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"With over 150 colour images, The treasures of Monet records not just the development of [Claude Monet's] art, but also the twists and turns of his personal life, both of which are given an added dimension by the inclusion of 12 rare, removable, facsimile documents."--Sleeve --
An introduction to famous works of impressionist art, each of which bears a textured element.
Monet was the most typical and the most individual Impressionist painter. But while the painter was faithful and persevering in the pursuit of his motifs, his personal life followed a more restless course. Parisian by birth, he discovered painting as a youth in the provinces, where one of his homes, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement.
In this beautifully illustrated book, John House discusses the career and painting techniques of one of the greatest Impressionist painters, providing the fullest account ever written of Monet’s working practices and the ways in which they evolved. In so doing House throws much new light on issues central to the understanding of French Impressionist painting as a whole.
As well as his fellow Impressionists -- in particular Renoir, Pissarro, Sisley, Degas and Cezanne --
As one of the Tiny Folio Great Museum series, this book is designed as a tour of the National Gallery's collection of Impressionist and post-Impressionist paintings, drawings, prints and sculpture. Visitors to the National Gallery in Washington usually make straight for the rooms holding the museum's works by the greatest Impressionist artists, including Degas, Renoir, Van Gogh, Gauguin, Cezanne and many others. This miniature compendium includes all the favourites, along with many less-familiar works photographed especially for this volume.
Claude Monet's Water Lilies are widely recognized as a celebration of nature and a call to visual experience. The skilled brushwork, vivid color, and immersive quality of the paintings suspend thoughts of the outside world and its concerns. And yet, when one realizes that these works were made during a period of social and political turmoil--rapid changes of government, the Dreyfus Affair, and the destruction and devastation of World War I--questions arise about the personal, cultural, and historical contexts within which they were created. In this book, James H. Rubin explores these conditions and shows how Monet's work--said to be a harbinger of abstraction--appeals not only to the eye but to something deep in modern consciousness. The myth of Impressionism is that it was reviled and misunderstood, but by the 1890s Monet was rich by anyone's standards, and his works were considered French cultural treasures. Monet was featured in a propaganda film in response to German militarism, and he was persuaded by Georges Clemenceau to donate a number of his Water Lilies to the French nation following the Treaty of Versailles. Taking this into account, Rubin uncovers how the theme of floating lily pads served political ends, exposing relationships between Monet's apparently subject-free art and its material circumstances in the modern world. Engagingly written, masterfully argued, and featuring over 150 illustrations, Why Monet Matters is a seminal study of an artist who had the will and talent to remain relevant to his time without conceding to its fashions. Scholars, students, and those who appreciate Monet and Impressionism will value and learn from this book.
Featuring new, accessibly written scholarship by the curatorial staff, this book will be the definitive resource on this world-renowned collection.