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Excerpt from The Tragic Story of the Waihi Strike "The Tragic Story of the Waihi Strike" is issued by the authority of the New Zealand Federation of Labor, and is written by H. E. Holland, "Ballot Box," and R. S. Ross. It is at once an exposition and a vindication. It is a record of occurrences, a statement of facts, a demand for an inquiry. It is an impeachment of the Class State and its Massey Government - is the strikers' case for that final jury which is the unconquerable people. In another place we have alluded to the wide ramifications and the many instructive aspects and sidelights of the strike. We find ourselves regretting that neither time nor space have permitted of the effective treatment of the whole of these. The "story" could with ease have been made twice the length, had such questions as agreements, mining finance, secessions, manifestoes, the exodus from Waihi, the reopening of the mines, the great lying press, Federation policy, and so on been adequately dealt with. Hero and now we cannot forbear making reference to the finely educative nature of strike propaganda and to the significant fact that associated in this responsible and necessary work was a group of Socialist and industrialist organisers of parts and prowess. It may be contended by some that what is said were better unsaid. We think not - for the workers have to learn to do by learning how not to do; and so the traitorous or ignorant conduct dissected in this book may verily make the volume a Beacon to the outraged working-class of Australasia. After this story had been designed and written, and while it was being printed, a notable conference of New Zealand Trade Unions was held in Wellington. As the outcome, a Basis of Unity was adopted, standing for one organisation in industry and one organisation in politics, and unambiguously endorsing the revolutionary foundations of the Labor movement. Parties to this Basis of Unity are organisations and persons attacked in this book, and under the new circumstances we have to ask that final judgment of those indicted be suspended until in the fulness of time they are viewed in proper perspective. However portions of the work be construed in the light, of altered relations, it is, we think, incontestable that the volume's chief value will be its interpretation or portraiture of the living spirit of the things and times with which it deals. Despite all its blemishes, it is at least delineatory of the stirring period and happenings covered by a strike - fierce, grim and notorious: in a sense, to those in the thick of the fray, a revolutionary atmosphere was there as distinctive as historical revolutionary epidemics. To have sacrificed what was felt and said in the fight would have been to surrender the realism of it entirely. Furthermore, to us much depends upon making understood a viewpoint. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In 1900, a handful of New Zealand police detectives watched out for spies, seditionists and others who might pose a threat to state and society. The Police Force remained the primary instrument of such human intelligence in New Zealand until 1956 when, a decade into the Cold War, a dedicated Security Service was created. Over the same period, New Zealand' s role within signals intelligence networks evolved from the Imperial Wireless Chain to the UKUSA intelligence alliance (now known as Five Eyes).The first of two volumes chronicling the history of state surveillance in New Zealand, Secret History opens up the &‘ secret world' of security intelligence through to 1956. It is the story of the surveillers who &– in times of war and peace, turmoil and tranquillity &– monitored and analysed perceived threats to national interests. It is also the story of the surveilled: those whose association with organisations and movements led to their public and private lives being documented in secret files.Secret History explores a hidden and intriguing dimension of New Zealand history, one which sits uneasily with cherished national notions of an exceptionally fair and open society.
This book traces the enduring relationship between history, people and place that has shaped the character of a single region in a manner perhaps unique within the New Zealand experience. It explores the evolution of a distinctive regional literature that both shaped and was shaped by the physical and historical environment that inspired it. Looking westwards towards Australia and long shut off within New Zealand by the South Island’s rugged Southern Alps, the West Coast was a land of gold, coal and timber. In the 1950s and 1960s, it nurtured a literature that embodied a sense of belonging to an Australasian world and captured the aspirations of New Zealand’s emergent radical nationalism. More recent West Coast writers, observing the hollowing out of their communities, saw in miniature and in advance the growing gulf between city and regional economies aligned to an older economic order losing its relevance. Were they chronicling the last hurrah of a retreating age or crafting a literature of regional resistance?
No book exists specifically on the famous, popular ‘name’ trains that used to run on the New Zealand rail network. The Auckland-Opua Express once carried passengers to the Bay of Islands, the Onehunga Boat Train used to be part of the main route between Auckland and Wellington, and the Rotorua Limited enabled tourists and the well-to-do to take the waters in Rotorua. Later trains like the Silver Star and Northerner - even the Kaimai, Geyserland and Bay Expresses, withdrawn in 2001 - had a distinctive character too.Last Train to Paradise describes the halcyon days of New Zealand rail, some of which the author was fortunate enough to experience personally. The ‘name’ trains and journeys cover a considerable period of New Zealand’s history, from the late 1800s, through the ‘golden’ era of train travel (the first four decades of the 20th century), and conclude with the introduction of new services in the last half of the century. The railway lines described in the book cover every part of the country – and some that have almost been erased from popular memory. Almost everyone in the first half of the 20th century travelled by train – including royalty. In 1869 the first royal train journey from Lyttelton to Christchurch carried the Duke of Edinburgh; the first fully-fledged royal train carrying the Duke and Duchess of Cornwall (the future King George V and Queen Mary) plied the route of the Rotorua Limited and the South Island Express; in 1920 the Prince of Wales traversed the country by train with Lord Louis Mountbatten. In 1927 the Duke and Duchess of York (the future King George VI and Queen Elizabeth) travelled more than 1700 miles by royal train. Other distinguished visitors whose stories will be told in the book include the English comedian J.L.Toole and his company (1890), Australian poet Will Lawson, singers Dame Nellie Melba, Dame Clara Butt, Irish tenor John McCormack and Russian bass Feodor Chaliapin, Polish pianist Ignace Paderewski, ‘March King’ John Philip Sousa and his band, ballerina Anna Pavlova, the 17-year-old violinist Yehudi Menuhin, writers Rudyard Kipling, Zane Grey and George Bernard Shaw, and actors Laurence Olivier and Vivien Leigh. The book will include a wide variety of fascinating and unfamiliar photographs, not just of the trains themselves but also of the people who travelled in them.
This book is a visual and narrative history of two communities, Māori and Pākehā, during a hundred years of settlement in New Zealand. It reveals how the two cultures saw their history through very different eyes: for Pākehā, it was a story of establishing an ‘English island’ in the Pacific; for Māori, a tale of loss and exclusion. But by setting out these conflicting understandings of the past, the book also seeks to bridge cultural differences through the sharing of knowledge. Written by three leading historians and lavishly illustrated, it is a stunning presentation of New Zealand’s history.
This comprehensive guide to research, sources, and theories about nonviolent action as a technique of struggle in social and political conficts discusses the methods and techniques used by groups in various encounters. Although violence and its causes have received a great deal of attention, nonviolent action has not received its due as an international phenomenon with a long history. An introduction that explains the theories and research used in the study provides a practical guide to this essential bibliography of English-language sources. The first part of the book covers case-study materials divided by region and subdivided by country. Within each country, materials are arranged chronologically and topically. The second major part examines the methods and theory of nonviolent action, principled nonviolence, and several closely related areas in social science, such as conflict analysis and social movements. The book is indexed by author and subject.
Paradise Reforged picks up where Making Peoples left off, taking the story of the New Zealanders from the 1880s to the end of the twentieth century. It begins with the search for "Better Britain" and ends by analyzing the modern Maori resurgence, the new Pakeha consciousness, and the implications of a reinterpreted past for New Zealand's future. Along the way the book deals with subjects ranging from sport and sex to childhood and popular culture. Critics hailed Making Peoples as "brilliant" and "the most ambitious book yet written on [New Zealand's] past." Paradise Reforged, its successor, adopts a similarly incisive, original sweep across the New Zealand historical landscape in confronting the myths of the past. That some of its themes are uncomfortably close to the present makes the result all the more fascinating.