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Though fiction, The Triptych is firmly based on incidents in the lives of three ordinary men from the Hall family. Spanning nearly a century, this vivid narrative interweaves the fates of three generations caught in the tumult of three key historical events: the 1855 Siege of Sebastopol during the Crimean War; the Expedition to rescue General Gordon in 1884–85; and the fierce Dodecanese Campaign of 1943. While these stories form the triptych of the title, they are linked via the fate of a second triptych: an imaginary object bequeathed to James Hall by a dying Russian soldier. This passes repeatedly between the Halls and an Italian family, the Lassaros. These stories bring to life the struggles of those who had no hand in the politics that sent them to battle yet bore the brunt of its consequences. From the brutal battlefields to the quiet courage that followed, their journeys highlight the personal costs of conflicts initiated by distant politicians. Narrated by a fourth-generation Hall in the twenty-first century, himself a former soldier, The Triptych offers a window into a family’s legacy across a period marked by both volatility and violence. This novel is a tribute to the often unheralded resilience of ordinary people in times of conflict. Their lives paint a vivid triptych of quiet courage, endurance and the survival of the human spirit.
NEW YORK TIMES BESTSELLER • Features a new introduction on the origins of the Will Trent novels and Triptych’s place in the series “Crime fiction at its finest.”—Michael Connelly From Atlanta’s wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread—and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael’ s lover before she became his enemy. But unbeknownst to both of them, another player has entered the game: a loser ex-con who has stumbled upon the killer’s trail in the most coincidental of ways—and who may be the key to breaking the case wide open. In this gritty, gripping firecracker of a novel, the author of the bestselling Grant County, Georgia, series breaks thrilling new ground, weaving together the threads of a complex, multilayered story with the skill of a master craftsman. Packed with body-bending switchbacks, searing psychological suspense and human emotions, Triptych ratchets up the tension one revelation at a time as it races to a shattering and unforgettable climax.
1798. How did John Constable evade family responsibilities to become the artist we recognise today? John wants to be an artist; for years he has been walking and sketching locally with his friend, Dunthorne. Golding Constable is desperate for his son to take over from him in the thriving family business at Flatford Mill. Golding promises John a studio in the village if he will paint an altarpiece for East Bergholt Church – he hopes that John will remain to work with him at the Mill. John is not good at finishing paintings, but then he meets Maria and his whole life changes…
A failed marriage, the accidental death of a child by drowning, and an incident at a summer resort are the subject matter of these three stories, interwoven and told out of sequence.
Mellie, a young foundling, leaves the forest she was raised in by an aged hermit named Rose, and is picked up by a truck driver, after which she establishes a life for herself in a decaying coastal town
"A study of Netherlandish triptychs from the early fifteenth century through the early seventeenth century, covering works by Jan van Eyck, Rogier van der Weyden, Hugo van der Goes, Hieronymus Bosch, and Peter Paul Rubens. Explores how the triptych format structures and generates meaning"--Provided by publisher.
Traces the lives of three American women, Puritan, Victorian, and modern, and compares the themes and philosophy of their poetry
A feast of extraordinary theories and personalities centred around the mysterious standing stones of antiquity. John Michell tells the incredible story of the amazing reactions, ancient and modern, to these prehistoric relics, whether astronomical, legendary, mystical or visionary.
Triptych disrupts conventions of book authorship. Between two covers are three books, The Three-Legged World by Peter Grandbois, In Time by James McCorkle, and Orpheus & Echo by Robert Miltner. Of course, books converse with other books, and poetry, rippling from unmeasured sound into rampant forms, is especially polyphonic. Etruscan brings these three books together because they exerted upon our editors a gravitational pull, causing the shadow of one to fall across the reading of another. Sufficient on their own, these books achieve new altitudes when aligned. Triptych launches no school. It backs no cause. What these books share is not easily labeled. None follows narrative conventions. None dwells on confession. None abides predictable meter. None is easily parsed. Each climbs eerie heights where ego finds no purchase. Each takes a kaleidoscopic view of selfhood. Each takes flight toward apotheosis. Each blesses the moments "Before we turn into air," or give way to "tongue of trees, language of clouds," and before "Gods and dogs begin their talking back," before birds "are falling through their late bodies." In Miltner's ogham-deep caesuras, in McCorkle's speech-song, and in Grandbois's cadences which whisper like ghostly passersby, "sound is emanation," and emanation asks, "what would this line be without the words?"
"Publication No. 5-556"--Page facing title page Contents: The stream -- Meditations on the book of Genesis at the threshold of the Sistine Chapel -- A hill in the land of Moriah.