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An evil woman steals an identity and uses it to acquire caregiving positions in which she does the unthinkable. It is up to Kinsey Millhone to discover the truth.
Trespass is the story of one woman's struggle to gain footing in inhospitable territory. A wilderness activist and apostate Mormon, Amy Irvine sought respite in the desert outback of southern Utah's red-rock country after her father's suicide, only to find out just how much of an interloper she was among her own people. But more than simply an exploration of personal loss, Trespass is an elegy for a dying world, for the ruin of one of our most beloved and unique desert landscapes and for our vanishing connection to it. Fearing what her father's fate might somehow portend for her, Irvine retreated into the remote recesses of the Colorado Plateau—home not only to the world's most renowned national parks but also to a rugged brand of cowboy Mormonism that stands in defiant contrast to the world at large. Her story is one of ruin and restoration, of learning to live among people who fear the wilderness the way they fear the devil and how that fear fuels an antagonism toward environmental concerns that pervades the region. At the same time, Irvine mourns her own loss of wildness and disconnection from spirituality, while ultimately discovering that the provinces of nature and faith are not as distinct as she once might have believed.
Two women, Chloe Dale, an artist comfortably ensconced in bucolic suburbia, and Salome Drago, a wily, seductive refugee from a country that no longer exists, confront each other in a Manhattan restaurant, and the battle lines are drawn. Toby Dale, son of the artist and ardent suitor of the refugee, is in no position to choose sides. Outside, the drumbeats for the impending invasion of Iraq drown out all argument, and those who object will soon be reduced to standing in the street. The story of two families—suspicious, territorial, naïve in their confidence that they are free of the past—Trespass unfolds with commanding force. It is a bracing, tender novel for the 21st century.
Follow the story of street art, from local origins to global phenomenon of urban reclamation. This comprehensive survey features an exclusive preface by Banksy. Made in collaboration with featured artists, the book examines the rise and global reach of graffiti and urban art, tracing the key figures, events and movements of self-expression in...
The uneasy peace between an alcoholic brother and his sister is disturbed by an antiques dealer who is looking to relocate.
From the mega-bestselling author of "The O'Reilly Factor, "The No Spin Zone, and "Who's Looking Out for You?, a mystery thriller about the fast-paced and ruthless world of TV journalism. With three consecutive number one bestsellers, Bill O'Reilly has proved that he's the king of the nonfiction list. With "Those Who Trespass, he extends his bestselling domain to fiction, giving readers a novel that's an exciting look into the no-holds-barred world of television news. One by one, high-level executives and correspondents are being murdered. Soon it becomes clear that the killings are linked, the work of a bitter former newsman exacting revenge on those who derailed his career. Tommy O'Malley, a tough but warmhearted New York City detective, is assigned to crack the widening, high-profile murder cases, but encounters competition from a beautiful and tenacious tabloid reporter, Ashley Van Buren. As the story unfolds, Tommy and Ashley quickly discover they've got much more in common than a knack for solving crimes. "Those Who Trespass combines suspense, action, psychodrama, and romance with a fascinating glimpse into the harsh realities behind the delivery of our daily dose of television news--a picture only Bill O'Reilly could bring to life.
The Code of Federal Regulations is the codification of the general and permanent rules published in the Federal Register by the executive departments and agencies of the Federal Government.
The Trespass of the Sign offers an account of the relations between deconstruction and theology. Kevin Hart argues that, contrary to popular thought on the topic, deconstruction does not have an antitheological agenda. Rather, deconstruction seeks to question the metaphysics of any theology. Hart pays particular attention to mystical theology as nonmetaphysical theology. --From publisher's description.
May, 1946. When an agreement between German officer Hans Brenner and U.S. intelligence goes horribly wrong, Russian Lieutenant Viktor Rostov must deliver Hans or risk losing his daughter forever. Hans must help the Soviets build a bomb, and Russian-born American nurse Natalie Allred must swear allegiance to the motherland and to Rostov himself. Escape seems impossible within the iron grip of the secret police.