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Islam, the Enlightenment, and the veil -- The great whore of Babylon: cosmopolitanism and racialized nationalism -- Two western women venture east: Lady Annie Brassey and Anna Bowman Dodd -- The Great War and its aftermath: militarized citizens, (un)veiled bodies, and the nation -- The burqa and the bikini: veiling and unveiling at the turn of the twenty-first century
Looking at encounters of European travelers with Egypt in the nineteenth and early twentieth centuries, this collection of essays focuses on the experience of the less well known travelers and institutions. Contributors include: Lisa Bernasek, Briony Llewellyn, A.J. Mills, Charles Newton, John David Regan, John Rodenbeck, John Ruffle, Sarah Searight, Nicholas Warner. Vol. 23 No. 2
Lars Horn’s Voice of the Fish, the latest Graywolf Press Nonfiction Prize winner, is an interwoven essay collection that explores the trans experience through themes of water, fish, and mythology, set against the backdrop of travels in Russia and a debilitating back injury that left Horn temporarily unable to speak. In Horn’s adept hands, the collection takes shape as a unified book: short vignettes about fish, reliquaries, and antiquities serve as interludes between longer essays, knitting together a sinuous, wave-like form that flows across the book. Horn swims through a range of subjects, roving across marine history, theology, questions of the body and gender, sexuality, transmasculinity, and illness. From Horn’s upbringing with a mother who used them as a model in photos and art installations—memorably in a photography session in an ice bath with dead squid—to Horn’s travels before they were out as trans, these essays are linked by a desire to interrogate liminal physicalities. Horn reexamines the oft-presumed uniformity of bodily experience, breaking down the implied singularity of “the body” as cultural and scientific object. The essays instead privilege ways of seeing and being that resist binaries, ways that falter, fracture, mutate. A sui generis work of nonfiction, Voice of the Fish blends the aquatic, mystical, and physical to reach a place beyond them all.
The history of western notions about Islam is of obvious scholarly as well as popular interest today. This book investigates Christian images of the Muslim Middle East, focusing on the period from the Renaissance to the Enlightenment, when the nature of divine as well as human power was under particularly intense debate in the West. Ivan Kalmar explores how the controversial notion of submission to ultimate authority has in the western world been discussed with reference to Islam’s alleged recommendation to obey, unquestioningly, a merciless Allah in heaven and a despotic government on earth. He discusses how Abrahamic faiths – Christianity and Judaism as much as Islam – demand devotion to a sublime power, with the faith that this power loves and cares for us, a concept that brings with it the fear that, on the contrary, this power only toys with us for its own enjoyment. For such a power, Kalmar borrows Slavoj Zizek’s term "obscene father". He discusses how this describes exactly the western image of the Oriental despot - Allah in heaven, and the various sultans, emirs and ayatollahs on earth – and how these despotic personalities of imagined Muslim society function as a projection, from the West on to the Muslim Orient, of an existential anxiety about sublime power. Making accessible academic debates on the history of Christian perceptions of Islam and on Islam and the West, this book is an important addition to the existing literature in the areas of Islamic studies, religious history and philosophy.