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In Early Christian Apologetics, D.H. Williams offers a first comprehensive presentation of Christian apologetic literature from the second to the fifth century CE. Williams argues that most apologies were not directed at a pagan readership. In most cases, ancient apologetics had a double object: to instruct the Christian and persuade weak Christians or non-Christians who were sympathetic to Christian claims. Taken cumulatively, he finds, apologetic literature was integral to the formation of the Christian identity in the Roman world
This book surveys the practice of horse racing from antiquity to the modern period, and in this way offers a selective global history. Unlike previous histories of horse racing, which generally make claims about the exclusiveness of modern sport and therefore diminish the importance of premodern physical contests, the contributors to this book approach racing as a deep history of diachronically comparable practices, discourses, and perceptions centered around the competitive staging of equine speed. In order to compare horse racing cultures from completely different epochs and regions, the authors respond to a series of core issues which serve as structural comparative parameters. These key issues include the spatial and architectural framework of races; their organization; victory prizes; symbolic representations of victories and victors; and the social range and identities of the participants. The evidence of these competitions is interpreted in its distinct historical contexts and with regard to specific cultural conditions that shaped the respective relationship between owners, riders, and horses on the global racetracks of pre-modernity and modernity. The chapters in this book were originally published as a special issue of The International Journal of the History of Sport.
In this volume, T.C. Schmidt offers a new perspective on the formation of the New Testament by examining it simply as a Greco-Roman 'testament', a legal document of great authority in the ancient world. His work considers previously unexamined parallels between Greco-Roman juristic standards and the authorization of Christianity's holy texts. Recapitulating how Greco-Roman testaments were created and certified, he argues that the book of Revelation possessed many testamentary characteristics that were crucial for lending validity to the New Testament. Even so, Schmidt shows how Revelation fell out of favor amongst most Eastern Christian communities for over a thousand years until commentators rehabilitated its status and reintegrated it into the New Testament. Schmidt uncovers why so many Eastern churches neglected Revelation during this period, and then draws from Greco-Roman legal practice to describe how Eastern commentators successfully argued for Revelation's inclusion in the New Testaments of their Churches.
In 'The Games People Play', Robert Ellis constructs a theology around the global cultural phenomenon of modern sport, paying particular attention to its British and American manifestations. Using historical narrative and social analysis to enter thedebate on sport as religion, Ellis shows that modern sport may be said to have taken on some of the functions previously vested in organized religion. Through biblical and theological reflection, he presents a practical theology of sport's appeal and value, with special attention to the theological concept of transcendence. Throughout, he draws on original empirical work with sports participants and spectators.'The Games People Play' addresses issues often considered problematic in theological discussions of sport such as gender, race, consumerism, and the role of the modern media, as well as problems associated with excessive competition and performance-enhancing substances.
Much of the theater of antiquity is marked by erasures: missing origins, broken genres, fragments of plays, ruins of architecture, absented gods, remains of older practices imperfectly buried and ghosting through the civic productions that replaced them. Ruins: Classical Theater and Broken Memory traces the remains, the remembering, and the forgetting of performance traditions of classical theater. The book argues that it is only when we look back over the accumulation of small evidence over a thousand-year sweep of classical theater that the remarkable and unequaled endurance of the tradition emerges. In the absence of more evidence, Odai Johnson turns instead to the absence itself, pressing its most legible gaps into a narrative about scars, vanishings, erasures, and silence: all the breakages that constitute the ruins of antiquity. In ten wide-ranging case studies, theater history and performance theory are brought together to examine the texts, artifacts, and icons left behind, reading them in fresh ways to offer an elegantly written, extended meditation on “how the aesthetic of ruins offered a model for an ideal that dislodged and ultimately stood in for the historic.”
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