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Josette Féral & Donia Mounsef Editors' Preface: The Transparency of the Text Part I: Avant and Après Garde Tom Bishop Whatever Happened to the Avant-Garde? Jean-Pierre Ryngaert Paroles en lambeaux et écritures d'entreparleurs Bernadette Bost Beyond Drama: Total Theater Ariane Eissen Myth in Contemporary French Theater: A Negotiable Legacy Josette Féral Language Crossings: The Unspoken Must Be Said Part II: (Under)writing the Stage David Bradby Michel Vinaver: From Writing to Staging Donia Mounsef The Language of Desire and the Desire for Language in the Theatre of Koltès and Cixous Clare Finburgh Voix/Voie/Vie: The Voice in Contemporary French Theatre Mary Noonan L'Art de l'écrit s'incarnant: The Theatre of Noëlle Renaude Part III: Disputed Textualities Judith Miller Is There A Specifically Francophone African Stage Textuality? Sylvie Chalaye Contemporary Francophone Writings for the Theater from Africa and the West Indies Yves Jubinville Death and Birth of the Author: Toward a New History of Québécois Playwriting Philippa Wehle "Waiting for the Next Big Thing": Why Do American Audiences Have Such Difficulty with Contemporary French Playwrights?
Considers the ephemeral nature of the cinematic experience as we now apprehend it, and examines the ways in which technological advances in film and moving image production have changed this experience over the course of the last thirty-odd years.
Transparency is the order of the day. It is a term, a slogan, that dominates public discourse about corruption and freedom of information. Considered crucial to democracy, it touches our political and economic lives as well as our private lives. Anyone can obtain information about anything. Everything—and everyone—has become transparent: unveiled or exposed by the apparatuses that exert a kind of collective control over the post-capitalist world. Yet, transparency has a dark side that, ironically, has everything to do with a lack of mystery, shadow, and nuance. Behind the apparent accessibility of knowledge lies the disappearance of privacy, homogenization, and the collapse of trust. The anxiety to accumulate ever more information does not necessarily produce more knowledge or faith. Technology creates the illusion of total containment and the constant monitoring of information, but what we lack is adequate interpretation of the information. In this manifesto, Byung-Chul Han denounces transparency as a false ideal, the strongest and most pernicious of our contemporary mythologies.
The purpose of Rupert's book is to look clearly and simply at the nature of experience, without any attempt to change it. A series of contemplations lead us gently but directly to see that our essential nature is neither a body nor a mind. It is the conscious Presence that is aware of this current experience. As such it is nothing that can be experienced as an object and yet it is undeniably present. However, these contemplations go much further than this. As we take our stand knowingly as this conscious Presence that we always already are, and reconsider the objects of the body, mind and world, we find that they do not simply appear to this Presence, they appear within it. And further exploration reveals that they do not simply appear within this Presence but as this Presence. Finally we are led to see that it is in fact this very Presence itself that takes the shape of our experience from moment to moment whilst always remaining only itself. We see that our experience is and has only ever been one seamless totality with no separate entities or objects anywhere to be found.
As a vector graphics format, SVG uses precisely-defined geometric shapes to build an image. But that doesn't mean that SVG graphics have to look like technical drawings. SVG graphics can be shaded, textured, built from partially-transparent overlapping layers, or even filled with photographic images. SVG Colors, Patterns, and Gradients takes an in-depth look at the different ways SVG text and shapes can be painted on the screen or page. You’ll start with an overview of how color is defined, including the various ways you can control the transparency of SVG content. You’ll then dive deep into the concept of an SVG paint server: gradients, patterns, and other complex graphical content that can be used to fill-in or outline other SVG shapes and text.
"Transparency," by Colin Rowe and Robert Slutzky, originally published in English in 1964 (in Perspecta 8), followed by a German translation in 1968, is one of the main modern reference texts for any student of architecture. Rowe and Slutzky co-founded the architects group "Texas Rangers" at the University of Texas in Austin, together with John Hejduk, Werner Seligmann and Bernhard Hoesli. In conjunction with their teaching activities, the group members sought to develop a new method for architectural design and proceeded to test their models in the teaching environment. This edition of Transparency is provided with a commentary by Bernhard Hoesli and an introduction by the art and architecture historian Werner Oechslin.
This fully updated second edition of Introduction to Holography provides a theoretical background in optics and holography with a comprehensive survey of practical applications. It is intended for the non-specialist with an interest in using holographic methods in research and engineering. The text assumes some knowledge of electromagnetism, although this is not essential for an understanding of optics, which is covered in the first two chapters. A descriptive approach to the history and principles of holography is followed by a chapter on volume holography. Essential practical requirements for successful holographic recording are explained in detail. Recording materials are considered with detailed discussions of those in common use. Properties peculiar to holographically reconstructed images are emphasised as well as applications for which holography is particularly suitable. Mathematical tools are introduced as and when required throughout the text with important results derived in detail. In this new edition, topics such as photopolymers, dynamic holographic displays, holographic optical elements, sensors, and digital holography are covered in greater depth. New topics have been added, including UV and infrared holography, holographic authentication and encryption, as well as particle beam, X-ray, and acoustic holography. Numerical problems are provided at the end of each chapter. This book is suitable for undergraduate courses and will be an important resource for those teaching optics and holography. It provides scientists and engineers with knowledge of a wide range of holographic applications in research and industry, as well as an understanding of holography’s potential for future use.
The paradoxical logic of transparency and mediation Transparency is the metaphor of our time. Whether in government or corporate governance, finance, technology, health or the media – it is ubiquitous today, and there is hardly a current debate that does not call for more transparency. But what does this word actually stand for and what are the consequences for the life of individuals? Can knowledge from the arts, and its play of visibility and invisibility, tell us something about the paradoxical logics of transparency and mediation? This Obscure Thing Called Transparency gathers contributions by international experts who critically assess the promises and perils of transparency today.
Written for students, professionals, and social scientists with little or no knowledge of data visualization principles, this complete guide presents step-by-step instructions for clearly and effectively presenting data using MS Office programs. Throughout the book, the focus is on turning raw, quantitative data into attractive, well-designed charts and tables that tell an accurate narrative about underlying information. Helpful illustrations, expert tips for solving common issues, and discussions on working efficiently are included to equip readers with the tools they need to engage their audience using a visual format.