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The National Museum in New Delhi is one of the richest storehouses of cultural heritage in the world. A handy book of this type was a long felt necessity as much for the general visitors, as for the students and scholars. The Publications Division brought out this book to fill this lacuna.
Damascus, first published in 2005, was the first account in English of the history of the city, bringing out the crucial role it has played at many points in the region’s past. It traces the story of this colourful, significant and complex city through its physical development, from the its emergence in around 7000 BC through the changing cavalcade of Aramaean, Persian, Greek, Roman, Byzantine, Arab, Turkish and French rulers to independence in 1946. This new edition has been thoroughly updated using recent scholarship and includes an additional chapter placing the events of the Syrian post-2011 conflict in the context of the city’s tumultuous experiences over the last century. This volume is a must-read for anyone interested in the sweep of Syrian history and archaeology, and is an ideal partner to Burns’ Aleppo (2016). Lavishly illustrated, Damascus: A History remains a unique and compelling exploration of this fascinating city.
During the nineteenth century, cultural heritage became a dominant feature of the political ideology of the European states and of their colonies. It became a new form of legitimization for the rising nation-state, cementing its inextricable link with that nation's politics and practices. The set of concepts and practices defining cultural heritage were exported to, and imposed over, the colonized populations in North Africa and the Near East. The legacy of the colonial period has proven very significant in the domain of cultural heritage which has become a crucial cultural arena in many Arab states. As in the majorities of post-colonial states, in the Arab world, the inherited paradigm of cultural heritage has been subject to various forms of adaption and re-elaboration that have made it a lively and complex space of negotiations between various actors. Thus, in The Politics of Cultural Heritage in the Middle East, Irene Maffi and Rami Daher draw together expert scholars to unravel these complex processes that are involved in the definition, production and consumption of heritage and its material culture in the Middle East, and the dynamics of the key actors involved. The variety of the cases analysed that cover the region from Morocco to Lebanon, as well as the multiplicity of the actors concerned such as the state (post-colonial or colonial), international organizations, municipal councils, local communities, families and even exceptional personalities, highlights and explores the complex processes where very local and specific dynamics intertwine with transnational economic, political and cultural fluxes. In its examination of the workings of cultural heritage in the Middle East, this book is an important resource for students and scholars of Middle East Studies, Cultural History, History of Art and Architecture, and for stakeholders involved in the field of cultural heritage.
For the first time, this publication comprehensively documents and analyzes the Greek and Roman statuary discovered to date in the greater area of Syria. The text portion describes nearly all monuments in detail and classifies them in the context of the history of ancient sculpture. The associated volume of plates documents every item in detail, typically with four photographic views.
Cultural heritage is material – tangible and intangible – that signifies a culture’s history or legacy. It has become a venue for contestation, ranging in scale from protesting to violently claimed and destroyed. But who defines what is to be preserved and what is to be erased? As cultural heritage becomes increasingly significant across the world, the number of issues for critical analysis and, hopefully, mediation, arise. The issue stems from various groups: religious, ethnic, national, political, and others come together to claim, appropriate, use, exclude, or erase markers and manifestations of their own and others’ cultural heritage as a means for asserting, defending, or denying critical claims to power, land, and legitimacy. Can cultural heritage be well managed and promoted while at the same time kept within parameters so as to diminish contestation? The cases herein rage from Greece, Spain, Egypt, the UK, Syria, Zimbabwe, Italy, the Balkans, Bénin, and Central America.
Includes entries for maps and atlases
A cumulative list of works represented by Library of Congress printed cards.
Though familiar to all, the twelve-strong Western Zodiac remains an enigmatic artifice of the archaic past. To date, no scholar has been able to determine who conjured up its constellations and when this might have happened. Nor do we know what the grand design behind this innovative endeavor might have been. This book, however, goes a long way towards answering those questions by combining together a variety of clues from multiple disciplines, including astronomy, archaeology, and linguistics. It provides a comprehensive framework that greatly expands our understanding of the genesis and purposes of this remarkable intellectual relic of our cultural heritage. The books overarching outcome that the zodiacal necklace in the sky appeared gradually over time in three different stages, with each reflecting the immanent social and spiritual concerns of its time provides a fundamental impact to reconsider our understanding of prehistory. No special knowledge is necessary to understand this captivating writing.
Syria is a country that has endured many struggles over the centuries. A place rich with history, today it experiences hardship on a daily basis and faces challenges that have become a global focus. This book explores the history, people, places, and culture that make up modern-day Syria. All books of the critically-acclaimed Cultures of the World® series ensure an immersive experience by offering vibrant photographs with descriptive nonfiction narratives, and interactive activities such as creating an authentic traditional dish from an easy-to-follow recipe. Copious maps and detailed timelines present the past and present of the country, while exploration of the art and architecture help your readers to understand why diversity is the spice of Life.