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Gold held a deep symbolic meaning for the pre-Hispanic cultures of present-day Colombia. Its color and brilliance made it analogous with the Sun and a powerful symbol of fertility. Its physical and chemical properties allowed for the creation of different textures and a variety of color tones that became part of the political and ritual functions of the objects produced. They manufactured simple objects used by ordinary members of the community, such as nose rings, earrings, breastplates, pendants and tools, as well as complex showy objects including body adornments, emblems of rank and power, and votive figures reserved for important figures such as governors, shaman and venerable elders. This richly illustrated volume traces the legacy of gold in pre-Hispanic Colombia in over 250 exceptional gold objects, supplemented by maps, diagrams, and illustrations that put in context the pieces that make up this extraordinary collection from the Gold Museum of Bogotà. The exceptional photographs are accompanied by brief descriptions of the cultures that created the objects, their customs, the territories they occupied, the techniques used and the symbolic value assigned to the different pieces.
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
New ser. v. 6-29 include 77th-100th Annual report of the Trustees of the Metropolitan Museum of Art, 1946-1969-70 (previously and subsequently published separately).
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."