature
For the past 150 years, Western intellectuals have trumpeted contempt for capitalism and capitalists. They have written novels, plays, and manifestos to demonstrate the evils of the economic system in which they live. Dislike and contempt for the bourgeoisie, the middle classes, industry, and commerce have been a prominent trait of leading Western writers and artists. Mind vs. Money is an analytical history of how and why so many intellectuals have opposed capitalism. It is also an argument for how this opposition can be tempered. Historically, intellectuals have expressed their rejection of capitalism through many different movements, including nationalism, anti-Semitism, socialism, fascism, communism, and the 1960s counterculture. Hostility to capitalism takes new forms today. The anti-globalization, Green, communitarian, and New Age movements are all examples. Intellectuals give such movements the legitimacy and leadership they would otherwise lack. What unites radical intellectuals of the nineteenth century, communists and fascists of the twentieth, and anti-globalization protestors of the twenty-first, along with many other intellectuals not associated with these movements, is their rejection of capitalism. Kahan argues that intellectuals are a permanently alienated elite in capitalist societies. In myriad forms, and on many fronts, the battle between Mind and Money continues today. Anti-Americanism is one of them. Americans like to see their country as a beacon of freedom and prosperity. But in the eyes of many European and American intellectuals, when America is identified with capitalism, it is transformed from moral beacon into the "Great Satan." This is just one of the issues Mind vs. Money explores. The conflict between Mind and Money is the great, unresolved conflict of modern society. To end it, we must first understand it.
Committing one's country to war is a grave decision. Governments often have to make tough calls, but none are quite so painful as those that involve sending soldiers into harm's way, to kill and be killed. The idea of 'just war' informs how we approach and reflect on these decisions. It signifies the belief that while war is always a wretched enterprise it may in certain circumstances, and subject to certain restrictions, be justified. Boasting a long history that is usually traced back to the sunset of the Roman Empire, it has coalesced over time into a series of principles and moral categories—e.g., just cause, last resort, proportionality, etc.—that will be familiar to anyone who has ever entered a discussion about the rights and wrongs of war. Victory: The Triumph and Tragedy of Just War focuses both on how this particular tradition of thought has evolved over time and how it has informed the practice of states and the legal architecture of international society. This book examines the vexed position that the concept of victory occupies within this framework.
In Stardust Lost, Stefan Kanfer brings the colorful Yiddish stage roaring back to life. Born of ancient traditions stretching back to the drama of the Old Testament, the Yiddish theater was a vibrant part of the immigrant experience. Kanfer invokes the energy, belief, and pure chutzpah it took to establish and run the thriving, influential theaters. He reveals the nightly drama and comedy that played out behind the scenes as well as onstage, and introduces all the players—actors, divas, playwrights, directors, and producers—who made it possible. A richly evocative chronicle of its brief but dazzling existence in America, this is both an elegy for and a tribute to Yiddish theater—lost, but not forgotten.
In 2016, Edith Turner passed away. She left behind an intellectual legacy that, together with her husband, Victor Turner, transformed modern anthropology. This edited collection focuses on Victor and Edith Turner’s significant theoretical contributions, including their work on communitas, liminality, pilgrimage, friendship, fieldwork, self-reflection, affective culture, religion, spirits, and faith. This collection includes retrospectives on the personal lives of Edith and Victor, as provided by their son; a close look at Edith’s work on last rites, for which she studied and contemplated her own demise; an examination of Edith’s faith and belief system in light of her personal research interests; and contemporary applications of the Turners’s theories in relation to modern social processes. Contributors touch on a variety of topics, including current political upheavals and inversions, the values of friendship and bonding, the importance of music as affective culture, jazz as a pilgrimage, and deeper theoretical issues surrounding the concept of liminality. This work illustrates the Turners’ enduring theoretical and affective contributions and emphasizes the great importance they placed on studying and understanding what it means to be human. We continue to learn from their example.
A personal account by the late founder of Arcade Publishing documents his experiences in the literary world of the mid-20th century, describing his efforts to overcome U.S. censorship laws and introduce readers to important written works.