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When Amison Jones wakes up in his old suite at the Riverside Hotel, his head aches and his memory is clouded. His last clear recollection is of being lost in a stormy sea after he fulfilled a dangerous mission. Now, he's about to be plunged into another dangerous situation. His work associates inform him that he has suddenly inherited stock in an old mining company, West Indian Mines, on the volcanic island of Monte Fuego. Upon investigation, Jones realizes that the mining company is actually a cover for an international ring of jewel thieves. The crooks are looting Holocaust victims' valuables from government warehouses in Europe and selling "conflict" diamonds from Africa to finance a right-wing conspiracy. Jones's snooping makes him a target, especially when he discovers the strange link that ties the thieves' diverse operations together. But Jones faces the ultimate test when he is met with betrayal and deceit by his friends and associates. Will he be able to expose the deadly plot before it becomes a reality, or will his life be forfeit? The final installment of The Fictional Biography of a Hit Man trilogy, The Treasure of Monte Fuego takes you on a fast-paced, thrilling adventure!
Artwork provides a beautiful window to the soul. The Spiritual Journey of the Stations of the Cross allows the reader to become the artist as we take a spiritual journey to Jerusalem. Through the healing power of coloring, we walk with Jesus as we meditate on the fourteen Stations of the Cross. This workbook appeals to all people, young children, teens and adults. It is a wonderful addition to the classroom, days of reflection, and catechetical instruction. Linda Michalski, T.O.P., Chairperson of the Theology Department at Benedictine Academy, Elizabeth, New Jersey What a wonderful work from illustrator, Arlene Sullivan and writer, D.L. Grant. This interactive, creative, and most importantly, prayerful way for students to experience the steps leading up to the crucifixion of Jesus offers religious educators and religious group leaders a unique way to involve students in The Stations of the Cross. John Ward, Religious Educator/Author of Things to Remember on Your Deathbed, One Good Reason Arlene's beautiful artistry transcends the reader from suffering to new life. The designs reveal the theological truths of the Paschal Mystery in simple, yet engaging drawings. Great for all ages! Donna Jo Repetti, OSF
Characterized by reddish, bursting blisters and blood oozing from the nose, ears, and mouth, a deadly plague strikes the Borders, two remote northern Bahamian islands. Dubbed the Red Death, this plague kills everything; it does not discriminate. The Borders face economic paralysis as the population-whole families, relatives, and friends- succumbs to this spreading epidemic. Jack Shelby Sloane, an alcoholic ship captain, leaves Florida after a manslaughter conviction. Divorced by his wife and losing custody of his children, he stops drinking and travels to the Borders islands to run a boat yard. Jack marries Ginny and begins a new family and a new life. But his dreams are shattered when the Red Death attacks the Bahamas. Disease and anarchy converge to destroy the islands. To make matters worse, a nearby underwater volcano comes alive to finish the job. Jack must now confront his conscience in a mortal struggle to keep himself and his loved ones alive in a world rapidly collapsing into chaos. He seeks to discover the truth about the Red Death: How does the plague occur in the twenty-first century, and who is responsible for this killer outbreak?
Yendegaia National Park offers a visually spectacular tour of one of Earth’s most remote and scenic national parks. In Chilean Patagonia on the grand island of Tierra del Fuego, the new park — designated in 2014 — was prompted by a donation of private land to the Chilean park system. When combined with adjacent federal land, the new protected area covers some 372,000 acres, and forms a habitat linkage between existing national parks in Chile and Argentina. Thus the new Yendegaia National Park has helped establish one of the planet’s most significant trans-boundary protected areas, or "peace parks". During expeditions to Yendegaia in various seasons, renowned nature photographer Antonio Vizcaíno captured the harsh beauty of a remote land at the end of the world where glacier-carved peaks, untamed rivers, windblown steppe, and Earth’s southernmost forests combine to create a unique and stunningly beautiful landscape. For both armchair adventurers who dream of Patagonia and intrepid travelers planning a trip to Chile’s national parks, Yendegaia National Park is a must-have.
A triumphant memoir by the former editor-in-chief of French Elle that reveals an indomitable spirit and celebrates the liberating power of consciousness. In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young children, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem. After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book. By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him. Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly. This book is a lasting testament to his life.
Vol. 49, no. 9 (Sept. 1922) accompanied by a separately paged section entitled ERA: electronic reactions of Abrams.
Clive Cussler's bestselling Treasure will now be published in our popular premium format with an exciting new cover.
This book presents the first feminist translation of Rosalía de Castro’s seminal poetic anthology En las orillas del Sar [On the Edge of the River Sar] (1884). Rosalía de Castro (1837–1885) was an artist of vast poetic vision. Her understanding of human nature and her deep sensitivity to the injustices suffered by women and by such marginalized peoples as those of her native region, Galicia, are manifest in verses of universal yet rarely translated significance. An outspoken proponent of both women’s rights and her region’s cultural and political autonomy, Castro used her poetry as a vehicle through which to decry the crushing hardships both groups endured as Spain vaulted between progressive liberal and conservative reactionary political forces throughout the nineteenth century. Depending upon what faction held sway in the nation at any given time during Castro’s truncated literary career, her works were either revered as revolutionary or reviled as heretical for the views they espoused. Long after her death by uterine cancer in 1885, Castro was excluded from the pantheon of Spanish literature by Restoration society for her unorthodox views. Compellingly, the poet’s conceptualization of the individual and the national self as informed by gender, ethnicity, class, and language echoes contemporary scholars of cultural studies who seek to broaden present-day definitions of national identity through the incorporation of precisely these same phenomena. Thanks to the most recent works in Rosalian and Galician studies, we are now able to recuperate and reevaluate Rosalía de Castro’s poems in their original languages for the more radical symbolism and themes they foreground related to gender, sexuality, race and class as they inform individual and national identities. However, although Castro’s poetic corpus is widely accessible in its original languages, these important features of her verses have yet to be given voice in the small number of English translations of only a sub-set of her works that have been produced in the last century. As a result, our understanding of Castro’s potential contributions to contemporary world poetries, gender studies, Galician and more broadly cultural studies is woefully incomplete. An English translation of Castro’s works that is specifically feminist in its methodological orientation offers a unique and thought-provoking means by which to fill this void.