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An agent goes undercover in a militant group in this wild action-adventure tale from an Edgar Award finalist. Freelance operative Joe Gall has been asked to infiltrate the Republic of New Africa, a black militant group—not an easy assignment for a white guy. Using pills to change his skin tone, he goes undercover and joins the organization—with some unexpected results . . . “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler “[Philip Atlee is] the John D. MacDonald of espionage fiction.” — Larry McMurtry, The New York Times
A mining operation could lead to an international incident: “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler Off the coast of Indonesia, the Japanese are harvesting an incredible amount of manganese, a mineral highly prized in the manufacturing community, from the ocean floor. The question is: how are they getting it—and how can the United States get a piece of it? The only man for the job is Joe Gall, but this seemingly simple assignment is about to go sideways . . . This twist-filled adventure comes from the Edgar Award–nominated author who’s been called “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times).
With trouble brewing in Burma, it’s time to call in the agent of last resort, in this thriller by “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times). In Washington, they call him the Nullifier—the man to hire when every diplomatic option has failed. Joe Gall is now on his way to Burma, where the government is at its wits’ end trying to expel a nationalist Chinese general and his army. And if he needs backup, he has the ability to call in firepower from the famed Gurhka regiment, in this action-adventure thriller from the Edgar Award–nominated author. “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
A freelance agent stalks a shadowy arms dealer in this novel of action and adventure by the Edgar Award finalist . . . Rebellion is brewing in New Grenada—and the government of Cuba is only too happy to help the cause along. Now, freelance agent Joe Gall has been tasked with heading there to gather intel on Mike Bonner, an international salesman of arms and explosives. And when Gall untangles the truth about Bonner’s role in the simmering crisis, he must take all necessary action to prevent widespread bloodshed . . . “[Philip Atlee is] the John D. MacDonald of espionage fiction.” —Larry McMurtry, The New York Times “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
From the Edgar Award–nominated author:An agent for hire plays bodyguard to a titled beauty in Tenerife—and mixes partying with peril . . . Joe Gall, freelance operative, is assigned to protect a beautiful baroness under threat—and solve the mystery of who is after her. That means heading to the Canary Islands—and playing the part of a rich, hard-drinking American in Santa Cruz de Tenerife. It’s a tough job, but somebody has to do it . . . “[Philip Atlee is] the John D. MacDonald of espionage fiction.” —Larry McMurtry, The New York Times “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
An undercover operative heads to the island paradise of Tahiti to prevent a nuclear nightmare in this novel by “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times). Freelance agent Joe Gall is supposedly monitoring French atomic testing near the Pacific island of Tahiti. But that’s just a cover. His real assignment: disrupt the budding relationship between De Gaulle and the Red Chinese. The plan is to kidnap one of the leading French scientists, sabotage the test—and prevent annihilation . . . “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
From the Edgar Award finalist: An operative tries to provide a shield between a target for murder and the madman who’s left behind a trail of corpses . . . There have been multiple murder victims so far—and though the methods have varied, all the bodies were found with a small figure of a wolverine, carved from ivory, attached to their earlobes with baling wire. The true motive of the killer—or killers—may be a mystery, but freelance agent Joe Gall’s first priority is to protect a prominent resident of Vancouver who could be next . . . “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler “[Philip Atlee is] the John D. MacDonald of espionage fiction.” — Larry McMurtry, The New York Times
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.