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Essays, conversations, and archival investigations explore the paradoxes, limitations, and social ramifications of trans representation within contemporary culture. The increasing representation of trans identity throughout art and popular culture in recent years has been nothing if not paradoxical. Trans visibility is touted as a sign of a liberal society, but it has coincided with a political moment marked both by heightened violence against trans people (especially trans women of color) and by the suppression of trans rights under civil law. Trap Door grapples with these contradictions. The essays, conversations, and dossiers gathered here delve into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms. The volume speculates about a third term, perhaps uniquely suited for our time: the trapdoor, neither entrance nor exit, but a secret passageway leading elsewhere. Trap Door begins a conversation that extends through and beyond trans culture, showing how these issues have relevance for anyone invested in the ethics of visual culture. Contributors Lexi Adsit, Sara Ahmed, Nicole Archer, Kai Lumumba Barrow, Johanna Burton, micha cárdenas, Mel Y. Chen, Grace Dunham, Treva Ellison, Sydney Freeland, Che Gossett, Reina Gossett, Stamatina Gregory, Miss Major Griffin-Gracy, Robert Hamblin, Eva Hayward, Juliana Huxtable, Yve Laris Cohen, Abram J. Lewis, Heather Love, Park McArthur, CeCe McDonald, Toshio Meronek, Fred Moten, Tavia Nyong'o, Morgan M. Page, Roy Pérez, Dean Spade, Eric A. Stanley, Jeannine Tang, Wu Tsang, Jeanne Vaccaro, Chris E. Vargas, Geo Wyeth, Kalaniopua Young, Constantina Zavitsanos
For some 30 years, Adam Hochschild's voice has been one of the most distinctive in American journalism. With grace and wit, he has brought to a startling variety of subjects a combination of adventurous reporting and personal honesty. Hochschild's readers can count on an unobtrusive erudition, a sense of justice, and an irrepressible curiosity about life. Admirers of Hochschild's Half the Way Home: A Memoir of Father and Son will find in these articles the same warm autobiographical voice that made that book so memorable: He revisits his time as a civil rights worker in Mississippi, as a New England prep school student, and as a teenager seeing apartheid firsthand in South Africa. But readers will find much more as well: profiles of an adoptive Gypsy and of a governor general's son turned revolutionary, essays about Ernest Hemingway and John F. Kennedy, a journey to one of the most remote corners of the Amazon rain forest, and a remarkable evocation of two of Hochschild's personal heroes—who, in hillside trenches at the height of the Russian Civil War, faced each other across a battlefield.
Intended to replace the proliferation of different small arms fielded by US forces during the American Civil War, the “Trapdoor Springfield” was designed in 1865–66 by Erskine S. Allin. Using metallic cartridges, it could be loaded in a single action, increasing the number of shots per minute as much as fivefold. The new weapon quickly proved its worth in two separate incidents in August 1867: small groups of US soldiers and civilians armed with the trapdoor repulsed numerically superior Native American contingents. A simple and cost-effective weapon, it was used, along with its variants in every US conflict in the three decades after the Civil War, especially on the American frontier. Drawing upon first-hand accounts from US soldiers, their Native American opponents, and users such as buffalo hunters, this is the story of the “Trapdoor Springfield”, one of the defining weapons of the Indian Wars.
DIVA reporter must overcome personal tragedy to cover a grisly assignment/divDIV/divDIVThe Dellacroce trial should be John Wells’s biggest triumph. After years of hounding the mob boss, the New York Star reporter has finally brought enough evidence to light that the city can’t help but prosecute. Just when Wells is about to dive into courtroom reporting, his editor pulls him off the story, dumping him on a human-interest fluff piece. The young girls of Grant County are killing themselves in droves, and Wells’s editor wants to know why these teenagers keep putting their necks in nooses. It’s a tedious assignment, but the normally combative reporter doesn’t protest. He knows how it feels to lose a child to suicide./divDIV /divDIVWells chases the story in Grant County even as the hanging deaths rake up memories of his troubled daughter’s death. When the suicides begin to look like murder, Wells’s reporting puts his own neck on the line./div
Fix the past. Save the future. Dak, Sera, and Riq return to the United States and walk immediately into a deadly trap. The year is 1850, and the nation is divided over the issue of slavery. In these dark days, the Underground Railroad provides a light of hope, helping runaway slaves escape to freedom. But the SQ has taken control of the Underground Railroad from within. Now Dak and Sera are left wondering who to trust . . . while Riq risks everything to save the life of a young boy.Book includes an all-new, full-color Hystorian's Guide - your key to unlocking the third episode of the action-packed Infinity Ring game!
Another superb collection of articles from Martin Gardner, the king of recreational mathematics.
Describes the physical characteristics, habits, and natural environment of the large, hairy spiders that build hinged trapdoors at the entrance of their burrows
When Jacobia "Jake" Tiptree left behind her high-powered, high-risk career on Wall Street for the charming town of Eastport, Maine, she expected a quiet life spent fixing up her 1823 Federal-style house. But there are skeletons in her closet that may prove beyond repair...Suddenly the perils of the stock market pale in comparison to the murder, mayhem, and mystery of remodeling.
For some 30 years, Adam Hochschild's voice has been one of the most distinctive in American journalism. With grace and wit, he has brought to a startling variety of subjects a combination of adventurous reporting and personal honesty. Hochschild's readers can count on an unobtrusive erudition, a sense of justice, and an irrepressible curiosity about life. Admirers of Hochschild's Half the Way Home: A Memoir of Father and Son will find in these articles the same warm autobiographical voice that made that book so memorable: He revisits his time as a civil rights worker in Mississippi, as a New England prep school student, and as a teenager seeing apartheid firsthand in South Africa. But readers will find much more as well: profiles of an adoptive Gypsy and of a governor general's son turned revolutionary, essays about Ernest Hemingway and John F. Kennedy, a journey to one of the most remote corners of the Amazon rain forest, and a remarkable evocation of two of Hochschild's personal heroes—who, in hillside trenches at the height of the Russian Civil War, faced each other across a battlefield.