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"...Meticulously researched...Thoroughly documented with copious footnotes, a shronology, and extensive bibliography, this work is recommended for academic libraries." —Library Journal Focusing on questions that seek to illuminate vital aspects of the Greek phenomenon, this modern history of Greece is organized around themes such as politics, institutions, society, ideology, foreign policy, geography, and culture. Making clear their predilection for the principles that inspired the founding fathers of the Greek state, Koliopoulos and Veremis juxtapose these principles to contemporary practices, and outline the resulting tensions in Greek society as it enters the new millenium. Challenging established notions and stereotypes that have disfigured Greek history, Greece: A Modern Sequel is meant to encourage a fresh look at the country and its people. In the process, a portrait of a new Greece emerges: modern, diverse, and strong.
This book analyses the collection of archaeological drawings drawn in Greece by a team of artists and architects in the service of Lord Elgin.
George Hay, 8th Earl of Kinnoull, was an unconventional ambassador. A Scottish aristocrat who had been imprisoned for his Jacobite sympathies and almost bankrupted by his involvement in the South Sea Bubble, Lord Kinnoull had no previous diplomatic experience when he was unexpectedly appointed ambassador to the Ottoman Empire in 1729. Leaving his wife and family of ten at their Yorkshire home, Lord Kinnoull departed England for Constantinople with his political, financial and personal suitability for the role all in doubt. How would he cope with the complex world of international politics? Or negotiate the sensitive relationship between Muslims and Christians? And why was he subsequently recalled to England in disgrace?"The Earl and His Butler in Constantinople" traces Lord Kinnoull's eventful journey to the heart of the Ottoman Empire, where he served as ambassador for seven years - and back again. His butler, Samuel Medley, was his constant companion throughout this time and his is almost the only surviving servant's diary from the period. From this unique and colourful source, as well as from Lord Kinnoull's despatches and family letters, Nigel and Caroline Webb have produced a remarkable biography which casts fresh light on the Ottoman Empire and British politics in the 18th century. It also offers vivid portraits of the cosmopolitan city of Constantinople at this critical stage in its history and of an idiosyncratic Earl and his exceptional butler which will captivate readers.
Greece and Asia Minor proved an irresistible lure to English visitors in the seventeenth century. These lands were criss-crossed by adventurers, merchants, diplomats and men of the cloth. In particular, John Covel (1638-1722) - chaplain to the Levant Company in the 1670s, later Master of Christ's College, Cambridge - was representative of a thoroughly eccentric band of Englishmen who saw Greece and the Ottoman world through the lens of classical history. Using a variety of sources, including Covel's largely unpublished diaries, Lucy Pollard shows that these curious travellers imported, alongside their copies of Pausanias and Strabo, a package of assumptions about the societies they discovered. Disparaging contemporary Greeks as unworthy successors to their classical ancestors allowed Englishmen to view themselves as the true inheritors of classical culture, even as - when opportunity arose - they removed antiquities from the sites they described. At the same time, they often admired the Turks, about whom they had fewer preconceptions. This is a major contribution to reception and post-Restoration ideas about antiquity.
One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism. To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today. A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.
Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.
This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.