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Vols. for 1946-47 include as sect. 2 of a regular no., World oil atlas.
Sequence-specific DNA binding ligands, amongst which triple helix forming oligonucleotides are the most efficient as yet, represent promising tools in a number of fields. One of their most promising applications is as antiviral tools: they can specifically target a viral gene, even if it is integrated into the host genome, and be used to specifically inactivate the viral gene or even destroy the cells harboring this gene. However, from science fiction to science there remains a gap; and we are at the moment on the threshold of this fascinating field. Triple Helix Forming Oligonucleotides considers the different aspects of the design and improvement, current or future, of these molecules and their structural analysis, as well as their applications, with special emphasis on the attempts to obtain biological effects of these potentially important tools. What emerges is that the current state of the research is encouraging, and that these molecules are already useful in some biotechnology applications.
Engaging Ecclesiology presents eight challenging and thought-provoking essays from the 2021 Edinburgh Dogmatics Conference (EDC), which is a biennial event led by the Rutherford Centre for Reformed Theology. Considering the pressing reality of the decline of the church, particularly in Europe, the essays question the nature and purpose of the church in society today. Using rigorous biblical and theological examination, the contributors provide solutions and clarity to the ecclesiastical quandaries that have arisen over recent times. The EDC creates a positive forum for the constructive discussion of Reformed Theology. The essays represent a unified front in the face of the growing disunity and schisms found in the church.
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.