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How important were Sioux authors such as Charles Eastman in the opinion of the writer responsible for Black Elk Speaks? What will be the legacy of modern poetry according to the poet behind The Cycle of the West? Knowledge and Opinion offers an unparalleled glimpse into the social and literary thought of John G. Neihardt (1881?1973), one of America's most celebrated poets and authors. A wealth of little-known essays and reviews deepen and round out our appreciation for the accomplishments of Neihardt by revealing his no-nonsense opinions about noted literary figures and trends, events, and social issues of his day. Featured in these pages are Neihardt's views of such literary giants as F. Scott Fitzgerald, Robert Frost, H. G. Wells, e. e. Cummings, Dorothy Parker, Ernest Hemingway, Ezra Pound, Eugene O'Neill, and Upton Sinclair. The contributions of Sigmund Freud, anthropologist Paul Radin, and modern philosophers like Bertrand Russell do not escape his sweeping gaze. In their entirety, these essays showcase Neihardt's perspectives and opinions on a wide range of subjects and issues, including modern poetry, the qualities of great literature, twentieth-century trends in writing and literary criticism, the defining characteristics of Western civilization, the literatures and cultures of Native Americans, the lost world of the Old West, economic turmoil in the Great Depression, and the enduring power of classical thought. This rich archive of essays and reviews will surprise, delight, and provoke those who thought they already knew John G. Neihardt.
This final volume of The Letters of D. H. Lawrence has a threefold purpose. The first is to publish 148 letters to or from Lawrence, and two from Frieda Lawrence, which came to light too late to be entered in their correct chronological positions in earlier volumes. The second is to correct errors in the first seven volumes and offer additional annotation which clarifies some obscurities as well as enhancing our response to the letters. And the third is to provide a comprehensive critical index to the entire edition. The index includes not only specific persons and places but also general topics from Animals and Architecture to War and Youth, via such subjects as Insects, Literary Agents, Religion and Sexuality. The Cambridge Edition of Lawrence's letters has been described by one reviewer as creating itself 'a major new literary work'. This volume brings that work to a fitting conclusion.
When the first edition of David Madden's A Primer of the Novel: For Readers and Writers was published more than twenty-five years ago, there were no other books of its kind available. Since then, many authors and editors have produced works that attempt the same comprehensive coverage of the genre. However, these works tend to be either written solely for writers or solely for readers. More often than not, those written for readers tend to be aimed at advanced students or critics of the novel. In this revised edition, David Madden, Charles Bane and Sean Flory have produced an updated work that is intended for a general readership including writers, teachers, and students who are just being introduced to the genre. This unique handbook provides a definition and history of the novel, a description of early narratives, and a discussion of critical approaches to this literary form. A Primer of the Novel also identifies terms, definitions, commentary, and examples in the form of quotations for almost 50 types of novels and 15 artistic techniques. A chronology of narrative in general and of the novel in particular—from 850 B. C. to the present—is also included, along with indexes to authors, titles, novel types and techniques, as well as a selective bibliography of criticism. Although all novel types present in the first edition are still represented, many have become more clearly defined. This revised edition also cites several types of novels that did not appear in the first edition, such as the graphic novel and the novel of Magical Realism. As well as keeping all of the original examples from representative texts, the authors have added new examples of more recent works. While this book was conceived for a general audience, it will be a valuable resource for students, teachers, and libraries. It may be used in any English literature courses at any level, including graduate, and is suited for creative writing courses as well. With its clear and immediately accessible features, this handbo