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We began as savages, and savagery has served us well—it got us where we are. But how do our tribal impulses, still in place and in play, fit in the highly complex, civilized world we inhabit today? This question, raised by thinkers from Freud to Lévi-Strauss, is fully explored in this book by the acclaimed anthropologist Robin Fox. It takes up what he sees as the main—and urgent—task of evolutionary science: not so much to explain what we do, as to explain what we do at our peril. Ranging from incest and arranged marriage to poetry and myth to human rights and pop icons, Fox sets out to show how a variety of human behaviors reveal traces of their tribal roots, and how this evolutionary past limits our capacity for action. Among the questions he raises: How real is our notion of time? Is there a human “right” to vengeance? Are we democratic by nature? Are cultural studies and fascism cousins under the skin? Is evolutionary history coming to an end—or just getting more interesting? In his famously informative and entertaining fashion, drawing links from Volkswagens to Bartók to Woody Guthrie, from Swinburne to Seinfeld, Fox traces our ongoing struggle to maintain open societies in the face of profoundly tribal human needs—needs which, paradoxically, hold the key to our survival.
This book explores the transition from oral to written history now taking place in tribal Jordan, a transition that reveals the many ways in which modernity, literate historicity, and national identity are developing in the contemporary Middle East. As traditional Bedouin storytellers and literate historians lead him through a world of hidden documents, contested photographs, and meticulously reconstructed pedigrees, Andrew Shryock describes how he becomes enmeshed in historical debates, ranging from the local to the national level. The world the Bedouin inhabit is rich in oral tradition and historical argument, in subtle reflections on the nature of truth and its relationship to poetics, textuality, and power. Skillfully blending anthropology and history, Shryock discusses the substance of tribal history through the eyes of its creators—those who sustain an older tradition of authoritative oral history and those who have experimented with the first written accounts. His focus throughout is on the development of a "genealogical nationalism" as well as on the tensions that arise between tribe and state. Rich in both personal revelation and cultural implications, this book poses a provocative challenge to traditional assumptions about the way history is written.
Loretta Fowler offers a new perspective on Native American politics by examining how power on multiple levels infuses the everyday lives and consciousness of the Cheyenne and Arapaho peoples of Oklahoma. Cheyennes and Arapahos today energetically pursue a variety of commercial enterprises, including gaming and developing retail businesses, and they operate a multitude of social programs. Such revitalization and economic mobilization, however, have not unambiguously produced greater tribal sovereignty. Tribal members challenge and often work vigorously to undermine their tribal government's efforts to strengthen the tribe as an independent political, economic, and cultural entity; at the same time, political consensus and tribal unity are continually recognized and promoted in powwows and dances. Why is there conflict in one sphere of Cheyenne-Arapaho politics and cooperation in the other? The key to the dynamics of current community life, Fowler contends, is found in the complicated relationship between the colonizer and the colonized that emerges in Fourth World or postcolonial settings. For over a century the lives of Cheyennes and Arapahos have been affected simultaneously by forces of resistance and domination. These circumstances are reflected in their constructions of history. Cheyennes and Arapahos accommodate an ideology that buttresses social forms of domination and helps mold experiences and perceptions. They also selectively recognize and resist such domination. Drawing upon a decade of fieldwork and archival research, Tribal Sovereignty and the Historical Imagination provides an insightful and provocative analysis of how Cheyenne and Arapaho constructions of history influence tribal politics today. Loretta Fowler is a professor of anthropology at the University of Oklahoma. She is the author of Arapahoe Politics, 1851-1978: Symbols in Crises of Authority (Nebraska 1982) and Shared Symbols, Contested Meanings: Gros Ventre Culture and History, 1778-1984.
A history of representations of American Indians in Jewish literature and popular media. In Members of the Tribe: Native America in the Jewish Imagination, author Rachel Rubinstein examines interventions by Jewish writers into an ongoing American fascination with the "imaginary Indian." Rubinstein argues that Jewish writers represented and identified with the figure of the American Indian differently than their white counterparts, as they found in this figure a mirror for their own anxieties about tribal and national belonging. Through a series of literary readings, Rubinstein traces a shifting and unstable dynamic of imagined Indian-Jewish kinship that can easily give way to opposition and, especially in the contemporary moment, competition. In the first chapter, "Playing Indian, Becoming American," Rubinstein explores the Jewish representations of Indians over the nineteenth century, through narratives of encounter and acts of theatricalization. In chapter 2, "Going Native, Becoming Modern," she examines literary modernism’s fascination with the Indian-poet and a series of Yiddish translations of Indian chants that appeared in the modernist journal Shriftn in the 1920s. In the third chapter, "Red Jews," Rubinstein considers the work of Jewish writers from the left, including Tillie Olsen, Michael Gold, Nathanael West, John Sanford, and Howard Fast, and in chapter 4, "Henry Roth, Native Son," Rubinstein focuses on Henry Roth’s complicated appeals to Indianness. The final chapter, "First Nations," addresses contemporary contestations between Jews and Indians over cultural and territorial sovereignty, in literary and political discourse as well as in museum spaces. As Rubinstein considers how Jews used the figure of the Indian to feel "at home" in the United States, she enriches ongoing discussions about the ways that Jews negotiated their identity in relation to other cultural groups. Students of Jewish studies and literature will enjoy the unique insights in Members of the Tribe.
We began as savages, and savagery has served us well—it got us where we are. But how do our tribal impulses, still in place and in play, fit in the highly complex, civilized world we inhabit today? This question, raised by thinkers from Freud to Lévi-Strauss, is fully explored in this book by the acclaimed anthropologist Robin Fox. It takes up what he sees as the main—and urgent—task of evolutionary science: not so much to explain what we do, as to explain what we do at our peril. Ranging from incest and arranged marriage to poetry and myth to human rights and pop icons, Fox sets out to show how a variety of human behaviors reveal traces of their tribal roots, and how this evolutionary past limits our capacity for action. Among the questions he raises: How real is our notion of time? Is there a human “right” to vengeance? Are we democratic by nature? Are cultural studies and fascism cousins under the skin? Is evolutionary history coming to an end—or just getting more interesting? In his famously informative and entertaining fashion, drawing links from Volkswagens to Bartók to Woody Guthrie, from Swinburne to Seinfeld, Fox traces our ongoing struggle to maintain open societies in the face of profoundly tribal human needs—needs which, paradoxically, hold the key to our survival.
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.
This beautifully photographed travel pictorial captures the people, art, architecture, food and landscapes of the the Indonesian Archipelago. Indonesia's stunning beauty and diversity is captured by Indonesia Islands of the Imagination with the help of National Geographic Photographer Jill Gocher's striking and intuitive images and insightful essays penned by Michael Vatikiotis. For the first time visitor, the frequent traveler, or the complete stranger, this book offers a fascinating illustrated introduction to Indonesia's wondrous complexity. For the armchair traveler in each of us comes Indonesia Islands of the Imagination. Featuring over 140 full-color photos showcasing breathtaking scenery from Bali to New Guinea and everywhere in between, this book is a remarkable photographic chronicle of the world's largest archipelago. From the famous tropical island of Bali, to the bustling capital city of Jakarta, and outer islands like Sumatra and Sulawesi that are steeped in ancient tribal lore and traditions, Indonesia Islands of the Imagination paints an exquisite portrait of Indonesia's fascinating peoples and places.
In Indian context.
This book illustrates how internationalist writers marginalized the West and placed the non-Western regions in a new center.
In the United States of America today, debates among, between, and within Indian nations continue to focus on how to determine and define the boundaries of Indian ethnic identity and tribal citizenship. From the 1880s and into the 1930s, many Native people participated in similar debates as they confronted white cultural expectations regarding what it meant to be an Indian in modern American society. Using close readings of texts, images, and public performances, this book examines the literary output of four influential American Indian intellectuals who challenged long-held conceptions of Indian identity at the turn of the twentieth century. Kiara M. Vigil traces how the narrative discourses created by these figures spurred wider discussions about citizenship, race, and modernity in the United States. Vigil demonstrates how these figures deployed aspects of Native American cultural practice to authenticate their status both as indigenous peoples and as citizens of the United States.