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Join the Rebellion! ''However this ends, you're probably going to find out some things about me, and they're not nice things. But, Ash, even after you know, do you think you could remember the good? And whatever you end up discovering - try to think of me kindly. If you can.'' Ember Crow is missing. To find her friend, Ashala Wolf must control her increasingly erratic and dangerous Sleepwalking ability and leave the Firstwood. But Ashala doesn't realise that Ember is harbouring terrible secrets and is trying to shield the Tribe and all Illegals from a devastating new threat - her own past.
In this fast-paced sequel to The Interrogation of Ashala Wolf, Ashala and her friends face a new danger from the least expected source — one of their own. After a daring raid on Detention Center 3 to rescue their trapped peers, Ashala Wolf and her Tribe of fellow Illegals — children with powerful and inexplicable abilities — are once again entrenched in their safe haven, the Firstwood. Existing in alliance with the ancient trees and the giant intelligent lizards known as saurs, the young people of the Tribe do their best to survive and hide. But the new peace is fractured when Ashala’s friend Ember Crow goes missing, leaving only a cryptic message behind. Ember claims to be harboring terrible secrets about her past that could be a threat to the Tribe and all Illegals. Ashala and her boyfriend, Connor, spring into action, but with Ashala’s Sleepwalking ability functioning erratically and unknown enemies lying in wait, leaving the Firstwood is a dangerous proposition. Can Ashala and Connor protect the Tribe and bring Ember home, or must they abandon one to save the other?
Join the Rebellion! Ember Crow is missing. To find her friend, Ashala Wolf must control her increasingly erratic and dangerous Sleepwalker ability and leave the Firstwood. But Ashala doesn’t realise that Ember is harbouring terrible secrets and is trying to shield the Tribe and all Illegals from a devastating new threat – her own past. The Disappearance of Ember Crow is the second book in a thrilling dystopian series by Indigenous Australian author Ambelin Kwaymullina. With a dollop of adventure and a dash of romance, it will grip readers from the first page. Book 1, The Interrogation of Ashala Wolf, was short-listed in both the Science Fiction and Young Adult categories of the 2012 Aurealis Awards. Find out what happens next in The Foretelling of Georgie Spider. Join the Tribe at http://www.thefirstwood.com.au/ “The book is entertaining, engaging and certainly offers moments of suspense for those looking for an interesting YA sci-fi series with a difference. For those who prefer more thoughtful, thought-provoking stories, The Tribe offers plenty of opportunities to consider deeper themes such as identity, the role of technology in society, the definition of humanity, environmental issues, our deeper connection with the environment, and our personal and spiritual heritage.” Kids’ Book Review “The second book in this spectacular series is even better than the first. The language retains the lyrical prose and stunning descriptions of the first book. Get settled in a comfortable chair or against pillows for there’ll be no breaks during this riveting read.” Buzz Words Books “The Disappearance of Ember Crow’ is a fantastic instalment in what is fast becoming my favourite new Aussie YA series. Here is a book that is twisting and compelling, beautifully plotted for maximum sucker-punching, and in which all the characters we met and fell for in ‘Ashala Wolf’ are being teased out with the promise of further, tricky exploration.” AlphaReader “Highly recommended … Once again Kwaymullina has written an outstanding story with plenty of surprises in it to make the reader think. This is written in smooth, flowing prose that is easy to read. However the themes are complex and fascinating, making it a challenging and thought provoking novel. It is science fiction with a dystopian theme at its best.” ReadPlus “The Tribe series is phenomenal. Rarely does book two in any series live up to our expectations, but The Disappearance of Ember Crow intensifies the action, the intrigue and adds the extra element of introducing new characters and a science fiction storyline. I loved it immensely. Ambelin is a storyteller, she creates magical and intriguing worlds that you can't help but be immediately drawn into. With an impeccable writing style, the fusion of fantasy, dystopian science fiction and romance is breathtaking.” Diva Booknerd
Taking refuge among other teens who are in hiding from a government threatened by their supernatural powers, Ashala covertly practices her abilities only to be captured and interrogated for information about the location of her friends.
Georgie Spider has foretold the end of the world, and the only one who can stop it is Ashala Wolf. But Georgie has also foreseen Ashala’s death. As the world shifts around the Tribe, Ashala fights to protect those she loves from old enemies and new threats. And Georgie fights to save Ashala. Georgie Spider can see the future. But can she change it? The Foretelling of Georgie Spider is the third and final book in a thrilling dystopian series by Indigenous Australian author Ambelin Kwaymullina. With a dollop of adventure and a dash of romance, it will grip readers from the first page. Book 1, The Interrogation of Ashala Wolf, was short-listed in both the Science Fiction and Young Adult categories of the 2012 Aurealis Awards. Join the Tribe at http://www.thefirstwood.com.au/
Ben Dejooli is a Navajo cop who can't escape his past. Six years ago his little sister Ana vanished without a trace. His best friend saw what happened, but he refuses to speak of what he knows, and so was banished from the Navajo tribe. That was the day the crows started following Ben. Caroline Adams is a nurse with a special talent: she sees things others can't see. She knows that Ben is more than he seems, and that the crows are trying to tell him something. What the crows could shed new light on the mystery of Ana's disappearance, or it could place Ben and Caroline at risk of vanishing just like she did.
Journalist Cocker is a member of a community of fanatics who watch birds. Now he offers what "The Baltimore Sun" calls "the most graceful, respectful and technically rich book on [this] fascination."
The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.
This collection of essays offers global perspectives on feminist utopia and dystopia in speculative literature, film, and art, working from a range of intersectional approaches to examine key works and genres in both their specific cultural context and a wider, global, epistemological, critical background. The international, diverse contributions, including a Foreword by Gregory Claeys, draw upon posthumanism, speculative realism, speculative feminism, object-oriented ontology, new materialisms, and post-Anthropocene studies to propose alternative perspectives on gender, environment, as well as alternate futures and pasts rendered in fiction. Instead of binary divisions into utopia vs dystopia, the collection explores genres transcending this dichotomy, scrutinising the oeuvre of both established and emerging writers, directors, and critics. This is a rich and unique collection suitable for scholars and students studying feminist literature, media cultural studies, and women’s and gender studies.