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The secret double-life of Ruth Ellis and the Establishment cover-up that led to her unjust hanging Ruth Ellis, the last woman to be hanged in Britain, was convicted fifty years ago for shooting her lover David Blakely. The case became a notorious part of British criminal history and was turned into the film, Dance with a Stranger. The story that has been perpetuated ever since is that of a peroxide tart who killed in a fit of passion. Yet, crucial questions were left unasked in the original trial. Ruth Ellis's sister, Muriel Jakubait, knew her longest of all. She has never given up her search for justice. Now after fifty years she has decided to reveal the hard facts about their shared upbringing, and seek to piece together the full true story of her sister. As she is at pains to point out, the jealous killer tag has never been substantiated. This is a story of power, espionage, lies, loyalty, poverty, sex and betrayal. It suggests a third man may have pulled the trigger for the fatal shots. And that he belonged to a web of espionage into which Ruth Ellis fell long before the shooting. Above all, it indicates that Ruth was being run by Stephen Ward, at least a decade before his name became public in the Profumo Scandal. Muriel's motive is about more than proving her sister Ruth's innocence. It's about reclaiming the right to tell the story of her own family, stripped bare of the many tabloid myths that have accrued over the decades. She shows that Ruth was somebody damaged at a very early age - who strove to make something of herself, only to be caught up in something much bigger and end up paying with her life.
In 1955, former nightclub manageress Ruth Ellis shot dead her lover, David Blakely. Following a trial that lasted less than two days, she was found guilty and sentenced to death. She became the last woman to be hanged in Britain, and her execution is the most notorious of hangman Albert Pierrepoint's 'duties'. Despite Ruth's infamy, the story of her life has never been fully told. Often wilfully misinterpreted, the reality behind the headlines was buried by an avalanche of hearsay. But now, through new interviews and comprehensive research into previously unpublished sources, Carol Ann Lee examines the facts without agenda or sensation. A portrait of the era and an evocation of 1950s club life in all its seedy glamour, A Fine Day for a Hanging sets Ruth's gripping story firmly in its historical context in order to tell the truth about both her timeless crime and a punishment that was very much of its time.
On July 13, 1955, Ruth Ellis was hanged for the murder of the lover who jilted her, motor-racing driver David Blakely. Forty years on, her only surviving child, Georgie, recalls her mother's tragic life that culminated in the murder for which she was executed. She tells it with the insight and intimate knowledge that only a daughter could have, supported by family reminiscences and photographs.
On the eve of her hanging, Ruth Ellis wrote to a friend: 'I must close now but remember I am quite happy with the verdict, but not the way the story was told, there is so much that people don't know.' Ruth Ellis was the last woman to be hanged in Britain. This is her story. In July 1955 Ruth Ellis was sentenced to death for the shooting of her lover, motor-racing driver David Blakely. Barely three months later she was executed at Holloway prison. In this book, Robert Hancock sets the record straight. Using official documents including the transcript of her trial at the Old Bailey, he unlocks the full, secret background to the story of the last woman to be hanged in Britain. Meticulous and fair in its analysis, The Last Woman to be Hanged is an absorbing portrait of the tragic life of a young woman, a vivid snapshot of an era and a gripping account of a notorious case that shocked the nation.
In July 1955, Ruth Ellis was sentenced to death for the shooting of her lover, motor-racing driver David Blakely. On the eve of her execution she wrote ...there is so much that people don't know about; this book attempts to set the record straight, revealing the full background to the story.
Ruth Ellis was the last woman to be hanged in Britain in 1955 after being convicted of shooting her lover, David Blakely, in cold blood. 'The Thrill of Love' dramatises this infamous true story and takes a closer look at the women behind the headlines.
THE GRIPPING DI HELEN GRACE THRILLER FROM THE SUNDAY TIMES BESTSELLING AUTHOR M. J. ARLIDGE 'Addictive. Will have readers scrabbling at the pages as feverishly as an innocent clawing at a prison cell door' DAILY EXPRESS 'Gripping, compulsive and addictive - I read it in 24 hours' 5***** READER REVIEW _______ Prison is no place for a detective . . . Helen Grace was one of the country's best police investigators. Now she's behind bars with the killers she caught. Framed for murder . . . She knows there is only way out: Stay alive until her trial and somehow prove her innocence. Locked up with a killer . . . But when a mutilated body is found in the cell next door, Helen fears her days are numbered. A murderer is on the loose. Now she must find them. Before she's next . . . 'A great set-up, and Arlidge keeps the tension ratcheted up throughout' Sunday Times Crime Club _______ PRAISE FOR M.J. ARLIDGE: 'Helen Grace is one of the greatest heroes to come along in years' Jeffery Deaver 'The new Jo Nesbo' Judy Finnigan 'Fast paced and nailbitingly tense . . . gripping' Sun 'DI Helen Grace is a genuinely fresh heroine . . . MJ Arlidge weaves together a tapestry that chills to the bone' Daily Mail
Reflections on Hanging is a searing indictment of capital punishment, inspired by its author’s own time in the shadow of a firing squad. During the Spanish Civil War, Arthur Koestler was held by the Franco regime as a political prisoner, and condemned to death. He was freed, but only after months of witnessing the fates of less-fortunate inmates. That experience informs every page of the book, which was first published in England in 1956, and followed in 1957 by this American edition. As Koestler ranges across the history of capital punishment in Britain (with a focus on hanging), he looks at notable cases and rulings, and portrays politicians, judges, lawyers, scholars, clergymen, doctors, police, jailers, prisoners, and others involved in the long debate over the justness and effectiveness of the death penalty. In Britain, Reflections on Hanging was part of a concerted, ultimately successful effort to abolish the death penalty. At that time, in the forty-eight United States, capital punishment was sanctioned in forty-two of them, with hanging still practiced in five. This edition includes a preface and afterword written especially for the 1957 American edition. The preface makes the book relevant to readers in the U.S.; the afterword overviews the modern-day history of abolitionist legislation in the British Parliament. Reflections on Hanging is relentless, biting, and unsparing in its details of botched and unjust executions. It is a classic work of advocacy for some of society’s most defenseless members, a critique of capital punishment that is still widely cited, and an enduring work that presaged such contemporary problems as the sensationalism of crime, the wrongful condemnation of the innocent and mentally ill, the callousness of penal systems, and the use of fear to control a citizenry.