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Renowned for its world-class vineyards & horse farms, California's breathtaking Santa Ynes Valley also boasts Mission Santa Ines, the "Hidden Gem of the Missions." The adobe Mission reigns over a mountain-rimmed expanse of the Old West, giving her perhaps the most beautiful settings of all the California Missions. She is the 19th of the 21 Missions founded by Franciscan padres from 1769 to 1823. This book traces the steps of the first European explorers who settled the Santa Barbara Coastal region & adjacent interior valleys. It describes their interaction with the Chumash Indian, as well as the cultural contributions of both groups, whose community formed the heart of what is still a largely untouched Valley. Rare archival photographs, paintings & modern photos take the reader back in time to old California. They reveal the early Mission community, preserved artifacts, the Mission's gardens, & her collection of historic paintings, statues, bells, rare "musical boards" & ornate vestments. Mission Santa Ines survived a sometimes stormy history to become one of California's greatest treasures. This book reveals her past glory through a well-researched text & her present charm through stunning color photos of the Mission & the Santa Ynes Valley. To order this book, contact Susan Megliola, Old Mission Santa Ines, P.O. Box 408, Solvang, CA 93464. Tel. (805) 688-4815.
It rises suddenly out of the Sonoran Desert landscape, towering over the tallest tree or cactus, a commanding building with a sensuous dome, elliptical vaults, and sturdy bell towers. There is nothing else like it around, nor does it seem there should be. This incongruity of setting is what strikes first-time visitors to Mission San Xavier del Bac. This great church is of another place and another time, while its beauty is universal and timeless. Mission San Xavier del Bac is a two-century-old Spanish church in southern Arizona located just a few miles from downtown Tucson, a metropolis of more than half a million people in the American Southwest. A National Historic Landmark since 1963, the missionÕs graceful baroque art and architecture have drawn visitors from all over the world. Now Bernard FontanaÑthe leading expert on San XavierÑand award-winning photographer Edward McCain team up to bring us a comprehensive view of the mission as weÕve never seen it before. With 200 stunning full-color photographs and incisive text illuminating the religious, historical, and motivational context of these images, A Gift of Angels is a must-have for tourists, scholars, and other visitors to San Xavier. From its glorious architecture all the way down to the finest details of its art, Mission San Xavier del Bac is indeed a gift of angels.
"Illustrated in color throughout, The California Missions: History, Art, and Preservation combines engaging text with historical paintings, archival photographs, and recent photography to create a vivid chronicle of these iconic institutions. The narrative recounts their founding and early history, surveys mission art and architecture, and examines their role in shaping the history and culture of California. A final chapter discusses recent advances in preserving the mission heritage for future generations. The second part of the book provides concise historical profiles for each of the twenty-one missions." --Book Jacket.
One of the world’s foremost religion journalists offers an unexpected and provocative look at where the Catholic Church is headed—and what the changes will mean for all of us. What will the Catholic Church be like in 100 years? Will there be a woman pope? Will dioceses throughout the United States and the rest of the world go bankrupt from years of scandal? In THE FUTURE CHURCH, John L. Allen puts forth the ten trends he believes will transform the Church into the twenty-second century. From the influence of Catholics in Africa, Asia, and Latin America on doctrine and practices to the impact of multinational organizations on local and ethical standards, Allen delves into the impact of globalization on the Roman Catholic Church and argues that it must rethink fundamental issues, policies, and ways of doing business. Allen shows that over the next century, the Church will have to respond to changes within the institution itself and in the world as a whole whether it is contending with biotechnical advances—including cloning and genetic enhancement—the aging Catholic population, or expanding the roles of the laity. Like Thomas Friedman’s The World Is Flat, THE FUTURE CHURCH establishes a new framework for meeting the challenges of a changing world.
For centuries, California's environment has nurtured remarkable people. Ohlone Lope Inigo found a way to protect his family in troubled times on the shores of San Francisco Bay. Pioneer Juana Briones made a fortune from her rancho yet took the time to care for those in need. Innovator Thomas Foon Chew discovered a climate for success, in spite of the obstacles. Around the region that became Silicon Valley, filmmaker Charlie Chaplin found inspiration, poet Robert Louis Stevenson uncovered adventure and Sarah Winchester built a house that would intrigue people long after she was gone. Author Robin Chapman shares fascinating tales of those who exemplify the enterprising spirit of the Golden State.
Saints and Citizens is a bold new excavation of the history of Indigenous people in California in the late eighteenth and nineteenth centuries, showing how the missions became sites of their authority, memory, and identity. Shining a forensic eye on colonial encounters in Chumash, Luise–o, and Yokuts territories, Lisbeth Haas depicts how native painters incorporated their cultural iconography in mission painting and how leaders harnessed new knowledge for control in other ways. Through her portrayal of highly varied societies, she explores the politics of Indigenous citizenship in the independent Mexican nation through events such as the Chumash War of 1824, native emancipation after 1826, and the political pursuit of Indigenous rights and land through 1848.
The following book covers the work done by Spanish Franciscan missionaries in California during the 19th century. Franciscans are a group of related mendicant Christian religious orders, primarily within the Catholic Church. Founded in 1209 by Francis of Assisi, these orders include three independent orders for men (the Order of Friars Minor being the largest contemporary male order), orders for women religious such as the Order of Saint Clare, and the Third Order of Saint Francis open to male and female members. They adhere to the teachings and spiritual disciplines of the founder and of his main associates and followers, such as Clare of Assisi, Anthony of Padua, and Elizabeth of Hungary.
How has religion affected the creation and patronage of American art? This is the question explored in 'The Visual Arts and Christianity in America', the most comprehensive treatment of this subject to date. With its 184 illustrations, the volume is a visual and textual survey of both the religious paintings, statuary, and architecture produced in America since colonial times and the attitudes toward such art expressed by the artists, the clergy, and the religious press. By means of a multifaceted approach that includes investigation of biographical, journalistic, art historical, as well as religious literature, a broad range of art objects and buildings are carefully placed in their social and intellectual context. Part One presents the colonial backdrop, both English and Spanish, against which and out of which the ensuing developments in American art and religious life took shape. Part Two treats nineteenth-century views of art and architecture, focusing on the views held by the clergy and conveyed in religious journals as well as the religious views of the artists and architects themselves. In Part Three, devoted to art in private and public life, major issues emerge that will remain as such into the twentieth century: the relation between nature and history, the place of art in civil religion, and the presence or absence of explicit biblical themes. The fourth and entirely new portion of the book, devoted to the twentieth century, examines the continuities and discontinuities in style and content between nineteenth- and twentieth-century art in relation to spiritual and religious perceptions.