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Chronicles the life of Maria Barbella who was tried, convicted, and sentenced to die for the murder of her ex-lover, and the campaign to save her from the electric chair
This “gripping social history” (Publishers Weekly), with all the passion and pathos of a classic opera, chronicles the riveting first campaign against the death penalty waged in 1895 by American pioneer activist, Cora Slocomb, Countess of Brazzà, to save the life of a twenty-year-old illiterate Italian immigrant, Maria Barbella, who killed the man who had abused her. Previously published as The Trials of Maria Barbella. In 1895, a twenty-two-year-old Italian seamstress named Maria Barbella was accused of murdering her lover, Domenico Cataldo, after he seduced her and broke his promise to marry her. Following a sensational trial filled with inept lawyers, dishonest reporters and editors, and a crooked judge repaying political favors, the illiterate immigrant became the first woman sentenced to the newly invented electric chair at Sing Sing, where she is also the first female prisoner. Behind the scenes, a corporate war raged for the monopoly of electricity pitting two giants, Edison and Westinghouse with Nikola Tesla at his side, against each other. Enter Cora Slocomb, an American-born Italian aristocrat and activist, who launched the first campaign against the death penalty to save Maria. Rallying the New York press, Cora reached out across the social divide—from the mansions of Fifth Avenue to the tenements of Little Italy. Maria’s “crime of honor” quickly becomes a cause celebre, seizing the nation’s attention. Idanna Pucci, Cora’s great-granddaughter, masterfully recounts this astonishing story by drawing on original research and documents from the US and Italy. This dramatic page-turner, interwoven with twists and unexpected turns, grapples with the tragedy of immigration, capital punishment, ethnic prejudice, criminal justice, corporate greed, violence against women, and a woman’s right to reject the role of victim. Over a century later, this story is as urgent as ever.
Southern Italian emigration to the United States peaked a full century ago, descendents are now fourth and fifth generation, dispersed from their old industrial neighborhoods, professionalized, and fully integrated into the melting pot. Surely the social historians are right: Italian Americans are fading into the twilight of their ethnicity. So, why is the American imagination enthralled by The Sopranos, and other portraits of Italian-ness?
A fascinating history of crime and punishment, Gaslight Lawyers paints a serious but entertaining portrait of colorful characters, courtroom drama, and the emerging importance of forensic science and medical-legal jurisprudence in Gilded Age New York City.From the 1870s to the early 1900s, post-Civil War New York City was becoming a wonder city of commerce and invention, art and architecture, and emerging global prominence. It was also a city of crime, corruption, poverty, slums, and tenements teeming with newcomers and standing in sharp contrast to the city mansions and the extravagant lifestyle of the rising American aristocracy. The New York City of those days is not just the venue of the intriguing true stories told in this book'it is also a supporting actor in them.The Gaslight Era has been called the Second Golden Age of the New York Bar. Gaslight Lawyers sheds new light on a gallery of notables of the day, including the exploits of famous William ?Big Bill? Howe and his archrival, Tammany prosecutor Francis Wellman, along with trial tactics and ethics of the day'skullduggery on both sides. It tells of the passing of the old guard and the rise of a new generation of criminal defense lawyers, and the aggressive and sometimes ruthless prosecutors. It also chronicles judges and politicians, police bungling and corruption, and famous physicians and ?alienists,? like Dr. Allan McLane Hamilton, the grandson of Alexander Hamilton. Other characters, such as photojournalist and reformer Jacob Riis, and infamous criminals of the day illuminate the social conditions.Drawing from the experience of a legal scholar and from a wealth of meticulous research gleaned from trial transcripts, other court records, contemporary newspaper stories, and memoirs, Richard H. Underwood also reconstructs and recounts the absorbing legal drama of a number of spectacular murder trials.Gaslight Lawyers is a compelling, witty, and insightful account of an important era in American legal history. It reminds us to acknowledge and deal with biases that continue to manifest themselves in our criminal justice systems today and to be mindful that we "are the guardians of the law.
This “gripping social history” (Publishers Weekly), with all the passion and pathos of a classic opera, chronicles the riveting first campaign against the death penalty waged in 1895 by American pioneer activist, Cora Slocomb, Countess of Brazzà, to save the life of a twenty-year-old illiterate Italian immigrant, Maria Barbella, who killed the man who had abused her. Previously published as The Trials of Maria Barbella. In 1895, a twenty-two-year-old Italian seamstress named Maria Barbella was accused of murdering her lover, Domenico Cataldo, after he seduced her and broke his promise to marry her. Following a sensational trial filled with inept lawyers, dishonest reporters and editors, and a crooked judge repaying political favors, the illiterate immigrant became the first woman sentenced to the newly invented electric chair at Sing Sing, where she is also the first female prisoner. Behind the scenes, a corporate war raged for the monopoly of electricity pitting two giants, Edison and Westinghouse with Nikola Tesla at his side, against each other. Enter Cora Slocomb, an American-born Italian aristocrat and activist, who launched the first campaign against the death penalty to save Maria. Rallying the New York press, Cora reached out across the social divide—from the mansions of Fifth Avenue to the tenements of Little Italy. Maria’s “crime of honor” quickly becomes a cause celebre, seizing the nation’s attention. Idanna Pucci, Cora’s great-granddaughter, masterfully recounts this astonishing story by drawing on original research and documents from the US and Italy. This dramatic page-turner, interwoven with twists and unexpected turns, grapples with the tragedy of immigration, capital punishment, ethnic prejudice, criminal justice, corporate greed, violence against women, and a woman’s right to reject the role of victim. Over a century later, this story is as urgent as ever.
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
"I was gripped by A Castle in Wartime--it contained more tension, more plot in fact--than any thriller."--Kate Atkinson, author of Big Sky and Case Histories An enthralling story of one family's extraordinary courage and resistance amidst the horrors of war from the New York Times bestselling author of The Secret Rooms. As war swept across Europe in 1940, the idyllic life of Fey von Hassell seemed a world away from the conflict. The daughter of Ulrich von Hassell, Hitler's Ambassador to Italy, her marriage to Italian aristocrat Detalmo Pirzio-Biroli brought with it a castle and an estate in the north of Italy. Beautiful and privileged, Fey and her two young sons lead a tranquil life undisturbed by the trauma and privations of war. But with Fascism approaching its zenith, Fey's peaceful existence is threatened when Ulrich and Detalmo take the brave and difficult decision to resist the Nazis. When German soldiers pour over the Italian border, Fey is suddenly marooned in the Nazi-occupied north and unable to communicate with her husband, who has joined the underground anti-Fascist movement in Rome. Before long, SS soldiers have taken up occupancy in the castle. As Fey struggles to maintain an air of warm welcome to her unwanted guests, the clandestine activities of both her father and husband become increasingly brazen and openly rebellious. Darkness descends when Ulrich's foiled plot to kill the Fuhrer brings the Gestapo to Fey's doorstep. It would be months before Detalmo learns that his wife had been arrested and his two young boys seized by the SS. Suffused with Catherine Bailey's signature atmospheric prose, A Castle in Wartime tells the unforgettable story of the extraordinary bravery and fortitude of one family who collectively and individually sacrificed everything to resist the Nazis from within. Bailey's unprecedented access to stunning first-hand family accounts, along with records from concentration camps and surviving SS files, make this a dazzling and compulsively readable book, opening a view on the cost and consequences of resistance.
This book considers cultural representations of four different types of labor within Italian and U.S. contexts: stories and songs that chronicle the lives of Italian female rice workers, or mondine; testimonials and other narratives about female domestic servants in Italy in the second half of the twentieth century (including contemporary immigrants from non-western countries); cinematic representations of unwaged household work among Italian American women; and photographs of female immigrant cannery labor in California. These categories of labor suggest the diverse ways in which migrant women workers take part in the development of what Antonio Gramsci calls national popular culture, even as they are excluded from dominant cultural narratives. The project looks at Italian immigration to the U.S., contemporary immigration to Italy, and internal migration within Italy, the emphasis being on what representations of migrant women workers can tell us about cultural and political change. In addition to the idea of national popular culture, Gramsci's discussion of the social role of subalterns and organic intellectuals, the politics of folklore (or 'common sense') and everyday culture, and the necessity of alliance-formations among different social groups all inform the textual analyses. An introduction, which includes a reconsideration of Gramsci's theories in light of feminist theory, argues that the lives of subaltern classes (such as migrant women) are inherently connected to struggles for hegemony. A brief epilogue, on a lesser-known essay by photographer Tina Modotti, closes the discussion.
Woman Lawyer tells the story of Clara Foltz, the first woman admitted to the California Bar. Famous in her time as a public intellectual, leader of the women's movement, and legal reformer, Foltz faced terrific prejudice and well-organized opposition to women lawyers as she tried cases in front of all-male juries, raised five children as a single mother, and stumped for political candidates. She was the first to propose the creation of a public defender to balance the public prosecutor. Woman Lawyer uncovers the legal reforms and societal contributions of a woman celebrated in her day, but lost to history until now. It casts new light on the turbulent history and politics of California in a period of phenomenal growth and highlights the interconnection of the suffragists and other movements for civil rights and legal reforms.