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This book is questions whether the discovery of truth is the central aim of the rules and practices of criminal investigation and trial.
What are the aims of a criminal trial? What social functions should it perform? And how is the trial as a political institution linked to other institutions in a democratic polity? What follows if we understand a criminal trial as calling a defendant to answer to a charge of criminal wrongdoing and, if he is judged to be responsible for such wrongdoing, to account for his conduct? A normative theory of the trial, an account of what trials ought to be and of what ends they should serve, must take these central aspects of the trial seriously; but they raise a number of difficult questions. They suggest that the trial should be seen as a communicative process: but what kinds of communication should it involve? What kind of political theory does a communicative conception of the trial require? Can trials ever actually amount to more than the imposition of state power on the defendant? What political role might trials play in conflicts that must deal not simply with issues of individual responsibility but with broader collective wrongs, including wrongs perpetrated by, or in the name of, the state? These are the issues addressed by the essays in this volume. The third volume in this series, in which the four editors of this volume develop their own normative account, will be published in 2007.
Petrodor is a city of alleys and shadows, where life is cheap and the only respected currency is blood. Sasha, the wilful yet talented heroine of Sasha, returns to battle in Joel Shepherd's stunning second volume of A Trial of Blood & Steel.Away from the hills of her Lenayin homeland, she is fighting a new battle in the dark alleys and wealthy houses of Petrodor. An influential trading centre, Petrodor holds the key to preventing the coming war between Lenayin and the mighty Bacosh. Together with her mentor Kessligh, Sasha attempts to navigate the political intrigues of the port city and find a way to stop the war.It is the serrin, the beautiful but dangerous people from beyond the Bacosh, who will be the pivot in this struggle. How much can Sasha trust her old serrin friend Errollyn? And how much can she trust herself?
Classic reference with accessible and proven advice on how to better prepare for trial, from the first client interview to closing argument. Includes numerous procedures, checklists, forms, and worksheets.
What are the aims of a criminal trial? What social functions should it perform? And how is the trial as a political institution linked to other institutions in a democratic polity? What follows if we understand a criminal trial as calling a defendant to answer to a charge of criminal wrongdoing and, if he is judged to be responsible for such wrongdoing, to account for his conduct? A normative theory of the trial, an account of what trials ought to be and of what ends they should serve, must take these central aspects of the trial seriously; but they raise a number of difficult questions. They suggest that the trial should be seen as a communicative process: but what kinds of communication should it involve? What kind of political theory does a communicative conception of the trial require? Can trials ever actually amount to more than the imposition of state power on the defendant? What political role might trials play in conflicts that must deal not simply with issues of individual responsibility but with broader collective wrongs, including wrongs perpetrated by, or in the name of, the state? These are the issues addressed by the essays in this volume. The third volume in this series, in which the four editors of this volume develop their own normative account, will be published in 2007.
Two formidable men collide in this "first-class legal thriller" and New York Times bestseller about a celebrated criminal defense lawyer and the prosecution of his lifelong friend -- a doctor accused of murder (David Baldacci). At eighty-five years old, Alejandro "Sandy" Stern, a brilliant defense lawyer with his health failing but spirit intact, is on the brink of retirement. But when his old friend Dr. Kiril Pafko, a former Nobel Prize winner in Medicine, is faced with charges of insider trading, fraud, and murder, his entire life's work is put in jeopardy, and Stern decides to take on one last trial. In a case that will be the defining coda to both men's accomplished lives, Stern probes beneath the surface of his friend's dazzling veneer as a distinguished cancer researcher. As the trial progresses, he will question everything he thought he knew about his friend. Despite Pafko's many failings, is he innocent of the terrible charges laid against him? How far will Stern go to save his friend, and -- no matter the trial's outcome -- will he ever know the truth? Stern's duty to defend his client and his belief in the power of the judicial system both face a final, terrible test in the courtroom, where the evidence and reality are sometimes worlds apart. Full of the deep insights into the spaces where the fragility of human nature and the justice system collide, Scott Turow's The Last Trial is a masterful legal thriller that unfolds in page-turning suspense -- and questions how we measure a life.
What are the aims of a criminal trial? What social functions should it perform? And how is the trial as a political institution linked to other institutions in a democratic polity? What follows if we understand a criminal trial as calling a defendant to answer to a charge of criminal wrongdoing and, if he is judged to be responsible for such wrongdoing, to account for his conduct? A normative theory of the trial, an account of what trials ought to be and of what ends they should serve, must take these central aspects of the trial seriously; but they raise a number of difficult questions. They suggest that the trial should be seen as a communicative process: but what kinds of communication should it involve? What kind of political theory does a communicative conception of the trial require? Can trials ever actually amount to more than the imposition of state power on the defendant? What political role might trials play in conflicts that must deal not simply with issues of individual responsibility but with broader collective wrongs, including wrongs perpetrated by, or in the name of, the state? These are the issues addressed by the essays in this volume. The third volume in this series, in which the four editors of this volume develop their own normative account, will be published in 2007.
Examines each of the defendants in the Nuremberg Trials, during which charges were brought against members of Hitler's Third Reich for wartime atrocities, and considers questions of whether the trials were necessary and just.
From the New York Times bestselling author of the Wings of Fire series, Tui T. Sutherland, and her sister, Kari Sutherland, comes the second exciting adventure in the Menagerie trilogy! Combining the magic of Brandon Mull's Fablehaven series and the charm and humor of Carl Hiaasen, The Menagerie #2: Dragon on Trial is perfect for young readers who love myths, fairy tales, and fantastic creatures. Someone or something has murdered the goose who laid the golden eggs, and the evidence points to a dragon named Scratch. Zoe and Logan are back on the case—but this mystery won't be that easy to solve….