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How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek culture Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see—or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world.
"Citadel to City-State serves as an excellent summarization of our present knowledge of the not-so-dark Dark Age as well as an admirable prologue to the understanding of the subsequent Archaeic and Classical periods." -- David Rupp, Phoenix The Dark Age of Greece is one of the least understood periods of Greek history. A terra incognita between the Mycenaean civilization of Late Bronze Age Greece and the flowering of Classical Greece, the Dark Age was, until the last few decades, largely neglected. Now new archaeological methods and the discovery of new evidence have made it possible to develop a more comprehensive view of the entire period. Citadel to City-State explores each century from 1200 to 700 B.C.E. through an individual site -- Mycenae, Nichoria, Athens, Lefkandi, Corinth, and Ascra -- that illustrates the major features of each period. This is a remarkable account of the historical detective work that is beginning to shed light on Dark Age Greece.
"Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see-- or did they come to see the world differently? ... Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world"--Publisher's description.
Robin Osborne's introduction to the art, archaeology and history of ancient Greece shows how we can write the history of this period, and the insights which can be gained by doing so for our understanding of later periods of history
E.A. Judge's third collection of essays moves on from Rome and the New Testament to the interaction of the classical and biblical traditions, to the cultural transformation of late antiquity, and to the contested heritage of Athens and Jerusalem in the modern West. A lifelong interest in Rome bridges this range. Christianity emerges as essentially a movement of ideas, opposed at first to the cultic practice of ancient religion which had been meant to secure the existing order of things. The new message with its demanding morality laid the foundations for our radically different sense of 'religion' as the quest for the ideal life.The 'Judge method' tackles such momentous questions by starting with textual detail, translated from Latin and Greek. Inspired by the project of the Dolger-Institut in Bonn (the interaction of antiquity and Christianity), he brings to it a particular focus on those documents of the times retrieved from stone or papyrus. The collection reflects the more holistic approach to history, starting with the ancient world, that has been developed at Macquarie University in Sydney, where diverse interests are now drawn together from as far back as ancient Egypt or China in an attractive approach to the modern world.
Civic Rites explores the religious origins of Western democracy by examining the government of fifth-century BCE Athens in the larger context of ancient Greece and the eastern Mediterranean. Deftly combining history, politics, and religion to weave together stories of democracy’s first leaders and critics, Nancy Evans gives readers a contemporary’s perspective on Athenian society. She vividly depicts the physical environment and the ancestral rituals that nourished the people of the earliest democratic state, demonstrating how religious concerns were embedded in Athenian governmental processes. The book’s lucid portrayals of the best-known Athenian festivals—honoring Athena, Demeter, and Dionysus—offer a balanced view of Athenian ritual and illustrate the range of such customs in fifth-century Athens.
Murray traces the emergence of urbanisation and social and political structures from the Mycenean and legendary origins of Greece through to the Persian Wars.
Lissargue (author and director of studies, l'Ecole des hautes etudes en sciences socials in Paris) has divided the vases by subject--dining, love, athletes, warriors, heroes, men and gods, Hercules, the Athenians' mythic identity, and Dionysus--and writes at length about each scene chosen. The plates are in color and of high quality, with many details, but the text is substantial as well, providing detailed discussion of what we see in the images and the aspects of Greek life and myth they display. c. Book News Inc.
The Greek Polis and the Invention of Democracy presents a series of essays that trace the Greeks’ path to democracy and examine the connection between the Greek polis as a citizen state and democracy as well as the interaction between democracy and various forms of cultural expression from a comparative historical perspective and with special attention to the place of Greek democracy in political thought and debates about democracy throughout the centuries. Presents an original combination of a close synchronic and long diachronic examination of the Greek polis - city-states that gave rise to the first democratic system of government Offers a detailed study of the close interactionbetween democracy, society, and the arts in ancient Greece Places the invention of democracy in fifth-century bce Athens both in its broad social and cultural context and in the context of the re-emergence of democracy in the modern world Reveals the role Greek democracy played in the political and intellectual traditions that shaped modern democracy, and in the debates about democracy in modern social, political, and philosophical thought Written collaboratively by an international team of leading scholars in classics, ancient history, sociology, and political science
The years c. 1250 to 1150 BC in Greece and the Aegean are often characterised as a time of crisis and collapse. A critical period in the long history of the region and its people and culture, they witnessed the end of the Mycenaean kingdoms, with their palaces and Linear B records, and, through the Postpalatial period, the transition into the Early Iron Age. But, on closer examination, it has become increasingly clear that the period as a whole, across the region, defies simple characterisation – there was success and splendour, resilience and continuity, and novelty and innovation, actively driven by the people of these lands through this transformative century. The story of the Aegean at this time has frequently been incorporated into narratives focused on the wider eastern Mediterranean, and most infamously the ‘Sea Peoples’ of the Egyptian texts. In twenty-five chapters written by 25 specialists, Collapse and Transformation instead offers a tight focus on the Aegean itself, providing an up-to date picture of the archaeology ‘before’ and ‘after’ ‘the collapse’ of c. 1200 BC. It will be essential reading for students and scholars of the Aegean and eastern Mediterranean regions, as well as providing data and a range of interpretations to those studying collapse and resilience more widely and engaging in comparative studies. Introductory chapters discuss notions of collapse, and provide overviews of the Minoan and Mycenaean collapses. These are followed by twelve chapters, which review the evidence from the major regions of the Aegean, including the Argolid, Messenia, and Boeotia, Crete, and the Aegean islands. Six chapters then address key themes: the economy, funerary practices, the Mycenaean pottery of the mainland and the wider Aegean and eastern Mediterranean region, religion, and the extent to which later Greek myth can be drawn upon as evidence or taken to reflect any historical reality. The final four chapters provide a wider context for the Aegean story, surveying the eastern Mediterranean, including Cyprus and the Levant, and the themes of subsistence and warfare.