Download Free The Transparent Eyeball Book in PDF and EPUB Free Download. You can read online The Transparent Eyeball and write the review.

Winner of the Pulitzer Prize for Biography Louisa May Alcott is known universally. Yet during Louisa's youth, the famous Alcott was her father, Bronson—an eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply coveted—her father's understanding—seemed hardest to win. This story of Bronson and Louisa's tense yet loving relationship adds dimensions to Louisa's life, her work, and the relationships of fathers and daughters.
In this remarkably stimulating and erudite series of essays, Eugene Chen Eoyang explores many of the underlying paradigms and presumptions in world literature, highlighting issues of cultural interchange and cultural hegemony. Translation is seen in this perspective as a central rather than a peripheral factor in understanding the meanings of literary works. Taking concrete examples from Chinese literature, Eoyang illuminates not only the semantic collisions that underlie the complexities of translation, but also the cultural identities reflected in language and values. The title alludes to a passage from Emerson, reminding us that the object on view is not only the vision we see but is also the organ through which that vision is apprehended. The confrontation with a radical "other" - which is, for many Westerners, what Chinese literature represents - is thus both a discovery and a self-discovery. Part of the book's originality is that it identifies a new audience - one that is incipiently bicultural, or knowledgeable about what has been called "East" as well as what has been called "West." Readers with an interest in the theory and practice of translation will find this an inspiring and indispensable work, one that prepares the way for a comparative poetics that recognizes the intense subjectivities in every culture and at the same time establishes a basis for a comparison that tries to transcend, even as it acknowledges, provincialities.
Eric Hoffman has translated Emerson's "Journals" into a new language, distilling the originative matrix-the master's discursive prose-into two suites of lyric poems. This is translation as critique and renewal, a classic modernist project. Hoffman's poems are like a palimpsest or lithography stone on which traces of a previous drawing have survived. We are witnesses to the presence of a negotiation, the negotiation of a presence. "The Transparent Eye" is the latest manifestation of Hoffman's restless and manifold creativity, a creativity Emerson himself would have saluted. He would not have been counting the spoons. Anthony Rudolf, author of "Zigzag" and "Silent Conversations"
A fascinating discussion of the cultural context and social impact of medical imaging practices.
Nominee for National Book Critics Circle Award, this volume contains many delights and some long poems. There is a European feel about Hecht's verse that is striking, partly due to the richness of the classical allusions, and partly due to the way Hecht handles autobiography. Poetry in the 20th century is very much shaped by the individualism of our times, but poetry that is in essence confessional, eccentric, and overly particularized quickly becomes tiresome. Hecht often avoids this pitfall by realizing his own insight through cultural rather than personal metaphor, and this allows his words and imagery to remain fresh and resonant. ISBN 0-394-58506-2: $18.95.
An indispensible look at Emerson's influential life philosophy Through his writing and his own personal philosophy, Ralph Waldo Emerson unburdened his young country of Europe's traditional sense of history and showed Americans how to be creators of their own circumstances. His mandate, which called for harmony with, rather than domestication of, nature, and for a reliance on individual integrity, rather than on materialistic institutions, is echoed in many of the great American philosophical and literary works of his time and ours, and has given an impetus to modern political and social activism. Larzer Ziff's introduction to this collection of fifteen of Emerson's most significant writings provides the important backdrop to the society in which Emerson lived during his formative years. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Sean Meehan's book reclaims three important but critically neglected aspects of the late Emerson's "mind": first, his engagement with rhetoric, conceived as the organizing power of mind and, unconventionally, characterized by the trope "metonymy"; second, his public engagement with the ideals of liberal education and debates in higher education reform early in the period (1860-1910) that saw the emergence of the modern university; and third, his intellectual relation to significant figures from this age of educational transformation: Walt Whitman, William James, Harvard president Charles W. Eliot, and W.E.B. Du Bois, Harvard's first African American PhD. Meehan argues that the late Emerson educates through the "rhetorical liberal arts," and he thereby rethinks Emerson's influence as rhetorical lessons in the traditional pedagogy and classical curriculum of the liberal arts college.
This study reevaluates Christopher Pearse Cranch's career as a Hudson River School artist and considers his landscape paintings within the larger context of American culture
A Rolling Stone Best Music Book of 2021 “Thompson is a master showman . . . [Beeswing is] everything you’d hope a Richard Thompson autobiography would be . . . It’s both major and minor, dirge and ditty, light on its feet but packing a punch.” —The Wall Street Journal Now Featuring an Interview with Elvis Costello In this moving, immersive, and long-awaited memoir, beloved international music legend Richard Thompson recreates the spirit of his early years, where he found, and then lost, and then found his way again. Considered one of the top twenty guitarists of all time, Thompson also belongs in the songwriting pantheon alongside Bob Dylan, Paul Simon, and Randy Newman. Here the British folk musician takes us back to the late 1960s, a period of great change and creativity for both him and the world at large. During the pivotal years of 1967 to 1975, just as he was discovering his passion for music, he formed the band Fairport Convention with some schoolmates and helped establish the genre of British folk rock. It was a thrilling period of massive tours, where Thompson was on the road in both the UK and the US, crossing paths with the likes of Led Zeppelin, Pink Floyd, and Jimi Hendrix, as well as a time of heady and explosive creativity for Thompson, who wrote some of his most famous songs during this time. But as Thompson reveals, those eight years were also marked by upheaval and tragedy. Honest, moving, and compelling, Beeswing vividly captures the life of a remarkable man and musician during a period of artistic intensity, in a world on the cusp of change. “An absorbing, witty, often deliciously biting read, as all rock memoirs should be.” —Los Angeles Review of Books