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In the sixties, architecture fell in love with concrete. Architecture has since shifted its fondness to glass and steel, and concrete buildings have fallen out of favor and into disrepair. But they represent an exciting era of faith in architecture and technical innovation that has yet to be documented.Concrete Torontoacts as a guidebook to the city's extensive concrete heritage. Architects, journalists, professors, concrete experts, and even the original architects use a wealth of new and archival photos, drawings, interviews, articles, and case studies to celebrate Toronto's concrete past.
Founded in 1967, DP Architects was one of the seminal firms responsible for the urban landscape of Singapore. Guided by the simple philosophy that architecture of excellence enriches the human experience and spirit, early notable works like the Golden Mile Complex and the People's Park Complex revolutionized retail development and high-rise living. Now a leading architecture firm in Asia, DP Architects continues to make an impact in the evolving cityscapes of Singapore and beyond. Responsible for the largest shopping mall in the world, The Dubai Mall, the world-class concert hall, Esplanade Theatres on the Bay and instrumental in the master planning and transformation of Singapore's famous shopping strip Orchard Road, DP Architects' portfolio is remarkable in its diversity of scale and typology. This monograph chronicles the DP Architects story, placing the firm's groundbreaking works in the context of Singapore's urban history and documenting in detail the significant projects of its 44 years.
In Loss and Wonder at the World's End, Laura A. Ogden brings together animals, people, and things—from beavers, stolen photographs, lichen, American explorers, and birdsong—to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina. Repeated algal blooms have closed fisheries in the archipelago. Glaciers are in retreat. Extractive industries such as commercial forestry, natural gas production, and salmon farming along with the introduction of nonnative species are rapidly transforming assemblages of life. Ogden archives forms of loss—including territory, language, sovereignty, and life itself—as well as forms of wonder, or moments when life continues to flourish even in the ruins of these devastations. Her account draws on long-term ethnographic research with settler and Indigenous communities; archival photographs; explorer journals; and experiments in natural history and performance studies. Loss and Wonder at the World's End frames environmental change as imperialism's shadow, a darkness cast over the earth in the wake of other losses.