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Ronald Fino, one of the FBI's foremost undercover operatives, does not scare easily.That is why he's not afraid to name names in this undercover expose. For years, Fino wanted to write about his experiences, but each time the FBI managed to stop him. Even requests from major authors like Tom Clancy were placed on old. Today, Ronald Fino is retired from his service to the FBI and is ready to tell his story. Because of his unique position as the son of a Mafia boss, Fino got to know the ins and outs of organized crime from the ground up. He learned how they control members of Congress and local officials as well as their ties to presidents, politicians, and law enforcement officials.But working to bring mob members to justice and exposing political corruption wasn't enough for Fino. He also managed to infiltrate the Russian Mafia, made underground contact with Muslim terrorists, and exposed illegal arms smugglers, child porn organizers, arcotics dealers, and international money launderers. It's all here. It's all true. And as Ronald Fino says, "It's not going away anytime soon."
Describes the 1911 fire that destroyed the Triangle Shirtwaist factory in New York's Greenwich Village, the deaths of 146 workers in the fire, and the implications of the catastrophe for twentieth-century politics and labor relations.
Ronald Fino, one of the FBI's foremost undercover operatives, does not scare easily.That is why he's not afraid to name names in this undercover exposé. For years, Fino wanted to write about his experiences, but each time the FBI managed to stop him. Even requests from major authors like Tom Clancy were placed on old. Today, Ronald Fino is retired from his service to the FBI and is ready to tell his story. Because of his unique position as the son of a Mafia boss, Fino got to know the ins and outs of organized crime from the ground up. He learned how they control members of Congress and local officials as well as their ties to presidents, politicians, and law enforcement officials.But working to bring mob members to justice and exposing political corruption wasn't enough for Fino. He also managed to infiltrate the Russian Mafia, made underground contact with Muslim terrorists, and exposed illegal arms smugglers, child porn organizers, narcotics dealers, and international money launderers. It's all here. It's all true. And as Ronald Fino says, "It's not going away anytime soon."
Silicon Valley investor Ryn Brennan is on the verge of achieving everything she dreamed. She's succeeded in the male-dominated venture capital world, has a supportive husband, and is about to close the deal of her career. Everything is going exactly as planned, until she meets Carly, her husband's mistress, across the negotiating table. Carly clawed her way back from being a teenage runaway to become an accomplished scientist, caring single mom, and co-founder of her startup. Once she marries her loving fiancé, she'll secure the complete family she craves. But she's blindsided to discover her not so perfect fiancé is already married—to Ryn, her company's biggest investor. In an industry full of not-so-subtle sexism, can the two women rise above, and work together to overcome heartbreak, and ensure their success?
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Exits are all around us. They are the difference between travelling and arriving, being on the inside or outside. Whether signposted or subversive, personal or political, choices or holes we've fallen through, exits determine how we move around our lives, cities, and the world. What does it really mean to 'exit'? In these meditations on exits in architecture, transport, ancestry, language, garbage, death, Sesame Street and Brexit, Laura Waddell follows the neon and the pictograms of exit signs to see what's on the other side. Object Lessons is published in partnership with an essay series in The Atlantic.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Exits are all around us. They are the difference between travelling and arriving, being on the inside or outside. Whether signposted or subversive, personal or political, choices or holes we've fallen through, exits determine how we move around our lives, cities, and the world. What does it really mean to 'exit'? In these meditations on exits in architecture, transport, ancestry, language, garbage, death, Sesame Street and Brexit, Laura Waddell follows the neon and the pictograms of exit signs to see what's on the other side. Object Lessons is published in partnership with an essay series in The Atlantic.
In this sweeping and powerful epic the journey begins in the 'terrible beauty' of Northern Ireland during a time when conflict reigns and no one is spared from tragedy and sorrow, the time known as The Troubles. It is the spring of 1968 in Belfast and James Kirkpatrick has just lost his father under suspicious circumstances, Casey Riordan is released from prison after five years and Pamela O'Flaherty has crossed an ocean and a lifetime of memories to find the man she fell in love with as a little girl. All three lives are on a collision course with each other against the backdrop of the burgeoning civil rights movement and a nation on the brink of revolution. They come from disparate backgrounds-Jamie a wealthy aristocrat whose life is like an imperfect but multi-faceted jewel-brilliant, flawed and with a glitter that is designed to distract the observer. Casey, a card-carrying member of the Irish Republican Army, who must face the fact that five years away has left him a stranger, a misfit in his own neighborhood where not everyone is sympathetic to a convicted rebel. Pamela, who has come to Ireland in search of a memory and a man who may not have existed in the first place. Through it all runs the ribbon of a love story: love of country, the beginnning love of two people unable to resist the pull of each other regardless of the cost to themselves and those around them, and the selfless love of one man who no longer believes himself capable of such emotion. It is an electrifying tale of a people divided by religion and politics, a tale of love and danger, of triumph and tragedy. Ultimately it is the story of that 'terrible beauty' herself-Ireland-and how nation is bound to one's identity, woven into the weft of all we become.