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Meet one of Japan's most popular characters of all time—Kitaro, the one-eyed monster boy Meet Kitaro. He’s just like any other boy, except for a few small differences: he only has one eye, his hair is an antenna that senses paranormal activity, his geta sandals are jet-powered, and he can blend into his surroundings like a chameleon. Oh, and he’s a yokai (spirit monster)! With all the offbeat humor of an Addams Family story, Kitaro is a lighthearted romp in which the bad guys always get what’s coming to them. Kitaro is bestselling manga-ka Shigeru Mizuki’s most famous creation. The Kitaro series was inspired by a kamishibai, or storycard theater, entitled Kitaro of the Graveyard. Mizuki began work on his interpretation of Kitaro in 1959. Originally the series was intended for boys, but once it was picked up by the influential Shonen magazine it quickly became a cultural landmark for young and old alike. Kitaro inspired half a dozen TV shows, plus numerous video games and films, and his cultural importance cannot be overstated. Presented to North American audiences for the first time in this lavish format, Mizuki’s photo-realist landscapes and cartoony characters blend the eerie with the comic. Translated from the Japanese by Jocelyne Allen.
The final showdown for the legendary yokai! In the seventh volume of Shigeru Mizuki’s defining series, our beloved hero Kitaro stands accused of beating up his fellow yokai to protect the human populace. He is put on trial for crimes against yokai. Witnesses are called from both sides, but when Nezumi Otoko takes the stand, all bets are off. Will Nezumi Otoko be for Kitaro or against him? Only the biggest bribe will tell! The Trial of Kitaro features five bizarre and amusing adventures. In every story, Kitaro has his hands full. He faces off against Kasha, a vicious demon cat; tries to quell a magical cooking pot; battes a sea monster; and solves the mystery of a three-eyed bird. This volume features comics from the late 1960s, which was the golden age of GeGeGe no Kitaro. These stories appear in English for the first time in a kid-friendly edition, with translations by the Mizuki scholar and series translator Zack Davisson. The Trial of Kitaro also concludes Davisson’s “History of Kitaro” essay and offers another round of “Yokai Files,” which introduce the folklore of Japan’s monsters and supernatural beings. This final volume of Mizuki’s renowned Kitaro series is not to be missed!
The spooky yokai boy Kitaro is back for his sixth book, and this time he has a pile of monsters to beat! Featuring seven stories by Japan’s beloved monster master Shigeru Mizuki, Kitaro’s Yokai Battles features some of Kitaro’s strangest foes yet—including his good pal Nezumi Otoko who decides that he should be the star of the comic! With friends like these...who needs enemies? But enemies seem to be all Kitaro has. He faces off against villains like the yokai Hoko—who has an evil scheme to corner the market on pickled daikon radish—and the Amifuri Tengu, who always brings the rain. Things get hairy in “The Great Hair Battle,” when Medama Oyaji’s friend Kemedama begs for Kitaro’s help against an attack of giant wigs. The massive mud monster Dorotabo gets down and dirty with Kitaro, and the red-tonged Akashita swoops down from above. These are just a few yokai from the hilarious cast of characters in Kitaro’s Yokai Battles! The seven stories in this 150+ page volume are collected from the late-60s golden age of Gegege no Kitaro. The stories appear in English for the first time in a kid-friendly edition; uncut and unedited, with translations by Mizuki-scholar Zack Davisson. In addition to all these pages of fun, there are bonus features like “Yokai Files,” which introduces the folklore of Japan’s monsters; and the sixth installment of the “History of Kitaro” essay by series translator Zack Davisson. Kitaro’s Yokai Battles is the perfect blend of humor and horror! Translated from the Japanese by Zack Davisson an award-winning translator, writer, and folklorist. He is the author of Yurei: the Japanese Ghost, Yokai Stories, Narrow Road, and Kaibyo: The Supernatural Cats of Japan and translator of Shigeru Mizuki's multiple Eisner Award-winning Showa: a History of Japan and famous folklore comic Kitaro. He also translated globally renowned entertainment properties such as Go Nagai's Devilman and Cutie Honey, Leiji Matsumoto's Space Battleship Yamato and Captain Harlock, and Satoshi Kon's Opus. In addition, he lectured on manga, folklore, and translation at colleges such as Duke University, UCLA, and the University of Washington and contributed to exhibitions at the Henry Art Gallery, The Museum of International Folkart, Wereldmuseum Rotterdan, and the Art Gallery of New South Wales.
Brit-pop meets Japanese folklore, Shigeru Mizuki summons equal parts humour, spookiness and sheer absurdity Kitaro the Vampire Slayer is the fifth volume in Shigeru Mizuki’s bizarre stories about a yokai boy and his entourage of otherworldly friends. One of the most popular Kitaro tales, the title story pits Kitaro and his family against a Beatles-inspired mop-topped, guitar-playing vampire named Erit and his castle of horrors. In an unexpected twist—spoiler alert!—Kitaro meets his demise, but even death is hardly enough to keep our favorite yokai boy down. Along with the villainous vampire, Kitaro faces a trio of monsters straight from Japanese folklore. Mizuki often pulled from classic Japanese folk tales for inspiration, as shown in these three stories. A certain serpent and temple bell appear in “The Phantom Steam Engine,” then it’s onto a bird-like creature with a big beak in “Ubume,” and Kitaro had better not look behind him when the Ushiro Gami comes to town. The four stories in this volume are collected from the late ’60s golden age of Gegege no Kitaro. Appearing in English for the first time, this kid-friendly edition is translated by Mizuki-scholar Zack Davisson and includes bonus features like “Yokai Files,” where we are introduced to Japan’s folklore monsters, and the fifth installment of the “History of Kitaro” essay by Davisson. For fans of quirky horror, Kitaro the Vampire Slayer is not one to miss! Translated from the Japanese by Zack Davisson.
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity. Ê
THE FIRST ENGLISH TRANSLATION OF MIZUKI'S BEST-LOVED WORK NonNonBa is the definitive work by acclaimed gekiga-ka Shigeru Mizuki, a poetic memoir detailing his interest in yokai (spirit monsters). Mizuki’s childhood experiences with yokai influenced the course of his life and oeuvre; he is now known as the forefather of yokai manga. His spring 2011 book, Onward Towards Our Noble Deaths, was featured on PRI’s The World, where Marco Werman scored a coveted interview with one of the most famous visual artists working in Japan today. Within the pages of NonNonBa, Mizuki explores the legacy left him by his childhood explorations of the spirit world, explorations encouraged by his grandmother, a grumpy old woman named NonNonBa. NonNonBa is a touching work about childhood and growing up, as well as a fascinating portrayal of Japan in a moment of transition. NonNonBa was the first manga to win the Angouleme Prize for Best Album. Much like its namesake, NonNonBa is at once funny and nostalgic, firmly grounded in a sociohistorical context and floating in the world of the supernatural. Translated from the Japanese by Jocelyne Allen.
Meet one of Japan's most popular characters of all time-Kitaro, the One-Eyed Monster Boy The Birth of Kitaro collects seven of Shigeru Mizuki's early, and beloved, Kitaro stories, making them available for the first time in English, in an all-new, kid-friendly format. These stories are from the golden era of the late 1960s, when Gegege no Kitaro truly hit its stride as an all-ages supernatural series. Mizuki's Kitaro stories are both timelessly relevant and undeniably influential, inspiring a decades-long boom in stories about yokai, Japanese ghosts, and monsters. "Kitaro's Birthday" reveals the origin story of the yokai boy Kitaro and his tiny eyeball father, Medama Oyaji. "Neko Musume versus Nezumi Otoko" is the first of Mizuki's stories to feature the popular recurring character Neko Musume, a little girl who transforms into a cat when she gets angry or hungry. Other stories in The Birth of Kitaro draw heavily from Japanese folklore, with Kitaro taking on legendary Japanese yokai like the Nopperabo and Makura Gaeshi, and fighting the monstrous recurring villain Gyuki. With more than 150 pages of spooky and often funny comics about the titular yokai boy, The Birth of Kitaro is the perfect introduction to the award-winning author Mizuki's most popular series, seminal comics that have won the hearts of Japanese children and adults for more than half a century.
The hit Pashiri na Boku to Koi-suru Bancho-san, in English for the first time! "Be mine." Unoki has always been bullied, and high school is no different. Right away, the top troublemaker, Boss Toramaru, makes him her personal errand boy. The only thing is...she thought she was asking him out?! So Toramaru is sure they're dating, while Unoki is convinced he's under her thumb. The stage is set for a rom-com of misunderstandings!
Ranking with the best novels about World War II, "Minuet for Guitar" is also a masterpiece of Slovenian fiction.